We took the Big Muff Pi circuit and simply shrunk it without changing its rich, creamy, violin-like sustain and sound!

The EHX Nano Big Muff Pi works and sounds identical in every way to our classic NYC Big Muff Pi. Get a piece of the pi for yourself!

Crushing distortion
Singing sustain with attitude
Compact, rugged nano enclosure
True bypass
Adjustable tone
9V battery included

Product Page

Review by Trevor Curwen, musicradar.com

Review by Thomas Dill, bonedo.de

Manual

Demo by Sweetwater

Official Product Video

Demo by Miller Music

Demo by Bside Talks Guitar

Nano Big Muff Pi

The Analogizer works via a simple principle. It uses an all-analog circuit to process the incoming signal of a digital effect placed a head of it in a chain and adds the subtle lo-fi nuances that analog devices are known for.

Review by Stuart Williams, musicradar.com

Review by Jordan Wagner, premierguitar.com

Demo by Mike Hermans 

Demo by Gear4music Guitars

Analogizer

The EHX Oceans 11 is a compact, affordable pedal packed with advanced functionality and 11 reverb styles ranging from essential to exotic.

The EHX Oceans 11’s reverbs are:
1. HALL – the rich reverberant sound of a grand concert hall
2. SPRING – pays homage to the classic Fender® 6G15 tube spring reverb
3. PLATE – the lush, warm reverb that got its name because a large metal plate was originally used to create it
4. REVRS – emulates the quirky reverse reverb effect where a note’s reverb fades-in backwards. (Jimmy Page claims to have invented it.)
5. ECHO –sends a recirculating echo thru the Plate reverb. The crisp clear delays get tastefully smudged by the airy plate reverb
6. TREM – reverb plus tremolo that’s applied to both the wet and dry mix of a Hall reverb, your choice of three different tremolo shapes
7. MOD – modulated reverb, three modes. Chorus laced onto the reverb tails creates a luscious atmospheric effect. Flanger wraps around the reverb tails and weaves a hypnotic tapestry. Chorus and flanger combined.
8. DYNA – Swell, gate and duck. Swell silences your notes’ attacks before blooming the tails back into the soundscape. Gate passes the reverb tail thru a noise gate that opens when it detects playing. (Phil Collins popularized the technique by applying it to drums.) Duck compresses the reverb tail while you’re playing and fades it back in when you’re resting.
9. AUTO-INF – Auto-infinite reverb that triggers a reverb wash for each note or chord. When a new one is struck, the previously resounding reverb crossfades to the new one
10. SHIM – Shimmer generates a rich octave-shifted reverb wash that modulates and blossoms behind your signal
11. POLY – Polyphonic reverb, two configurable bi-directional pitch shifts operating on your pre-reverb signal. Combine dissonant intervals with near infinite decays to create disorienting soundtracks, or choose perfect/major intervals to generate creative harmonies when jumping around a key signature

The Oceans 11 features powerful, yet intuitive “hidden” parameters accessible thru its Secondary Knob Mode that let the player take greater control of its effects.

An internal Tails switch also provides a choice of whether the reverb effect fades out naturally or stops immediately when the pedal is switched to bypass. In most settings the pedal is also capable of producing infinite reverb which can be played over with a fresh reverb effect complete with adjustable parameters!

11 different reverb types: HALL, SPRING, PLATE, REVRS, ECHO, TREM, MOD, DYNA, AUTO-INF, SHIM and POLY
Tails switch. Select whether the reverb fades out naturally or stops immediately when the pedal is switched to bypass
Easy access to powerful “hidden” parameters thru Secondary Knob Mode
Able to produce infinite reverb you can play over in most settings
Power supply included

Review by Premier Guitar

Review by AMAZONA

Product Page 

Demo by Reverb

User Manual 

Oceans 11 Reverb

Zurück aufgrund überwältigender Nachfrage… im Mini-Paket! Der Kultklassiker „Green Russian Big Muff“ sorgte erstmals Mitte der 1990er Jahre für Aufsehen. Seitdem wird es von Gitarristen und Bassisten für seinen verheerenden Bass und sein einzigartiges Schlamm- und Brutzeln gelobt. Der EHX Green Russian Big Muff erzeugt einen gewaltigen Klang, der ganz für sich ist, aber unbestreitbar Big Muff ist.

Back by overwhelming demand… in a mini package! The cult classic Green Russian Big Muff first shook the ground in the mid-1990s. Since then it has been heralded by guitarists and bassists for its devastating low-end and unique sludge and sizzle. The EHX Green Russian Big Muff creates a huge tone that is all its own, but is undeniably Big Muff.

Manufacturers page

Review by EPBBass, musiker-board.de

Review by Charles Saufley, premierguitar.com

Official manual

Demo by Bass Stuff

Green Russian Big Muff π reissue

The EHX Holy Grail Max, an easy to use, stellar sounding reverb pedal. The Holy Grail Max delivers four types of studio quality reverb: SPRING, HALL, PLATE and REVERSE all designed for the discerning guitarist but also great with other instruments on stage or in the studio. Included is an analog wet/dry control that provides a constant volume curve as you turn the BLEND knob from fully dry to fully wet while also keeping your dry signal analog through the pedal.

Spring, Hall, Plate and Reverse reverb
True bypass for maximum signal path integrity
Compact, rugged die-cast chassis
Power adapter included

Review by tommymc, ultimate-guitar.com

Demo by Prymaxe

Holy Grail Max

Holy Grail Max by electro-harmonix

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Holy Grail Max

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Nano Big Muff Pi

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Analogizer

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Oceans 11 Reverb

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Green Russian Big Muff π reissue

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