Das Electro Harmonix Oceans 12 ist ein Stereo-Reverb-Pedal, das, wie der Name schon erahnen lässt, mit gleich 12 verschiedenen Reverb-Modi den Spieler beglücken möchte. Damit hat das Oceans 12 im Gegensatz zum seinem ebenfalls von uns getesteten Vorgänger, dem Oceans 11, noch einen Algorithmus mehr an Bord. Viel entscheidender ist aber die Möglichkeit, gleich zwei Reverbs parallel oder in Serie zu schalten, und das in Stereo.

The EHX Oceans 12 is the Oceans 11’s big brother with even more reverbs and functionality. It features two simultaneous, independent, stereo reverb engines, series and parallel control for the dual reverbs, 24 presets and advanced I/O allowing for stereo in/out or mono send/return with pre and post reverb options. The pedal also includes a new Tide Control for stereo image alteration, a Lo-fi Control, an infinite attenuation control and an input jack for external expression and 3-button footswitch control.

A Tails switch provides a choice of whether the reverb effect fades out naturally or stops immediately when the pedal is switched to bypass. In most settings the pedal is also capable of producing infinite reverb which can be played over with a different reverb effect.

The Oceans 12’s reverbs are:
• ROOM – two modes: reverb algorithms modeled after a lively room and a spacious performance hall
• SPRING – two modes: vintage 1962 Fender® 6G15 tube reverb emulation and the spring algorithm from the EHX Holy Grail
• PLATE – two modes: two emulations of the smooth, metal plate reverb often used in high-end recording studios during the 1960s and ‘70s
• REVERSE – two modes: a reverse reverb effect as well as true reversed echoes
• ECHO – three modes: a digital delay with various echo rhythms feeding into a plate reverb
• TREM – three modes: a classic, periodic volume envelope with various shapes applied to both the wet and dry mix of a hall reverb
• MOD – three modes: combinations of chorus and flange reverbs that create rich reverb tails
• DYNA – three dynamic, experimental reverb algorithms: swell, gate and duck
• AUTO-INF – three modes: auto-infinite reverb (w/optional chorus or flange) that “listens” to your playing and crossfades to a new reverb wash upon detection of newly struck notes.
• SHIMMER – two modes: two configurations of a rich octave-shifted reverb wash
• POLYPHONIC – two modes: two configurable bi-directional pitch shifts that add dimensionality to the reverb tail
• RESONANT – two modes: reverb excited by tunable resonators and configurable self-oscillating filters on the reverb tail

2 simultaneous, independent, stereo reverb engines
Series and parallel control for the dual reverbs
24 presets
Stereo in/out or mono send/return with pre and post reverb options
Tide Control for stereo image alteration
Lo-fi Control
Infinite attenuation control
Tap tempo to set your pre-delay time, echo time and more
Input jack for external expression and 3-button footswitch control
Power supply included

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Review by PREMIER Guitar 

Review by AMAZONA 

Review by bonedo  

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Oceans 12 Dual Stereo Reverb

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BassBalls Nano

We’ve created a convenient, secure way to mount any of the Next Step Effects pedals to a pedalboard. The new Pedalboard Cradle is custom-designed of a lightweight, durable polymer.

Next Step Pedal Board Cradle

The EHX 95000 Performance Loop Laboratory is the company’s most advanced looper to date, featuring six mono tracks and one stereo mixdown track per loop. It will record up to 375 minutes and 100 loops with a 16GB Micro SD card and switching between loops is quick and easy.

The 95000 is housed in a rugged, aluminum chassis with a control layout that has been optimized for use as both a foot pedal and tabletop unit. This design ensures that the player can take maximum advantage of the looper’s powerful performance capabilities.

The 95000 also features a robust I/O including two audio inputs, each capable of handling a microphone (phantom power is included), instrument or unbalanced line input so the unit can readily connect to all sound sources. Left / right outputs, a Monitor out and a Headphone Out are included.

Download free drum loops for the 95000.

Import / export .WAV files to MAC or PC via the built-in USB port
TAP Button allows you to set loop BPM
Quantize or non-quantize (free running) recording modes
Speed adjust over a 2-octave range
Overdub or punch in / out recording
Reverse playback and recording
Loop progress may be displayed in Bar/Beat format
Expression pedal control over loop volume
Left/right outputs, Monitor Out, Headphone Output
Power adapter included

Review by Dimitri, amazona.de

Review by Michael Behm, bonedo.de

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95000 Looper

The Talking Pedal brings vocal expression to the guitar player and uses the proprietary design shared by all of EHX’s Next Step Effects.

It features the same smooth rocking chassis that’s super rugged and delivers lightning fast control. Bypass switching is completely silent. The Talking Pedal is also free of the moving parts that plague other pedals, parts that wear out and require replacement.

Like a wah wah, the Talking Pedal is a rocking filter-type pedal, but the similarities end there. The tone of the pedal is unlike a traditional wah’s because it passes the guitar signal through two bandpass filters that give the tone a male vocal quality and create a selection of vowel-like sounds.

A specially designed, fixed, fuzz circuit can be blended in with a scroll wheel located on the side of the pedal. This enhances the definition of the effect and adds growl and grind to the pedal.

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