The EHX #1 Echo Digital Delay features up to two seconds of delay with a warm analog style decay that sits beautifully in any track or performance. A prime example of of Electro-Harmonix’s reputation for quality delays.

The feedback control sets number of repeats and how fast they fade. The blend control lets you adjust the balance of echo volume with straight through signal, putting your sound exactly in the pocket you want.

Demo by MUSIMASTER TV

Demo by Strings Shop

Review by Talk Bass.com

Review by The Gear Page

Review by Harmony Central

Product Page

#1 Echo

The EHX Flatiron Fuzz is a classic op-amp powered fuzz/distortion. With its late ‘70s style circuit and symmetrical hard clipping, it’s EHX’s take on the RAT2™ pedal, only we think it’s better.

The Flatiron Fuzz is extremely versatile. At lower drive settings it remains fairly clean and adds a pleasing mild distortion. As the drive is turned up it transports you to a world of arena rock and produces spectacular, thick, meaty tones.

The stellar sound of the Flatiron Fuzz is a result of its classic, late ‘70s style circuitry and the fact that it delivers symmetrical hard clipping. As a point of reference, you might refer to the old Rat pedal, but we think you’ll prefer the Flatiron.

The Flatiron Fuzz features three controls: Volume, Drive and Filter. Volume sets the output level while Drive adjusts the amount of sustain and distortion. The unique Filter control is actually a low pass filter with a movable cut-off frequency. This is especially cool because it lets you dial in just the right amount of high-end… from dark to raunchy.

Electro-Harmonix trivia: The Flatiron Fuzz is named after the historic Flatiron Building in New York City. It’s an iconic landmark located just down the block from EHX headquarters in the 1970s and it’s the building pictured on the pedal.

The RAT2 is a trademark of Act Audio.

Classic op-amp powered fuzz/distortion
Delivers symmetrical hard clipping
As you turn down your guitar volume, it cleans up, but not all the way
Unique Filter control
Compact, pedalboard friendly design
Features True Bypass for maximum signal path integrity in bypass mode
9V battery included

Product Page 

Review by Paul Riario, guitarworld.com

Review by Charles Saufley, premierguitar.com

Manual

Demo by Greg Talks Guitar

Demo by TheGuitarGeek

Official Product Video

Flatiron Fuzz

The EHX Iron Lung is a versatile and easy to use vocoder in a compact pedal format. Musicians no longer need large rack equipment, computer plugins, or large keyboards to get a wide array of classic and modern vocoder sounds.

Built around the finest aspects of our praised V256 vocoder, the Iron Lung is the baby brother housed in our smallest, die-cast chassis . The Iron Lung uses the highest resolution of 256 bands to deliver defined vocoder performance while our famous Gender Bender control lets you adjust a male to female emphasis that delivers numerous and exacting possibilities at the turn of a knob. An XLR input allows your microphone of choice to be used with 3 independent gain controls. To round it out, the tone control integrates with the Gender Bender to refine the tone to exactly where you want it to be. Use a guitar or keyboard for polyphonic delivery. One of the very classic instruments from the past made available to every musician at a classic price!

High 256 band resoloution
Gender Bender knob for male to female emphasis
XLR mic input with 3 independent gain settings
Tone control for frequency definition
Power adapter included

Review by Kromwarp, talkbass.com

Demo by JetCityMusic

Iron Lung

The EHX Blurst Modulated Filter grafts technology found in keyboard and modular synthesizers into a pedal designed for guitarists and bass players. The Blurst modulates an instrument’s sound like an envelope filter, but instead of the filter’s response being controlled by playing dynamics, it’s controlled by an internal oscillator. The Blurst is a must have for the adventurous player who wants to explore new sonic territory!

Features an analog low pass filter with adjustable resonance
Three modulation waveform shapes: triangle, rising saw-tooth and falling saw-tooth
Modulation rate is set by either the rate knob or a combination of the tap footswitch and tap divide toggle switch offering quarter, dotted eighth and triplet rhythms
Three EXP modes, range, rate and filter, can be controlled by an expression pedal or control voltage source like EHX’s 8 Step Program Analog Expression/CV Sequencer
Range knob sets the frequency range of the filter’s modulation, Blend control adjusts the dry/filtered signal mix
Power adapter included

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