The Talking Pedal brings vocal expression to the guitar player and uses the proprietary design shared by all of EHX’s Next Step Effects.

It features the same smooth rocking chassis that’s super rugged and delivers lightning fast control. Bypass switching is completely silent. The Talking Pedal is also free of the moving parts that plague other pedals, parts that wear out and require replacement.

Like a wah wah, the Talking Pedal is a rocking filter-type pedal, but the similarities end there. The tone of the pedal is unlike a traditional wah’s because it passes the guitar signal through two bandpass filters that give the tone a male vocal quality and create a selection of vowel-like sounds.

A specially designed, fixed, fuzz circuit can be blended in with a scroll wheel located on the side of the pedal. This enhances the definition of the effect and adds growl and grind to the pedal.

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Demo by Guitar Muse

Review by musicradar

Review by The Gear Page

Manual

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Next Step Talking Pedal

The EHX Mod Rex is a kinetic tour-de-force that lets you weave compelling, shifting, musical tapestries. Whether you are a guitarist, synthesist or electronic musician you will find it inspires your creativity and stretches your musical boundaries.

The heart of the pedal are its four, independent modulation sections synced in time, they are:

1. MOD features great sounding EHX Vibrato, Flanger, Chorus or Phaser. The Depth knob lets you set the amount of the effect while Feedback controls the resonance of the Flanger and Phaser.

2. TREM delivers tremolo, an effect that modulates the volume of your signal. The Depth control sets tremolo intensity.

3. PAN modulates between left and right in stereo operation. In mono operation the PAN section acts as another tremolo section, but with the wave shapes all inverted!

4. FILTER offers a choice of a modulated LPF, HPF or BPF. In LPF (low pass filter) frequencies above a modulated cutoff point are cut. In HPF (high pass filter) frequencies below a modulated cutoff point are cut, and in BPF (band pass filter) frequencies above and below a modulated center point are cut.

Each section also features a choice of four LFO shape options: rising sawtooth, triangle, falling sawtooth or square wave. They affect the way the modulation transitions and provide advanced creative control over the specific section as well as the way they interact with each other.

The MOD REX delivers virtually limitless polyrhythmic possibilities.

Its TEMPO component gives you nine note-length choices for each of the four modulation sections. They are independently selectable in increments starting at a whole note and ranging thru subdivisions that go up to a 16th note. In addition, any of the sections can be bypassed.

The MOD REX’s tempo (displayed as beats per minute or BPM) is adjustable with the Tempo knob, Tap Tempo footswitch or by using an expression pedal into its EXP input. It can also be synced to an external device with MIDI Clock or an external pulse clock.

The pedal’s robust MIDI implementation enables you to sync devices quickly and easily as well as automate functions and changes so they occur precisely when and where you want them whether you are working at home, in a studio or live.

The MOD REX accepts MIDI to enable it to tempo sync the modulation rate with an external device, to recall presets via MIDI Program Change messages and to control any parameter on the MOD REX via Control Change messages.

The MOD REX lets you save and recall up to 100 presets. It comes from the factory with 20 great programs.

The pedal features full stereo input and output.

An external foot controller input makes banking up and down thru presets quick and easy.

Up to four simultaneous modulation sections synced in time
MOD section offers a choice of Vibrato, Flanger, Chorus or Phaser
Standalone Tremolo, Modulated Panning and Modulated Filter sections
9 tempo subdivision options for each modulation section.
4 LFO shape options for each modulation section
100 storable presets
Full stereo input and output
Tap Tempo and Tempo Sync to an external device with MIDI Clock or an external pulse clock
Full MIDI control of all parameters and recalling of presets
External expression pedal input
External foot controller input to bank presets up and down
Power adapter included

Product Page 

Review by Robbie Stamp, musicradar.com

Review by Bassel Hallak, bonedo.de

Review by Dimitri, amazona.de

Demo by gearmanndude

Official Product Video

Demo by Sound On Sound magazine

Demo by Pedal Experiments

Mod Rex

The EHX Little Big Muff Pi is identical to our Big Muff Pi but smaller. We took the classic Big Muff circuit and simply shrunk it without any change to the sweet violin-like sustaining sound. This little brother displays its heritage proudly.

Review by musicradar.com

Demo by PMTVUK

Demo by shnobel

Little Big Muff

Initially, I was looking for an Electro-Harmonix Big Muff. The Big Muff is widely known and accepted into guitarists pedal boards, but one problem associated with the Big Muffs, are the size!

Review by Guitar Jar 

Review by SHAi

Demo by ProGuitarShopDemos 

Double Muff

The EHX Signal Pad is a passive attenuator that allows you to instantly switch to a different preset volume. It’s like your guitar’s volume knob, with a fully-passive and color-free circuit. Leave your amp’s volume set high for overdrive, and use the Signal Pad to lower your level for a clean sound — then switch it off to kick in your amp’s natural overdrive. You can also experiment with the Signal Pad anywhere in your effects chain — you’ll bring out new tonal combinations from your favorite old pedals.

Turn any single channel amp into a two channel setup
Switch from lead to rhythm on the fly
Use in front or after any effects to change the tone of that effect
True bypass
9V battery included

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