T-Rex Bass Juice offers organic distortion specially designed for bass.
In normal mode (boost function off) it delivers awesome sustain with rich creamy overtones and big bottom.
Engage the boost function and you are in fuzztone heaven!
The mix knob let's you blend just the right amount of distortion with your original clear tone.
Remember that Jamiroquai sound, where it sounds like the bass kicks the paper of the speakers. The Bass Juice can do that - and many other things. 

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Review by EffectsBay

Demo by Bass Club Chicago

Review by Musiker-Board

Manual

Official Product Video

Bass Juice

T-Rex Effects is proud to announce that the legendary Replica Delay is back with an even larger and more powerful “engine”, but still delivers the same iconic sound and simplicity.
You will discover two different modes, ¨Vintage mode¨, where the repeats are passed through a compressor/expander circuit, which makes the sound smooth and dynamic.
This circuit was used in the first generation of the Replica.
As an extra feature, we have added a ¨Modern mode¨ dedicated to musicians who are searching for a more open sound with clear repeats. 
T-Rex Effects has always combined the best from the analogue and digital worlds.
While the core of the new Replica is digital, the direct signal and feedback circuit are pure analogue. In our world, this is the ultimate way to go if you want an immediate response and dynamic sound. The repeats can be divided into quarter notes, triplets and dotted eights

Review by Robby Mildenberger, bonedo.de

Demo by martin Klaja's Guitarchannel

Replica

Having some cool effects at your disposal when playing your acoustic instrument can highlight your performance and playing, but the effects should not cover up the instrument´s acoustic properties/sound and should act as “enhancers” of what´s already there. With a good pickup system, what most players look for is subtle changes, because essentially, they want to hear the instrument, only louder.
More importantly, we need to be able to use the instrument in various environments that are quite hostile for an instrument that is designed to be played acoustically. If signal phase, impedance and feedback mean anything to you, you already know that amplifying acoustic instruments often involves patching in various electronic gadgets that you´d never use in your electric setup,

Demo by David Wallimann

Review by Bernd Strohm, bonedo.de

Demo by T-Rex Effects

Soulmate Acoustic

Totenschläger is a distortion pedal that anyone can use, but that’s
really tuned for metal and other types of high-distortion music.
It delivers a gorgeous-sounding gain, whether you’re just adding a dirty edge to your sound or going all the way with searing, sustained distortion. And with its 3-band graphic equalizer,
Totenschläger puts YOU in charge of the shape and colour of your
distortion.

Demo by Ariel Pozzo

Review by Trevor Curwen, musicradar.com

Demo by Milan Polak

Demo by gearwire

Totenschläger

The T-Rex Yellow Drive solves this problem by giving you two separate channels of vintage T-Rex gain. Two channels means you can easily switch between a clean sound from your amp, a nice edgy overdrive from Channel A on your Yellow Drive and a thick warm distortion from Yellow Drive’s Channel B. It’s like having two pedals in one – and it gives you total control over your sound.

With the T-Rex Yellow Drive, total control runs deep. Of course you can set the amount of gain for each channel (the gain level for Channel B picks up where Channel A leaves off), but you also get pair of individually tuned tone controls – one for each channel – so you shape the timbre of your overdrive and your distortion to create your own signature sound.

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Yellow Drive Distortion

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T-Rex

Bass Juice

T-Rex

Replica

T-Rex

Soulmate Acoustic

T-Rex

Totenschläger

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