Wir alle wissen, dass jeder Tonjäger manchmal extremen Gain und manchmal milden Overdrive braucht... manchmal braucht er etwas, das beides kann und alles dazwischen. Das Pinnacle kann nicht nur beides, sondern liefert auch den überzeugendsten „Brown Sound“, den man je in einem Pedal gehört hat!

Mit zwei verschiedenen Gain-Strukturen, einem leistungsstarken Mittenregler (von Scooped bis Mid Hump) und einem Regler, der jedes Quäntchen Ton aus deiner Gitarre herausholt, wirst du merken, dass das Pinnacle nicht umsonst so heißt.

Obwohl es extrem vielseitig ist, ist das Pinnacle dafür bekannt, den „Brown Sound“ zu erzeugen, den Ton und die Art der Verzerrung, die durch Eddie Van Halen berühmt wurde. Zeke Clark (Van Halens langjähriger renommierter Gitarrentechniker) hat einen Pinnacle durchgespielt und Folgendes zu sagen: „Ich habe tonnenweise Pedale gespielt, die diesen „Brown Sound“ versprechen... dieses Pedal macht es besser als alles, was ich je gehört oder gespielt habe.“

We all know that the distinguished tone chaser sometimes needs extreme gain, sometimes needs mild overdrive… sometimes needs something that does both of the above and everything in between. The Pinnacle not only does that, but it also brings the most convincing “Brown Sound” to be ever heard in a pedal!

With two separate styles of gain structure, a powerful mid contour (from scooped to mid hump) control and a control that squeezes out every ounce of tone from your guitar, you’ll notice that the Pinnacle is called that for a very good reason.

Although extremely versatile the Pinnacle is well known for giving the “Brown Sound”, the tone and style of distortion made famous by Eddie Van Halen. Zeke Clark (Van Halen’s longtime renowned guitar tech) played through a pinnacle and this is what he had to say: “I’ve played tons of pedals that promised that “Brown Sound”… this pedal NAILS it better than anything I’ve ever heard or played.”

Pinnacle Standard

Das Faux Spring Reverb ist seit vielen Jahren ein fester Bestandteil auf den Boards vieler Spieler, und als es vor einigen Jahren eingestellt wurde, erhielt Brian zahlreiche Anfragen, es wieder auf den Markt zu bringen. Da er sich nicht damit begnügen wollte, einfach etwas neu aufzulegen, beschloss Brian, all das Feedback, das er von Spielern erhalten hatte, zu nutzen und ihm ein kleines Upgrade zu verpassen.

Das Ergebnis war die Geburt des Mini Faux Spring Reverb. Nach dem Motto „Wenn es nicht kaputt ist, repariere es nicht“, fügte er einfach mehr von dem hinzu, was die Spieler lieben. Mehr Decay, mehr Drippiness und mehr von dem federnden Ton, den die Spieler an den größeren Reverb-Tanks lieben. Obwohl es größer und voller klingt, entschied er sich, es in ein Mini-Gehäuse zu packen, damit es perfekt an das Ende einer Kette passt und man es sofort mitnehmen kann.

The Faux Spring Reverb has been a staple on many players boards for many years now, and when it was discontinued a few years ago Brian received numerous requests to bring it back since then. Not being one to be content with just reissuing something, Brian decided to take all of the feedback from players he had received and give it a bit if an upgrade.

The result was the birth of the Mini Faux Spring Reverb. Following the idea of “If it’s not broke, don’t fix it,” he just added more of what players love. More decay, more drippiness and more of that bouncy spring tone players love in the bigger Reverb tanks. Despite sounding bigger and fuller, he decided to condense it down into a mini enclosure to fit perfectly at the end if any chain to grab and go.

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Demo by Tom Quayle

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Demo by  JayLeonardJ

Demo by Brett Kingman

Review by musiker-board.de

Review by thegearpage.net

Faux Spring Reverb mini

Simply designed to keep your tone perfectly balanced within a beautiful and full tremolo.

From the sweet shimmering tremolo of yesteryear to helicopter choppiness of today, the tremolo has been a staple for guitar effects. With one foot in sweet vintage tones and one foot in more modern helicopter chops, the Wampler Latitude Standard simply just offers you pure and beautiful tremolo.

Like the standard’s big brother, the Deluxe, the standard has a pure signal path that allow the tremolo effect to be layered across the top giving you the best sound you can possible want from a tremolo.

Review by The Gear Page

Review by musicradar

Demo by Sweetwater

Latitude Standard Tremolo

Ever since I first picked up a guitar, I've been chasing the perfect sound—a quest that led me to build pedals in the first place. One challenge kept coming up, both for me and the countless musicians I've talked to: the struggle to have a wide range of sounds with complex editing capabilities while keeping the pedal interface manageable. We either compromise on versatility or sacrifice precious space. I knew there had to be a better way. That's why I created the Catacombs - a pedal that eliminates the compromise altogether. It packs 11 of the most popular delay and reverb sounds into one intuitive, powerful package.Whether you're after a trusty digital delay and a plate reverb or a musical shimmer and a spaced out echo - we have you covered!

The team at Wampler have worked for a long time on ensuring Catacombs will become an indispensable part of your rig. You can run one of six delay and one of five reverb programs together simultaneously. Each program offers tap-tempo control and can be saved into one of the pedal's eight onboard preset locations for instant recall. Delays and reverbs can be run in Mono, Stereo, in parallel or in series. It's like having a studio's worth of delay and reverb effects right at your feet.

Demo by JayLeonardJ

Review by reddit /guitarpedals

Review by Premier Guitar

Review by gearnews.de

Review by bonedo

Catacombs

People have been asking the magicians at Wampler for a bass overdrive for some time now and Wampler have answered in some style!

This is a roaring overdrive/distortion pedal has been in the works for years and the clarity and oomph that it produces is just superb.

The Low Blow has two clipping modes (Smooth and Jagged) that give you anything from a smooth sweet overdrive to a distorted grunt. The 3 band EQ gives you that extra bit of tonal control to hone in your desired sound.

The Notch Filter switch acts to clean up and tighten your sound without having to turn down!

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Low Blow Bass Overdrive / Distortion

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