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8 Expander

Eternity

High Gain Volume Pedal GCB80

Bloom v2 MIDI

Aspen Overdrive

METAVERSE

Prestige

Ridge

HX One

Revelation Black

Unity 6 Midi Controller and Looper

DC 7

Of all the British amps that are famous for their roar, which is the most distinctive and has the most personality? The world famous Orange Ampli¬ers have been part of the history of great rock music for as long as we can remember - bringing a strong and forcefull character that will make your tone as distrinctive as only one amp can. When looking at the tones available from these amazing amps, Brian took several of their most famous tones worked tirelessly to replicate them from this pedal. With a powerful 3 band active EQ and a gain sweep that can give you everything from modern country crunch to all out screaming metal, the cataPulp is the ONLY pedal available that will give you that from your rig. If you terrors are tiny or dark, or anyone of your Verbs need to be Rocking, the cataPulp is the pedal to take you there

Demo by Science of Loud

Official Product Video

Review by The Gear Page

Review by Talk Bass.com

Official Website

Manual

CataPulp

Es stimmt, bei einem Gig hat Brian einmal ein modifiziertes Pedal vor die Füße von Brad Paisley geworfen, in der Hoffnung, dass er es aufheben und ausprobieren würde. Zum Glück für uns und für dich hob Brads Techniker es auf, spielte es - fand es toll und gab es Brad, der es mitnahm und es LIEBTE. Von diesem Zeitpunkt an hat er Wampler-Pedale benutzt und geliebt.

Nachdem er einige Jahre lang unsere Pedale (Ego, Underdog und Faux AnalogEcho) benutzt hatte, erwähnte Brads damaliger Techniker Chad gegenüber Brian, dass Brad mit seinem Sound nicht 100%ig zufrieden sei und wir vielleicht alle zusammenarbeiten sollten, um den perfekten Overdrive für Brad zu bauen, mit dem er aufnehmen und auf Tour gehen könnte. Seine Anforderungen waren recht „einfach“... es sollte clean sein, aber auch crunchy mit etwas „Beef“. Es muss einen fliessenden Ton beim Solospiel haben. Es muss dem Ton ein wenig Hair hinzufügen, aber dann muss es auch in der Lage sein, einen knallharten Gain zu liefern, oh... aber bitte nicht die Tonalität zerstören. Es muss alles haben, in einem Pedalformat, aber es darf nicht wie ein Pedal klingen!

Über einen Zeitraum von mehreren Monaten erstellte Brian einige Schaltkreise und schickte sie los. Hier und da wurden noch ein paar Feinheiten angepasst, und als schließlich der offizielle „Prototyp v2.0“ vorlag, wanderte er direkt in das Live-Rack und auf die Brad Paisley: H20"-Welttournee 2010.

Brad Paisley:
„...wir haben dieses (Pedal) tatsächlich im Studio aufgenommen, um es auszuprobieren. Ich habe einen Trainwreck-Verstärker, den ich habe, aufgedreht und den Sound der Verzerrung verglichen, und es war sehr, sehr ähnlich. Und das ist ein sehr guter Test, denn jedes Mal, wenn ein Pedal einen großartigen Overdrive-Verstärker imitieren kann, dann ist man auf einem guten Weg...“

It's true, at a gig Brian once threw a modified pedal at the feet of Brad Paisley in the hope that he would pick it up and try it. Fortunately for us, and you, Brad’s tech picked it up, played it - digged it and gave it to Brad who took it away and LOVED it. From that point on, he has used and loved Wampler Pedals.

After a few years of using our pedals (Ego, Underdog and Faux AnalogEcho) Brad’s tech at the time, Chad, mentioned to Brian that Brad wasn’t 100% content with his tone and maybe we should all work together to make the perfect overdrive for Brad to record and tour with. His requirements were quite “simple”… it needs to be clean but get crunchy with some “beef” to it. It needs to have a fluid tone when soloing. It needs to add a little hair to the tone but then but then has to be able to give flat out ball busting gain, oh… but please do not wreck the tonality. It needs to have everything, in a pedal format, but do not make it sound like a pedal!

Over a period of months, Brian made some circuits and sent them off, there were a couple of “tweaks” here and there to be made and then finally, when official “prototype v2.0” landed, it went straight into the live rack and out on the 2010 “Brad Paisley: H20” world tour.

Brad Paisley:
“…we actually recorded this (pedal) in the studio, you know, trying it out. I turned up a Trainwreck Amp that I’ve got and compared the sound of the distortion and it was very, very similar. And that’s a very good test because any time a pedal can mimic a great overdriven amp then you’re on to something…”

Demo by shnobel

Demo by  Curtis Kent

Demo by  ProGuitarShopDemos

Product Page

Review by thegearpage.net

Review by guitarinteractivemagazine.com

Review by musicradar.com

Review by guitartest.de

Paisley Drive

Wir haben alles, was wir am Original geliebt haben übernommen und haben viele Optionen hinzugefügt, um das Pedal noch vielseitiger zu machen. Bisher war das Deluxe-Pedal dasselbe wie das Standard-Pedal, aber mit dem Boost auf dem Pedal anstelle eines Schalters. Das v2 kommt mit einem neuen EQ, mehr Kontrolle und viel mehr Vielseitigkeit.

Das erste, was dir auffallen wird, ist der 3-Band-EQ. Mit ihm kannst du deinen Ton formen wie nie zuvor. Wir haben außerdem Bright- und Bass-Boosts hinzugefügt, so dass du diesen frischen Ton oder den Wumms einer 4x12“ bekommen kannst. Dann haben wir den „Valve Screamer“-basierten Pre-Gain-Boost hinzugefügt (den du nutzen kannst, wenn das Pedal umgangen wird) - wir alle wissen, wie gut diese Art von Schaltung die Gain-Stufen antreibt... Dann die Geheimwaffe. An der Seite befindet sich der SAG-Schalter. Damit kann man den „saggy crunch“ entfernen und die Ansprache dramatisch straffen. Dieser v2 bietet also nicht nur eine aktualisierte Version eines Wampler-Klassikers, sondern auch eine Fülle neuer Funktionen, die für Tonjäger überall unwiderstehlich sein werden!

We took everything we loved about the original and added many options to make the pedal more versatile. Before now, the Deluxe was the same as the standard but with the boost on the stomp instead of a switch. The v2 comes with a new EQ, more control and much more versatility.

The first thing you’ll notice is the 3 band EQ. With this, you will be able to sculpt your tone like never before. We’ve also added bright and bass boosts, so you can get that fresh tone or the thump of a 4x12”. Then, we added the “Valve Screamer” based pre gain boost (that you can use when the pedal is bypassed) – we all know how good this style of circuit pushes gain stages… Then, the secret weapon. On the side is the SAG switch. This can allow you to remove that saggy crunch and tighten the response up dramatically, so – this v2 offers not only an updated take on a Wampler classic, but also a plethora of new features that will be irresistible to tone chasers everywhere!

Demo by Lost Groove Music

Demo by Guitar George

Demo by  Pete Thorn

Review by marshallforum.com

Review by zzounds.com

Review by reddit.com/r/guitarpedals

Pinnacle Deluxe

Sitting in the good company of the Wampler Marshall®-in-a-Box type pedal family, the Plextortion takes a medium-to-high gain approach to getting that classic "roar" people associate with famous British amps of the late '70s and early '80s. Brian has carefully voiced this pedal to sound similar to a killer, cranked JCM800® going into a loaded 4x12 cab with Greenback® speakers. 
In other words, the sound that de¬ned early '80s rock and roll, from neoclassical shredders to heavy metal and speed metal genre-starters to hair metal guitar icons. 

If the Pinnacle is intended to do the heavy lifting of getting an authentic, precise, laser-accurate simulation of the "brown sound," the Plextortion is a generalist, capable thanks to its three-band EQ of a huge range of rock tones and with a gain range that covers classic rock to cranked up MIAB mayhem. Because of its powerful three-band EQ and because of careful design attention from Brian when creating and adjusting the pedal to be "just right," the Plextortion can achieve its excellent sound through virtually any ampli¬er

Demo by Leon Todd

Review by Budged Guitarist 

Review by guitar pedal X

Review by Guitar Fella

Plextortion

Comprising eleven of Brian Wampler’s favorite delays, the Metaverse is a full-featured, small-footprint stomp box that is fully programmable, preset capable, has stereo inputs and outputs, allows full MIDI control, and has an expression input that you can assign to ANY of the parameters.

Just like the Terraform that came before it, the Metaverse is an advanced, feature-packed pedal that allows you to navigate its settings without endless menus on a tiny display. Use the intuitive user interface or a separate MIDI controller to effortlessly traverse Wampler’s Metaverse of rich, expansive delay tones.

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