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CS-3 Compression Sustainer

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Flashback X4 Delay

Spark Booster

Dispatch Master V3 - Digital Delay / Reverb

Plumes Small Signal Shredder

ERAS National Park Limited Edition

Bonafide Buffer

CH-1 Super Chorus

StompControl-4 ISO

Superego Plus

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HX Stomp Red Limited Edition

BigSky Multi Reverb

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Aeros Loop Studio

XP-100 Whammy Wah

Little Dual II

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Microcosm

H90 Harmonizer®

El Capistan

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Polytune 2 mini

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TRIPLE AUX PEDAL - STEREO

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Gecko MkIII

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FS-7

VOLUME (X) MINI (DVP4) 

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Review by Harmony Central

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Demo by hartguitar

Demo by SHY BOYZ

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Demo by Dougie Archer

Vintage Deluxe Electric Mistress

Improve your Groove. The phattest, funkiest envelope filter ever made! Switchable Boost and Filter modes allow for an unlimited supply of new auto-wah effects that drip with attitude. Increased frequency response and improved signal-to-noise ratio make the Q-Tron perfect for use with any instrument. Bootsy Collins and George Clinton already have theirs. How about you?

True bypass
Selectable low pass, band pass and high pass filters
Resonant peak control to adjust the filter’s Q from subtle to dramatic
Hi and lo frequency response modes
Adjustable gain knob and boost switch
Sweep direction switch for up or down filter sweeps
Tough and compact die-cast chassis

Demo by Pedal Sessions

Demo by Fusionmusic Studio

Review by Horn FX

Manual

Q-Tron XO

With original late-70s Op-Amp Big Muffs selling for exorbitant prices, Mike Matthews decided to take the power to the people and reissue the classic pedal at a price that players could afford! The circuitry of the new EHX Op-Amp Big Muff Pi —sometimes also referred to as the IC or V4 Big Muff— has been faithfully re-created while several practical enhancements have been added including a compact, die-cast chassis and true bypass switching.

“The Op-Amp Big Muff was popularized by the brilliant Billy Corgan who first used it on the Smashing Pumpkins’ epic 1993 album Siamese Dream. After he was videotaped playing and talking about the reissue, Billy stated: ‘The magic’s still in the box, I can still get what I’m looking for!’” – Mike Matthews

The pedal relies on op-amps rather than transistors and three gain stages rather than four, to create its signature sound. It’s a sound that’s been described by noted Big Muff collector and historian, Kit Rae, as: “a huge, crushing Big Muff sound with more crunch… great for grungy, wall-of-sound distortion, heavy rhythm playing and heavy leads.”

A faithful reissue of the original classic circa 1978
Iconic sound and vibe that’s coveted by guitarists
Controls for Tone, Sustain and Volume, plus a Tone Bypass switch
True bypass switching for maximum signal integrity in bypass mode
Rugged, compact, die-cast package… pedalboard friendly
9V battery included

Product Page 

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User Manual 

Product Demo 

OP AMP BIG MUFF PI

Das Electro Harmonix Oceans 12 ist ein Stereo-Reverb-Pedal, das, wie der Name schon erahnen lässt, mit gleich 12 verschiedenen Reverb-Modi den Spieler beglücken möchte. Damit hat das Oceans 12 im Gegensatz zum seinem ebenfalls von uns getesteten Vorgänger, dem Oceans 11, noch einen Algorithmus mehr an Bord. Viel entscheidender ist aber die Möglichkeit, gleich zwei Reverbs parallel oder in Serie zu schalten, und das in Stereo.

The EHX Oceans 12 is the Oceans 11’s big brother with even more reverbs and functionality. It features two simultaneous, independent, stereo reverb engines, series and parallel control for the dual reverbs, 24 presets and advanced I/O allowing for stereo in/out or mono send/return with pre and post reverb options. The pedal also includes a new Tide Control for stereo image alteration, a Lo-fi Control, an infinite attenuation control and an input jack for external expression and 3-button footswitch control.

A Tails switch provides a choice of whether the reverb effect fades out naturally or stops immediately when the pedal is switched to bypass. In most settings the pedal is also capable of producing infinite reverb which can be played over with a different reverb effect.

The Oceans 12’s reverbs are:
• ROOM – two modes: reverb algorithms modeled after a lively room and a spacious performance hall
• SPRING – two modes: vintage 1962 Fender® 6G15 tube reverb emulation and the spring algorithm from the EHX Holy Grail
• PLATE – two modes: two emulations of the smooth, metal plate reverb often used in high-end recording studios during the 1960s and ‘70s
• REVERSE – two modes: a reverse reverb effect as well as true reversed echoes
• ECHO – three modes: a digital delay with various echo rhythms feeding into a plate reverb
• TREM – three modes: a classic, periodic volume envelope with various shapes applied to both the wet and dry mix of a hall reverb
• MOD – three modes: combinations of chorus and flange reverbs that create rich reverb tails
• DYNA – three dynamic, experimental reverb algorithms: swell, gate and duck
• AUTO-INF – three modes: auto-infinite reverb (w/optional chorus or flange) that “listens” to your playing and crossfades to a new reverb wash upon detection of newly struck notes.
• SHIMMER – two modes: two configurations of a rich octave-shifted reverb wash
• POLYPHONIC – two modes: two configurable bi-directional pitch shifts that add dimensionality to the reverb tail
• RESONANT – two modes: reverb excited by tunable resonators and configurable self-oscillating filters on the reverb tail

2 simultaneous, independent, stereo reverb engines
Series and parallel control for the dual reverbs
24 presets
Stereo in/out or mono send/return with pre and post reverb options
Tide Control for stereo image alteration
Lo-fi Control
Infinite attenuation control
Tap tempo to set your pre-delay time, echo time and more
Input jack for external expression and 3-button footswitch control
Power supply included

Review by PREMIER Guitar 

Review by AMAZONA 

Review by bonedo  

User Manual

Demo by Premier Guitar 

Official Product Video

Oceans 12 Dual Stereo Reverb

Building on the synthesis platform of the award-winning Superego, the EHX Superego+ Synth Engine raises the bar when it comes to creating synth effects, sound layers, glissandos, infinite sustain and more. Plus, we’ve added a complete effects section featuring 11 effects types, an EXP input for effect parameter control/preset recall and an EXT jack for a 3-button controller.

Review by AMAZONA

Review by Sound on Sound

Demo by Musicmaker

Superego Plus by electro-harmonix

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