Many of the wah-wah pedals produced over the decades are very different from each other. And then there are related effects – like the underrated (we think) yoy-yoy pedal. When we designed Gull, we wanted to bring you the very best that history has to offer – and then some.


Gull gives you two distinct wah-wah sounds – a light wah that’s great for clean guitars and rhythm parts and a heavy, smoking wah for distorted leads – plus the unique dual-filter yoy-yoy effect. Yoy-yoy is a basically a wah effect with an ultra-high-frequency sweep soaring overhead. It’s an incredibly rich sound.

A classic SLOPE knob lets you shape the character of your wah/yoy sweep, and a BOOST function lets you set a higher volume for your output signal when you kick your Gull into action.

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Review by Steve Ouimette, premierguitar.com

Review by Robby Mildenberger, bonedo.de

Official Product Video

Demo by Brett Kingman

Manual

Demo by colin smith

Gull Wah

We named it SoulMate because you can always depend upon it. At all times, through good and bad, it is always there to help you keep the ball rolling.
The T-Rex SoulMate combines 5 pedals, a tuner and an integrated switching system in one. The included effects will give you all the bread and butter sounds you need and then some, and it will make you feel right at home when you start exploring the sounds.
The SoulMate can be used as if it was 5 pedals super glued together, but there´s more – the integrated switching system will let you activate any combination of the effects by a single press on a footswitch.
With 10 presets available, you are now free to do the “fretboard dance” and stop doing the “pedal dance”.
The effects are modified versions of some of our most popular pedals, and they have been carefully designed to work together. We even upgraded numerous components in the signal path for a fuller, bigger sound, and the dry signal is kept fully analog all the way through.
And we did not forget about all you two-amp players. The output of the SoulMate is stereo, so it splits your signal automatically.

Review by Michael Brown, musicradar.com

Review by Thomas Dill, bonedo.de

Review by Stephan Güte, amazona.de

Demo by Guitarist

Demo by Sweetwater

Soulmate

T-Rex Effects is proud to announce that the legendary Replica Delay is back with an even larger and more powerful “engine”, but still delivers the same iconic sound and simplicity.
You will discover two different modes, ¨Vintage mode¨, where the repeats are passed through a compressor/expander circuit, which makes the sound smooth and dynamic.
This circuit was used in the first generation of the Replica.
As an extra feature, we have added a ¨Modern mode¨ dedicated to musicians who are searching for a more open sound with clear repeats. 
T-Rex Effects has always combined the best from the analogue and digital worlds.
While the core of the new Replica is digital, the direct signal and feedback circuit are pure analogue. In our world, this is the ultimate way to go if you want an immediate response and dynamic sound. The repeats can be divided into quarter notes, triplets and dotted eights

Demo by martin Klaja's Guitarchannel

Replica

Best utilized as the last pedal in your chain of goodies, the Space Reverb delivers authentic stereo reverb sounds and a master boost function, that works quite well for added ambience and solo boosts in one box.
The four algorithms will go from amp-like spring reverbs to spacious hall reverbs and the adjustable boost is separated from the reverb effect, so you can use any of the two or both at the same time.
The two effects go hand in hand really well when used as “enhancers” for your existing pedal chain.
The dry signal is kept analog and there´s a switch for selecting whether the reverb tails will ring out when you bypass the effect, which rounds out the feature set nicely.

Demo by Wall of Sound

Space Master

Having some cool effects at your disposal when playing your acoustic instrument can highlight your performance and playing, but the effects should not cover up the instrument´s acoustic properties/sound and should act as “enhancers” of what´s already there. With a good pickup system, what most players look for is subtle changes, because essentially, they want to hear the instrument, only louder.
More importantly, we need to be able to use the instrument in various environments that are quite hostile for an instrument that is designed to be played acoustically. If signal phase, impedance and feedback mean anything to you, you already know that amplifying acoustic instruments often involves patching in various electronic gadgets that you´d never use in your electric setup,

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