The EHX Oceans 11 is a compact, affordable pedal packed with advanced functionality and 11 reverb styles ranging from essential to exotic.

The EHX Oceans 11’s reverbs are:
1. HALL – the rich reverberant sound of a grand concert hall
2. SPRING – pays homage to the classic Fender® 6G15 tube spring reverb
3. PLATE – the lush, warm reverb that got its name because a large metal plate was originally used to create it
4. REVRS – emulates the quirky reverse reverb effect where a note’s reverb fades-in backwards. (Jimmy Page claims to have invented it.)
5. ECHO –sends a recirculating echo thru the Plate reverb. The crisp clear delays get tastefully smudged by the airy plate reverb
6. TREM – reverb plus tremolo that’s applied to both the wet and dry mix of a Hall reverb, your choice of three different tremolo shapes
7. MOD – modulated reverb, three modes. Chorus laced onto the reverb tails creates a luscious atmospheric effect. Flanger wraps around the reverb tails and weaves a hypnotic tapestry. Chorus and flanger combined.
8. DYNA – Swell, gate and duck. Swell silences your notes’ attacks before blooming the tails back into the soundscape. Gate passes the reverb tail thru a noise gate that opens when it detects playing. (Phil Collins popularized the technique by applying it to drums.) Duck compresses the reverb tail while you’re playing and fades it back in when you’re resting.
9. AUTO-INF – Auto-infinite reverb that triggers a reverb wash for each note or chord. When a new one is struck, the previously resounding reverb crossfades to the new one
10. SHIM – Shimmer generates a rich octave-shifted reverb wash that modulates and blossoms behind your signal
11. POLY – Polyphonic reverb, two configurable bi-directional pitch shifts operating on your pre-reverb signal. Combine dissonant intervals with near infinite decays to create disorienting soundtracks, or choose perfect/major intervals to generate creative harmonies when jumping around a key signature

The Oceans 11 features powerful, yet intuitive “hidden” parameters accessible thru its Secondary Knob Mode that let the player take greater control of its effects.

An internal Tails switch also provides a choice of whether the reverb effect fades out naturally or stops immediately when the pedal is switched to bypass. In most settings the pedal is also capable of producing infinite reverb which can be played over with a fresh reverb effect complete with adjustable parameters!

11 different reverb types: HALL, SPRING, PLATE, REVRS, ECHO, TREM, MOD, DYNA, AUTO-INF, SHIM and POLY
Tails switch. Select whether the reverb fades out naturally or stops immediately when the pedal is switched to bypass
Easy access to powerful “hidden” parameters thru Secondary Knob Mode
Able to produce infinite reverb you can play over in most settings
Power supply included

Review by Premier Guitar

Review by AMAZONA

Product Page 

Demo by Reverb

User Manual 

Official Product Video

Oceans 11 Reverb

Instantly recall your favorite HOG settings at the touch of a switch. The HOG Foot Controller allows you to store and recall 6 presets. Invaluable for performance and in the studio.

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Hog Foot Controller

The EHX Iron Lung is a versatile and easy to use vocoder in a compact pedal format. Musicians no longer need large rack equipment, computer plugins, or large keyboards to get a wide array of classic and modern vocoder sounds.

Built around the finest aspects of our praised V256 vocoder, the Iron Lung is the baby brother housed in our smallest, die-cast chassis . The Iron Lung uses the highest resolution of 256 bands to deliver defined vocoder performance while our famous Gender Bender control lets you adjust a male to female emphasis that delivers numerous and exacting possibilities at the turn of a knob. An XLR input allows your microphone of choice to be used with 3 independent gain controls. To round it out, the tone control integrates with the Gender Bender to refine the tone to exactly where you want it to be. Use a guitar or keyboard for polyphonic delivery. One of the very classic instruments from the past made available to every musician at a classic price!

High 256 band resoloution
Gender Bender knob for male to female emphasis
XLR mic input with 3 independent gain settings
Tone control for frequency definition
Power adapter included

Review by Kromwarp, talkbass.com

Demo by JetCityMusic

Iron Lung

The original Electric Mistress was introduced in 1976 and the Deluxe version followed two years later. Throughout its decades-long history, musicians have consistently been captivated by its rich, resonant flanging and unique Filter Matrix effect.

The classic Deluxe Electric Mistress Flanger is now available in a compact die-cast package with a number of enhancements to make the venerable analog pedal more user-friendly for today’s pedalboard using players. The circuit remains true to its roots, but power is now supplied via a standard power supply. True Bypass switching ensures maximum signal path integrity when the effect is switched off, and an LED has been added to indicate when the effect is engaged.

Demo by Prymaxe

Demo by Lovzi

Deluxe Electric Mistress

EHX’s rich history was marked by many revolutionary pedals but one of our most distinctive lines was a group of analog drum synthesizers that included the Crash Pad.

Like the original from 1980, the EHX Crash Pad Electric Crash Drum can create an array of drum sounds and other-worldly oscillation sweeps, as well as process external sounds thru its resonant filter. Plus, it’s been updated to respond to expression pedal/CV input for external control over the filter in real-time.

Creates a range of percussive sounds from cymbals, snares and hi hats to oscillation sweeps
Triggers via the on-board pushbutton, an external (non-MIDI) drum pad and most clock generators
Process external sounds thru the resonant filter + EXP/CV input for real-time filter control
Rugged, die-cast chassis
Works great with the EHX Clockworks Rhythm Generator/Synthesizer, 8 Step Program Analog Expression/CV Sequencer and other similar devices
Power adapter included

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