The Jan Ray for Mateus Asato is a special model Jan Ray created under the supervision of Mateus Asato. It was brought to capture his ideal tone color without losing the integrity of the original Jan Ray sound. The total gain amount is increased with a slight compression added but still has the head room to it. We added another feature to the brass enclosure, clear coated the casing with the touch of pink for his signature color. "Pink Gold"

The Jan Ray for Mateus Asato will be a limited run of 500 units.

Review by Max's Blog

Review by bonedo

Demo by  All Music X'cess AMX

Demo by Mateus Asato

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Jan Ray Mateus Asato Signature

This is a single germanium full range booster, co-produced by famous Grammy Award winning producer-writer-guitarist, John Shanks. Based on the Dallas Rangemaster, used by big names like Brian May, Richie Blackmore, and Tommy Iommi, we put in some tweaks with the advice of John which then added a Sola Sound Tone Bender Professional mkII vibe, which Jimmy Page used in Led Zeppelin, giving Shanks a hybrid characteristic.
For the sound, we used difficult to find vintage hand picked N.O.S condensers. For the power outlet, we use state of the art tech which allows the great tone with a noiseless boost and wide head room.
The Bass knob allows to creat a full range boost.
From a clean sparkle to crunch and for a full boost that can drive like a Tonebender.

Review by The Gear Page

Demo by 島村楽器 フレンテ南大沢店

Demo by Living Room GD

Shanks 3K

The Shanks 4K was designed to recreate the 60’s Fuzz Face like overdrive boost. Equipped with two vintage germanium transistors. The range of the tone is very wide and has a enough head room to obtain a firm and bright clean tone to an edgy crunchy boost. When turning the FUZZ and the BASS to the highest level will get a thick Fuzz Face like distortion. The Fuzz Color trimmer allows to control the fuzz tone from spitty fuzz to a smooth overdrive fuzz.

Demo by Simon Gotthelf Gear Demos

Shanks 4K

The Rage e is the first pedal that was created at Vemuram. Takes out all the flatness out of the conventional overdrive pedals and adds another dimension to the tone. The brass body provides great shielding from the outside and enables a noiseless tone. The control trimmer on the upper side allows for an even more delicate control over the gain range.

Review by pressreader

Demo by spiraless

Demo by Fusionmusic Studio

Rage E

The Tomo Fujita signature model is based on the Jan Ray with a little tweak where Tomo wanted to cut the gain and the bass frequency.
-Having the Bass and Treble at noon will allow you to obtain Tomo's standard tone.
-Compared to the normal Jan Ray, the gain is lowered.
-Made it a little brighter to achieve more clarity to the tone.

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Jan Ray Mateus Asato Signature

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