The T-Rex Vulture started its life, when Michael plugged in one of the very first pedals we made. That pedal had a certain sound to it that we really liked, but it was a bit grungy in the low-end. We wanted to make a pedal with that sound, but with a tighter, less fuzzy low end and with more gain.
We opened up the pedal and painstakingly measured everything in it, to find out why it sounded so good, and found a couple of resistors that would be better with other values.
Was it modified earlier in life or was this just a very good sounding mistake from when it was made in Lars´ basement way back in the 90´s?
All we know is that the basic sound was cool and we left it at that, and went on to focus on getting the low-end tight - but BIG!
The fruit of our labor is a pedal that has a great, throaty distortion with a nice bite to it but the low end and low midrange can be shaped in many ways, thanks to the low- and fat-boost knobs. This allows the player to dial in almost stupid amounts of lows, but the distortion stays tight, not muddy.

Product Page

Review by Trevor Curwen, musicradar.com

Official Product Video

Demo by LukeTaylorMusic

Manual

Demo by EytschPi42

Demo by Wall of Sound

Vulture distortion

When the guitar-slinging engineers at Denmark’s T-Rex Engineering decided to expand their range of premium pedals with a brand new compressor, they went out and tested every compression unit on the market. What they discovered was simple: all the units they tested had all the features a compressor should have, but none of them offered the finely crafted tone that T-Rex pedals are famous for.

Comp-Nova was created to solve this problem. With its perfectly simple set of controls and pure, naturally compressed sound, this pedal is compression done right. It delivers a subtle, musical compression – no matter whether you’re using it to even out funky single note lines, add sustain to searing leads, or take the edge off an acoustic rhythm part. And like every pedal T-Rex makes, Comp-Nova delivers a warm, natural tone that brings out the original richness of your instrument and the way you play it.

Review by themarvellous, musiker-board.de

Demo by Brett Kingman

Review by Justin, guitarpickzone.com

Demo by ProGuitarShopDemos

Comp-Nova

Ducking – or the automatic reduction of your delayed signal when your clean signal rises above a certain level – is a complex effect that can really give your musical expression a lift. In quiet passages, the delay supports the special atmosphere you want to create. As you start to play harder, the delay recedes to let the notes you’re playing come through pure and uncluttered.

Demo by gearuptmntv

Review by Trevor Curwen

Demo by chatreeo

Duck Tail

We have had many requests for a more straight sounding delay pedal that is clearer and more true to the incoming guitar signal. By using new hardware, we not only created a very studio-like sounding delay, but we were able to increase the delay time to a maximum of 3 seconds. It sounds more modern and it doesn´t distort or warble – it merely sends out what you put in, only a little later and in a very pleasing way.
Just like all our other delays, the dry signal is kept analog, so there is no latency or coloring from the converters to the dry signal.

Demo by Pedal of the Day

Review by Pedal of the day

Replay Box

Set free from the deepest, darkest chasms of the Nether Worlds comes Bloody Mary, hailing a new era in metal!

Bloody Mary will bring high impact sound, unrivalled customization and bonecrushing distortion to the fingertips of its master. A power which can only be rivalled by mighty Mjolnir.

What gives this beast its true power is its 5-dial sound customization, giving you complete control of not only High, Mid and Low settings, but also Gain and Level. The Body switch adds a distinct tone and a rich lower mid and bass to your sound.

Review by musicgearreview.com

Demo by gearwire

Bloody Mary

Bloody Mary by T-Rex

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