  100% Handmade versatile and useful optical tremolo, starting from vibe sounds to aggressive and hard chopping effect.

  With the big range LFO, 3Hz to 13Hz, and the 2 selectable waveforms sine & square from a dedicated toggle switch, you can reach almost any trem sounds!

  With the depth control set to zero a very colorful and powerful mosfet preamp – booster comes up.

Demo by GuitarSpotGr

Official Product Video

Manual

Product Page

Tremmatic

The Ti.Lay (Time Layer) delay pedal that reaches up to 650msec of delay time. It features two types of delay Tape & Analog select-able via a dedicate toggle switch.

  It uses both analog and digital worlds for best results. Α fully analog path featuring a high speed fet op-amp and top quality passive components to ensure the utmost respect to your original signal, combined in parallel with a digital device which is responsible for the repeats of the delay.

Demo by  GuitarSpotGr

Review by bonedo

TI.LAY.

The Molecular boost is a small but powerful and versatile stomp box. It can be used as a buffer, a booster, a pre-amp or a volume pedal and it can be placed anywhere in your rig. An internal voltage doubler ensures that the Molecular boost can handle any signal level, leaving the quality of your tone intact. A dual high speed FET opamp is responsible for matching the impedance of most pickups and piezos and for accurately preserving the character of any instrument plugged into it, while driving even the longest cables without any signal loss.
  Enjoy a generous amount of boost (from 0db. to +18db.) by adjusting the easily accessible external knob.

Review by Guitar.com

Review by Guitar World

Review by Premier Guitar

Demo by R.J. Ronquillo

Demo by Mike Hermans

Molecular Boost

 Over the years, we have had many different types of Marshall™ amps on our workbench, some for repairs and others for customization. Being huge fans of the sound of these classic amplifiers, that still continues to excite us through the music of so many artists, we decided to try and capture its mojo – the true essence of the soul of this sound – and carefully place it in a little box. Thus the Room #40 was born!
Using jfet technology, we tried to stay loyal to the tone and feel of the following legendary Marshall™ amps: the non master volume series PLEXI™ Super Lead (1959/1987) & Super Bass (1992) and the master volume series JMP™ & JCM800™ (2203/2204).
We emphasized on emulating the compression and sag coming from the power amp section, when these amps are pushed to the edge, while at the same time giving access to two famous mods, mod #39 (PLEXI™) and mod #34 (JMP™ & JCM800™). Of course the manifestation of our love for the late great Eddie Van Halen, who created the so called “brown sound” using an ohmite variac (variable transformer used to lower or raise the voltage going into the amplifier), could not be absent from this endeavor.

Demo by TheGuitarGeek

Review by The Gear Page

Demo by Leon Todd

Room #40

8 custom-made virtual guitar cabinets and natural room ambience combined with pre-amp type, power-amp voicing , cabinet back type and microphone type voicing controls. All carefully blended to deliver the cab sim every player has been looking for. No frustrating menus or complicated software. Simply plug in and enjoy one of the handiest tone-tools out there.

Demo by Pete Thorn

Review by TDPRI

MultiCab 3.5

MultiCab 3.5 by Tsakalis Audioworks

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Tremmatic

Tsakalis Audioworks

TI.LAY.

Tsakalis Audioworks

Molecular Boost

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Room #40

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