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Undeground Accelerator

Finally is my basic take on a tube D.I. It takes your unbalanced guitar input and feeds it through a high-voltage tube preamp then out through a high-end DI transformer and out into a balanced XLR output. You also have a 1/4″ output up top, and you can switch between dry passthrough from the input or affected output from the preamp for the 1/4″ output.

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Demo by Serek Basses

The Slampegg Bee Pre is based on the preamp of the legendary Ampeg B-15N. In order to keep it compact, a 12AX7 was used like in the modern B-15, rather than the bulky 6SL7 of the older units. This allows Slampegg to get a little bit more drive than it’s 6SL7 counterparts, but the main circuit is the same, so you’re not missing any of the gritty warmth and luscious low-end that bassists have come to expect from the B-15. Aside from the standard Baxandall/James wo-band tonestack, Slampegg Bee Pre also has Ultra-Lo and Ultra-Hi switches, which act as a high-cut and hi-boost respectively. The Ultra-lo is much more prominent and results in a strong rolloff of high content to emphasize the fat lows and low-mids

Review by bassic.de

Review by Talk Bass.com

Demo by Monteforte Valerio

Demo by Kevin F

Review by The Gear Page

Slampegg Bee Pre

The Echosaurus is a digital multi-tap delay based on the legendary Binson Echorec. At its heart is the powerful FV-1 digital effect processor, commonly found in big name and boutique digital effects alike.

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Echosaurus

Neptunium is, as its name implies, based on the Nobelium preamp, which is in turn based on the incredible Noble preamp. The key feature of Nobelium is the XLR D.I. output, which only uses one tube, so I was asked if it would be possible to squeeze just that part into a much smaller enclosure. The result is Neptunium.

Neptunium is a great-sounding, simple to use tube preamp with a D.I. output for going straight to front of house or a recording interface. It features a two-band tonestack based on the classic Fender/Marshall/Vox tonestack. Both controls are boost-only, so a “flat” response is achieved with both controls all the way off.

One way in which Neptunium differs from the Noble preamp is in volume controls; the volume control on the face affects the 1/4″ output, but rather than make the XLR output a fixed level, a separate volume control affecting the XLR output was added to the side of the pedal next to the XLR jack above the ground lift switch.

Review by reddit /basspedals

Neptunium

More is More. It sounds big, warm, and punchy. It doesn’t have tone controls because it doesn’t need them, the single knob controls the overall output volume. It wasn’t designed to replace anything else, just to give you More. It’s hard to really describe the sound, because it wasn’t designed to have an overwhelming sound, but moreso to compliment the sound you already have. It wasn’t designed to be a great rig by itself, but it was designed to take your great rig and make it More.

Demo by  jbybj

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