The PALE HORSE overdrive pedal started as a personal quest to improve the most widely revered overdrive pedal in history. Chasing down the answers led to a unique, new overdrive pedal. The PALE HORSE is so smooth, transparent, and dynamic, you might even find yourself using it instead of your own amp's distortion. For purists, the tonal constrictions common to mid-boosting overdrives have been removed, taking it beyond mere “green” pastures.

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Demo by Mike Hermans

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Pale Horse

The SPRINGBOARD yields lush and springy verb soundscapes from the BTDR-3H brick. This reverb is not created via DSP algorithms, but rather a patented network of delays with interwoven feedback paths that creates its own reverb category. We added two feedback controls to tailor both the length and tonal structure of the reverb trail. With the active EQ section, the SPRINGBOARD can go from bright to brooding. Now featuring natural trails bypass that kicks in when you press the footswitch, and true bypass when you release it!

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Springboard

The FUZZ DUO lets you switch between low-gain germanium & high-gain silicon transistors in the critical input gain stage to create your own signature fuzz tone. The BIAS control lets you dial in that perfect sweet spot, and the revised FILTER control balances between separate bass & treble filters. The FUZZ DUO requires the use hand-selected NPN germanium & silicon transistors, and works great when daisy-chained on a power supply.

Fuzz Duo

The DARK HORSE is a hard-edged distortion beast. From bluesy hints of low-gain grit, to face-melting doom in a box, the DARK HORSE distortion pedal defies genre classification. The 3-band active Baxandall tone stack adds a huge range of tonal variations, and the COMP control lets you control the pedal’s dynamics, from long, singing sustain to earth-shaking distortion. 

Demo by Dennis Kayzer

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Dark Horse

The TRIUMVIRATE is a unique take on a distortion pedal. The guitar signal is first separated into three pathways (lows, mids, and highs) where the range of each is set via internal trimpots. Next, each pathway goes through its own distortion engine, with full control over the amount of gain in each band. Finally, each band is independently mixed together at the end. In short, the Triumvirate is a multi-band distortion, which works great for guitar, bass, synths, even cellos!

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