eneration Loss MKII is a study of tape in all its forms.

We decided to start from scratch this time and really explore what tape is all about. Get into those crinkles that make it so magical. We took apart VCRs, we analyzed anything we could find with a tape in it, from camcorders to cassette decks. 

All available for you to saturate, fail and flutter, until everything sits just right. And if you prefer the way it was before, you can do that too. In stereo. 

Review by delicious audio

Review by reddit /guitarpedals

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Demo by David Hilowitz Music

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Generation Loss MKII

Clean began its life as a question: Can clean be as fun as dirty?

Developed slowly and through a variety of experiments, Clean explores the wild side of compression and brings the interactivity of distortion circuits to a clean signal. 

Clean is a studio-grade compressor you can turn on its head and push beyond the expected.

It was built to bring the exploratory energy of distortion to the clean performer, from the touch sensitivity of an overdrive to the unwieldy response of a fuzz. Tasteful, musical nuance, tied to your hands.

Clean

Originally conceived to simulate the effect of a warped vinyl record, this only scratches the surface of what Warped Vinyl HiFi can do. This “true pitch” modulation features an all-analog signal path that can be dialed-in to create a limitless palette of timeless movement. 

HiFi has several improvements over previous versions of Warped Vinyl, including a lag knob for lush chorus tones, reduced noise, and opportunities for more transparent and brighter sounds.

Review by Rogue

Demo by 
Andrew Brassell

Warped Vinyl HiFi

Through-zero and back again. Many decades ago, it is rumored that a certain, infamous “Spectre” created the effect we’ve all come to know as flange by putting a finger on a set of identical tape recorders, slightly altering the speed of one of the recorders. Through-zero flanging is an incredibly rare and inspiring effect, especially in the analog domain. By using two delay lines (as opposed to just one), Spectre can cross over the elusive “zero point.” This through-zero flanger pedal features an all-analog signal path that can be dialed in to create any amount of subtle and wacky flange tones. Spectre also boasts an impressive array of chorus and vibrato tones. Further, every knob and switch is connected to a little digital brain while your guitar signal stays 100% analog the entire time and never gets digitally processed. Since the control of the effect is digital, it opens up unprecedented effects and features that have never been heard or offered in analog stompboxes.

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