For our first foray in to DSP we put our white lab coats on, we listened to a lot of reverb, and then we listened some more. We tore apart reverb tanks to see what makes them unique to create something truly special.

The Spring Theory is designed specifically for guitar. You won’t hear a supposed spring reverb simulation that just doesn’t cut it, or so-called “studio” reverb designed for vocals or drums simply ported to a pedal format as an afterthought. Simply put it’s the most accurate black face spring reverb pedal in existence.

Official Product Video

Demo by  HarryAndAGuitar

Product Page

Review by The Gear Forum

Review by TDPRI

Review by The Gear Page

Spring Theory

The Stupid Box from Sub-Decay Studios. This stomp box is not very intelligent, but works as a super versatile distortion. The Stupid Box employs soft clipping just like vintage tube screamers, but driven much harder and with a full range frequency response. This Dumb Box can go from high gain to blues, with a twist of the gain knob.

What's it all about?

If you play a clean open cab 6L6-based amp, and don't want to give up your great clean tone, but have always been jealous of those guys with the half stacks, the stupid box is what you have been waiting for. If you play a 2 channel high gain amp, and struggle for those in-between tones this is a great pedal to have as well. The Stupid Box has a variable frequency filter unlike most distortion boxes which only let you control the roll off, making it much easier to match the pedal to the natural voicing of your amp.

Review by Harmony Central

Official Website

Demo by JAM's Factory 1996

Demo by Brett Kingman

Stupid Box

From huge jet plane sweeps to swirly pitch vibrato the Starlight does everything a flanger should and more. This all analog bucket brigade based (MN3209) flanger adds the flexibility of digital control. There’s classic triangle shape modulation and wobbling sine wave for a super deep throb. We’ve also gone beyond the norm and included some of our favorite LFO’s from the Quasar DLX. Triangle/Square mix, Random Sample/hold and Step Triangle. There’s also a manual setting allowing you to use the speed knob to manually control the flanger.

From lush dreamy chorus to a cold metallic clang.

Demo by MrExcane

Demo by Prymaxe

Manual

Starlight Quantum

More than an envelope filter.
Once again we’ve knocked the world of filter pedals off its axis. Autowah, envelope filter, step filter, random sample/hold filter, even a pixelated envelope filter. This one does it all

Demo by TheGuacamoleXplosion

Prometheus DLX

The Quasar v4 offers eleven modes paired with a simple control surface. An abundance of non-traditional options are on tap. Rhythmic modulation patterns. Sci-fi discombobulation. Envelope speed control.

Traditional phaser and rotary tones are in the box too, but you want more, right? Something different? Something that stands out?

Review by Talk Bass.com

Demo by Living Room GD

Quasar Phaser v4

Quasar Phaser v4 by Subdecay

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Quasar Phaser v4

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Subdecay

Spring Theory

Subdecay

Stupid Box

Subdecay

Starlight Quantum

Subdecay

Prometheus DLX

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