Best utilized as the last pedal in your chain of goodies, the Space Reverb delivers authentic stereo reverb sounds and a master boost function, that works quite well for added ambience and solo boosts in one box.
The four algorithms will go from amp-like spring reverbs to spacious hall reverbs and the adjustable boost is separated from the reverb effect, so you can use any of the two or both at the same time.
The two effects go hand in hand really well when used as “enhancers” for your existing pedal chain.
The dry signal is kept analog and there´s a switch for selecting whether the reverb tails will ring out when you bypass the effect, which rounds out the feature set nicely.

Product Page

Demo by Wall of Sound

Review by Thomas Dill, bonedo.de

Manual

Space Master

The Replicator Module uses much of the same technology of the ”stompbox” version, but certain parameters and features are optimized for Eurorack/studio use.
CV inputs accept 0-5V control signals, so you can now plug in your favorite oscillator module and control delay time and/or feedback electronically.
Pair it up with a funky, modern wave generator for a perfect marriage between 70´s ambience and contemporary sound manipulation.
The added filter switch dampens high frequency content in the delay signal for less noise and a darker echo.
The internal power rails has been modified to run from the +/-12V Eurorack standard, so you get all the same sounds and features from the pedal version, but in a more studio/keyboard/synth-friendly format.
Get creative with CV control of true tape echos, process instrument signals/tracks in the studio or use as a table top echo unit for live sound.

Demo by Sweetwater

Review by Chris Pfeil 

Demo by Celldweller

Official Product Video

Replicator Modular Format

The Reptile delay pedal was a milestone in T-Rex history, where we managed to squeeze all the great sound and most of the features of our revered Replica delay into a pedal that any guitarist could afford. Now, we’re pleased to bring you Reptile 2 – the next step in the evolution of this sonic savage for guitar and bass.
Tap Tempo – or the ability to control the tempo of your delay by tapping a button with your foot while you play – is what separated the men from the boys in our first generation of Replica-family delays. Not any more. With the Reptile 2, we’ve brought our renowned Tap Tempo function to the Replica’s “baby brother”. Tap Tempo gives you ultimate control of your delay on stage, by letting you match the speed of your delay effect to the tempo of your music – without ever missing a beat.

Review by Mick Taylor, musicradar.com

Demo by Brett Kingman

Reptile 2

The T-Rex Vulture started its life, when Michael plugged in one of the very first pedals we made. That pedal had a certain sound to it that we really liked, but it was a bit grungy in the low-end. We wanted to make a pedal with that sound, but with a tighter, less fuzzy low end and with more gain.
We opened up the pedal and painstakingly measured everything in it, to find out why it sounded so good, and found a couple of resistors that would be better with other values.
Was it modified earlier in life or was this just a very good sounding mistake from when it was made in Lars´ basement way back in the 90´s?
All we know is that the basic sound was cool and we left it at that, and went on to focus on getting the low-end tight - but BIG!
The fruit of our labor is a pedal that has a great, throaty distortion with a nice bite to it but the low end and low midrange can be shaped in many ways, thanks to the low- and fat-boost knobs. This allows the player to dial in almost stupid amounts of lows, but the distortion stays tight, not muddy.

Review by Trevor Curwen, musicradar.com

Demo by LukeTaylorMusic

Demo by EytschPi42

Vulture distortion

Most guitarists know how complicated it can be to switch between clean, crunchy and distorted sounds on stage. If you set your amp to a crunchy sound and use a distortion pedal for solos, you don’t have a clean option. If you run you amp clean and use a distortion pedal for solos, the only way to back down from full distortion is to lower the volume on your guitar – and lose most of your tone.

Review by inselwissen, thegearpage.net