The Proteus mkII – Our plug and play filter, with a new design closely related to the original Filter Sample/Hold. The resonance control adds a new dimension to the effect that goes from subtle to greasy gritty synth tones. We also added an external switch allowing you to change from low-pass to band-pass filter.

Demo by BUZZBEE TV

Demo by Brett Kingman

Review by Talk Bass.com

Review by The Gear Page

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Proteus v2

From the ringing faux sitar sound to the rise and fall of jet plane sweep, flangers fire up very specific neurons in our brains, reminding us of certain music genres and eras often to the point of being cliché. Far more interesting to us is the way flanging and “flanger like” effects are used in mixdown or soundtracks to create a sense of focus, tension or space. How does this translate to a guitar effect? This really goes beyond the scope of most simple stompboxes. The Starlight DLX lets you make new sounds that conjure up imagery and emotion.  We hope you’ll find sounds which even we couldn’t have imagined.

Review by guitar pedal X

Review by Reverb.com

Demo by Prymaxe

Official Product Video

Starlight DLX

Erleben Sie die Fuzz-Zukunft mit dem Noise Theory. Unbegrenzt von der Tradition der 60er und 70er Jahre nutzt er Synthesizertechnologien wie Wave-Folding und Wave-Shaping-Verzerrungen. In der Gitarrenszene sind sie nicht üblich, aber in der modularen Synthese werden sie schon seit Jahren eingesetzt. Unerforschtes klangliches Territorium erwartet Sie. 

Wellenfaltung: Machen Sie sich das Chaos zunutze
Wenn der Edit Mode-Schalter auf Shaper steht, können Sie aus 11 Fuzz-Typen wählen. Die Fuzz-Typen 2 bis 9 stellen die Wave Folding-Fuzzes dar. Diese bieten ein Spektrum an verblüffenden Sounds mit Intermodulationsübersteuerung.

Experience the fuzz future with the Noise Theory. Unconfined by 60’s and 70s tradition, it embraces synth technology like wave folding and wave shaping distortions. Uncommon in the guitar world, but they’ve been used in modular synthesis for years. Unexplored sonic territory awaits. 

Wave Folding: Harness the chaos
With the Edit Mode switch set to Shaper you can choose from 11 fuzz types. Fuzz 2 through 9 introduce wave folder fuzzes. These offer a spectrum of mind-bending tones with intermodulation overload.

Demo by Pedal Experiments

Review by delicious audio

Review by reddit /guitarpedals

Noise Theory - Parallel Waveshaper Fuzz

The Starlight MKIII brings back some favorite features of the Starlight DLX and introduces exciting new ones, including through-zero flanging, MIDI control, and savable presets. With an ultra-wide sweep range (0-21ms), the Starlight MKIII offers unparalleled versatility, allowing you to dial in everything from smooth, classic flanging to boldly experimental.

Starlight Flanger MKIII

Strap in, set your coordinates and propel your sound in to space. Turn on the Quantum Quasar and transmit the swirling fields of energy through your signal chain. The lush watery sounds are still there with the sine and triangle LFO shapes, but the options transverse the customary norms. Other LFOs offer distinguished nuances to unapologetic ‘in your face’ madness. Refined to the essentials, yet deep and rich. Like our other quantum series pedals versatility is maximized from a minimum of controls. 

The prominent shape control (missing from most other phasers) molds the sweep with six distinctly different functions, expanding your sonic options by cosmic proportions. The speed control ranges from slow and orbital to accelerated quantum vibrations. Regen controls the timbre of the effect ranging from subtle vibe to the edge of oscillation. This all analog VCA based phaser entangles your guitar signal with quantum magic. Designed with both clean and overdriven sounds in mind, the Quantum Quasar stands out, but easily integrates with other effects.

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