For our first foray in to DSP we put our white lab coats on, we listened to a lot of reverb, and then we listened some more. We tore apart reverb tanks to see what makes them unique to create something truly special.

The Spring Theory is designed specifically for guitar. You won’t hear a supposed spring reverb simulation that just doesn’t cut it, or so-called “studio” reverb designed for vocals or drums simply ported to a pedal format as an afterthought. Simply put it’s the most accurate black face spring reverb pedal in existence.

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Demo by  HarryAndAGuitar

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Review by The Gear Forum

Review by TDPRI

Review by The Gear Page

Spring Theory

Based on the Korg MS-20, the M3 brings the sounds of 70s monophonic synthesizers without the modular complications.

Instead of dual oscillators, the M3 employs 3 digitally controlled oscillators for super fat synth sounds that never go out of tune.

Eleven oscillator combinations cover string sounds, analog bass, bell tones, fifths and more. The algorithm knob’s eleven settings further shapes the sound controlling everything from the filter, two envelope generators, LFOs, portamento and more.

Review by guitar pedal X

Review by BassChat

Manual

Demo by  SpiralCasterPlaysPedals

Demo by collector//emitter

Many users of the original Liquid Sunshine described it as “tweedy” or “voxy.” While the mkIII sounds similar it is not meant to be an “amp in a can” device. It’s inspired by the idea that an overdrive should “play nice” with your tone. It works with the gear you already use. It won’t make your amplifier sound like something it’s not. It simply adds a little magic.

The Liquid Sunshine mkIII is well suited for use with a clean amplifier, or pushing a cranked amp. This is especially important for playing at different volume levels. It feels equally at home on stage, at rehearsal or simply practicing at home.

Review by The Fretboard

Demo by Prymaxe

Demo by JayLeonardJ

Liquid Sunshine MkIII

By analyzing the design, sound and physics of real spring tanks we captured the nuances of tube driven spring reverb. Even something as innocuous as unplugging your guitar cable (kerplangagnangang)  sounds like real deal. A tone control allows you to dial in the perfect timbre. There is also an internal reverb send trimmer serving two purposes- 1. It allows you to turn down for hotter input signals. 2. It does essentially what the dwell control does on an outboard reverb tank. You can turn it up for a more dramatic effect or back it off for subtlety.

Unlike a real spring tank the the decay knob allows you to dampen the springs for shorter reverb or bend the laws of physics resulting in long psychedelic resonating trails.

The clean signal path is all analog. JFET amplifiers carryout the send and recovery of the reverb signal for even more tube like dynamics. The Super Spring Theory is equally at home in front of a clean or dirty amp.

Review by Premier Guitar

Super Spring Theory

The Quasar DLX is back in black. The original LFO waveforms return, with improvements in the phaser’s tone and usability.

Like many classic designs the heart of the Quasar DLX mkII is an analog 4 stage OTA based phaser. This phaser is made special by the features and functionality possible only with digital control. Eleven LFO shapes ranging from the tried and true sine and triangle waves to random sample/hold and even an argyle waveform. (Yes you read that right! Argyle!)

Demo by  SILVERGUN K

Quasar DLX

Quasar DLX by Subdecay

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