Main Pedalboard

VOLUME (X) MINI (DVP4) 

BD-2 Blues Driver

Deep Six Compressor V1

JULIANNA

ARP-87 Multi-function Delay

Pitchblack

TS-10 Tube Screamer Classic

CE-5 Chorus Ensemble

Hall of Fame 2

DC 7

Mayer/Misch BOARD

DD-200 Digital Delay

Flint

M290 Phase 95

Vertex Boost MKI

MC404 CAE Wah

Q-Tron Plus

Centura overdrive raw/clear coat version

The Dude V2

TS9 Tube Screamer

Polytune 3 Noir

EP Booster

SP Compressor

Sub 'N' Up mini Octaver

VPJR Tuner

The Descent was designed to create ambient textures of sound, from thick and endless hall reverbs to symphonic shimmers. The Descent is a three mode reverb system; hall, reverse, and shimmer. In each mode, the user has the ability to feed +1 and -1 octaves into the reverberated signal.

Demo by Walrus

Product Page

Manual

Descent Reverb/Octave chine

Laut Hersteller ist die analoge Klangerzeugung mit dem Julia-Pedal identisch, hinzugekommen ist der Stereobetrieb, Tap-Tempo mit anwählbaren Notenwerten sowie die Anschlussmöglichkeit eines externen Expression-Pedals. Außerdem gibt es noch ein paar weitere Features zur Effektsteuerung. Alle Details dazu und wie das Pedal klingt, erfahrt ihr in diesem Testbericht.

Building off of the lush, tonal landscapes that the Julia Analog Chorus/Vibrato created, Julianna is an all analog, digital LFO, stereo chorus/vibrato with new expanded features. Julianna is able to produce mild smooth chorus, to seasick vibrato, to everywhere in between.

Review by AMAZONA 

Review by bonedo 

Demo by walrusaudioeffects 

Demo by BUZZBEE TV 

Julianna Obsidian Series

Für unsere Freunde von der Gitarrenfraktion ist der Name „Walrus Audio“ längst ein Begriff. Die Pedal-Company aus Oklahoma-City bietet nämlich ein wahres Füllhorn an hochwertigen Effekten, mit denen man den Gitarrensound durch die Mangel drehen kann. Entsprechend erstklassig ist der Ruf, den die Firma in der Szene genießt. Wir Tieftöner wurden bei Walrus Audio bisher vergleichsweise stiefmütterlich behandelt – doch das ändert sich jetzt. Das Walrus Audio Badwater-Pedal stellt eine All-in-One-Lösung für den Einsatz im Studio und auf der Bühne dar. An Bord finden sich ein Preamp mit einem flexiblen Vierband-EQ, ein Opto-Kompressor, eine Drive-Sektion mit drei Klangrichtungen sowie ein hochwertiger Di-Ausgang. Eine ähnliche Ausstattung bieten heutzutage auch zahlreiche andere Preamps am Markt. Ob sich das Walrus Audio Badwater also gegen die riesige Konkurrenz behaupten kann? Ab zum Test

The Badwater is a bass tone magnification device sonically highlighting what makes bass so crucial to music. The all-in-one bass pre-amp and DI features optical compression, overdrive, and a four-band EQ section. Enhance your bass rig’s capabilities and dial in everything from warm cleans, gritty chords, punchy drive, or bright and crisp slap sounds.

Review by Talk Bass.com

Review by Gitarre & Bass 

Demo by Nate Navarro

Official Product Video

Demo by BassTheWorld 

Demo by Nate Navarro 

Badwater

Der Lillian ist ein vollanaloger, mehrstufiger True-Bypass-Phaser, der von seiner Cousine Julia inspiriert wurde. Mit Reglern wie Rate, Width, Feedback und D-P-V Blend bietet der Lillian eine breite Palette an analogen Phaser-Eigenschaften, die darauf warten, eingestellt zu werden.

The Lillian is a true bypass, all analog, multi-stage Phaser drawing inspiration from her cousin Julia. With controls like Rate, Width, Feedback, and D-P-V blend, the Lillian is packed with a wide array of analog phaser goodness waiting to be dialed in.

The “Stages” switch allows the user to select 4 or 6 stages which alters the overall voice of the effect from warm and tight phasing with 4 stages to a more complex filtered sound with 6.

The D-P-V knob lets you blend between dry, phase shifted, and vibrato sounds allowing for a wide range of control over the intensity and type of effect.

Top mounted input, output, and power jacks as well as soft switch relay bypassing make the Lillian fit well on your board and ensure smooth operation for years to come. 

Borrowed from the Julia, the unique blend between Dry, Chorus and Vibrato has also been provided on the Lillian. Blend between Dry, Phase Shifted, and Vibrato (labeled d-p-v on the pedal). The Dry-Phase-Vibrato blend changes the ratio of dry to wet signal sent to the output. At minimum, you will hear no effect. Set it to noon for equal parts dry and wet – the traditional Phaser setting. Set it to maximum for 100% wet resulting in pitch vibrato. Explore the ground between minimum and noon for adding slight amounts of movement to your dry signal. Explore the ground between noon and maximum for all sorts of unheard phase/vibrato combinations.

Demo by Pete Thorn 

Demo by Rabea Massaad

Lillian Multi-Stage Analog Phaser

Building off of the lush, tonal landscapes that the Julia Analog Chorus/Vibrato created, Julianna is an all analog, digital LFO, stereo chorus/vibrato with new expanded features. Julianna is able to produce mild smooth chorus, to seasick vibrato, to everywhere in between. Familiar controls like Lag, Dry-Chorus-Vibrato Blend, and selectable LFO wave shapes are all still here, but Julianna employs some new tricks: The Secondary LFO speed, modulation drift, tap/expression control and momentary features will have you commanding all new kinds of sounds not found in traditional chorus pedals.

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JULIANNA

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Mayer/Misch BOARD

Weitere Pedals von Walrus Audio

Walrus Audio

Descent Reverb/Octave chine

Walrus Audio

Julianna Obsidian Series

Walrus Audio

Badwater

Walrus Audio

Lillian Multi-Stage Analog Phaser

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