A handmade Shin-Ei/Univox FY6 Super Fuzz clone. A classic octave fuzz with matched transistors and NOS Ge diodes for more pronounced octave. The Tone toggle switches between the two Superfuzz modes, scooped and flat mids. Controls are Balance, Expander. The inside trimmer can be used to mess with tone, noise and octave, it's adjusted for less noise and more octave by default.

Review by delicious audio

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Superfuzz

A handmade germanium fuzz stompbox based on the first 3-transistor designs from early/mid sixties, the MARK1 has this distinctive zippery vintage tone. Gated and spitty in the decay, with tight bass and a ton of upper mids, the pedal offers two modes, one mids/full body that suits the tone of the likes of Mick Ronson and Jeff Beck and other one more trebly and raspy that catches the Satisfaction or spaghetti western tones.

Review by Guitar.com

Review by Premier Guitar

Mark 1

The Sustainer is my take on the muff circuit. The pedal can be done in all his flavours, left me a note for the version you want: Triangle, Ram's Head, Circle Face, Violet, NYC, Opamp and Sovtek (Civil War, Tall Font, Bubble Font and Black).

By default will be the Ram's Head Violet 1st ver. without extra mods.

In addition this can be done with a mids control switch from a scooped stock to a mids hump tone. Also we can add two clipping options as stock silicon diodes, Si/Ge asymmetric or LED clipping. The Opamp flavour only has room for 1 mod. Upon demand the Sustain potentiometer can be changed from linear to logarithmic to allow more range on the lower gain, keeping all the high gain intact.

Sustainer Muff

A handmade germanium and silicon booster with tone control, based on the 1966 Dallas Range Master treble booster circuit. Known to be used to sculpt the tones of many UK guitarists in the 60's and 70's as Iommi, Bolan, Clapton, Gallagher, May or Judas Priest in his early works. At some point, some of them changed his germanium transistor based booster to a silicon one due his best reliability and better signal/noise ratio. Also they swapped the input cap to bring more lows, that's the Range control does.

The pedal boost the signal, emphasizing medium/high frequencies adding a raw sound but with a softness similar to the achieved by leaving the wah in a fixed position. With the Range control the spectrum of frequencies is expanded to find the desired tone that suits your equipment.

Review by gearnews.de

Review by musicradar

Range Booster

The GT73 is a handmade pedal based on the 1973 Matamp GT120 preamp with master volume control and solid state components rather than tubes.

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