Whether he's blazing through the blues on his own or rocking with Black Country Communion, Joe Bonamassa's playing is fiery, deep, and powerful. And when he really wants to express himself in a solo, he steps on a Cry Baby wah. That's why we at Dunlop worked with Joe to develop the Joe Bonamassa Signature Cry Baby, specially engineered to fit in perfectly with Joe's system, from the way it looks to the way it sounds. On the outside, it sports a classy copper top with a smooth-finish black body. On the inside, it features large, vintage-style thru-hole components, a Halo inductor (for added harmonic content), an output buffer (to prevent impedance imbalance with vintage fuzz pedals), and a switch for true-bypass or non-true-bypass operation (Joe prefers non-True Bypass as it darkens the high end). With its huge vocal sweep range, this is one of the most expressive Cry Babys ever, and it's Joe's tool of choice to accentuate every soulful bend and bluesy wail. "The first pedal I ever purchased was a Cry Baby, 25 years ago," he says. "I am so honored to have my name on this pedal and hope it brings you as much fun as it brings me every night on stage."

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Review by :>)azZTechs#

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Review by Premier Guitar

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JB95 Joe Bonamassa Crybaby Wah

The Justin Chancellor Cry Baby Wah is a multi-tool of sonic craftsmanship, combining three separate effects into a single pedal: the fluid expressiveness of a custom midrange filter, the bright aggression of a custom wah circuit, and the chainsaw grind of a vintage fuzz. It's the perfect complement to bass player Justin Chancellor's multi-dimensional role in the band Tool. Whether opening up soundscapes with chords and harmonics or syncing up with guitarist Adam Jones to perform arresting single-note unison runs, Justin goes above and beyond the traditional boundaries of his instrument to help compose the band's multi-layered tunes. He is, without a doubt, one of the modern pioneer users of effects on bass, and he keeps a carefully configured pedalboard at his disposal for crafting tones and exploring sounds. This custom Cry Baby Wah combines some of his favorite ways to do just that—filter, wah, and fuzz.

Demo by The Bass Channel

Demo by Nate Navarro

JUSTIN CHANCELLOR CRY BABY WAH (JCT95)

FFM3 Jimi Hendrix Fuzz Face Mini

Einige Pedale aus der Effektschmiede Way Huge werden sehr gerne von Bassisten verwendet und das, obwohl sie nicht speziell für die Verwendung mit den dicken Drähten konzipiert wurden. Besonders der Verzerrer Pork Loin erfreut sich bei Tieftönern großer Beliebtheit und hat sich in den letzten Jahren auf vielen Bass-Pedalboards etablieren können. Dieser Umstand ist scheinbar auch Jeorge Tripps, dem Mastermind hinter Way Huge, nicht entgangen, das Portfolio von Way Huge wurde nämlich im Frühjahr 2018 um ein brandneues Overdrive-Pedal ergänzt, das speziell für die Verwendung mit E-Bass entwickelt wurde. Das erste exklusive Bass-Pedal aus dem Hause hört auf den Namen Pork & Pickle und bietet im Wesentlichen die Sounds des Pork Loin und des Russian Pickle Fuzz in einem Gerät.

Now in a Way Huge Smalls housing, the Pork & Pickle Bass Overdrive & Fuzz serves up a perfectly balanced diet of gnarly tones for bass players who like to get down and dirty.

Official Product Page

Demo by The Bass Cannel 

Way Huge Pork & Pickle (WHE214) - Demo Video - Andertons Music Co

Review by bonedo 

Way Huge Pork & Pickle (WHE214) - Demo Video - Musiker TV

Demo by Premier Guitar 

Way Huge Pork & Pickle (WHE214) - Demo Video - Distortion LTD

Way Huge Pork & Pickle (WHE214) - Review by Gitarre & Bass [DE], [06-2018]

Way Huge Pork & Pickle (WHE214) - Review by PremierGuitar [EN], [09-2018]

Way Huge Pork & Pickle (WHE214) - Demo Video - The Bass Channel

Demo by jimdunlopusa 

Way Huge Pork & Pickle (WHE214) - Official Demo Video

Review by GEARNEWS 

Way Huge Pork & Pickle

This unique and famous effect was popularized by Peter Frampton, Joe Walsh, Aerosmith, Bon Jovi, and others. The sturdy metal casing houses a phenolic diaphragm speaker, powered by your amplifier's external speaker jack. (Place it in line with your external speaker, which can remain connected.) A 6-1/2 foot surgical tube carries the diaphragm speaker's sound to your mouth. The tube end is placed near a vocal mic. By shaping sounds with your mouth, you immediately achieve the "talking" guitar sounds that you've heard on so many hits. Power: Powered by your amplifier's external speaker jack.

The Heil Talk Box lets you recreate the "talking guitar" sounds popularized by Peter Frampton, Joe Walsh, Slash, Alice In Chains, Aerosmith ,and many others.

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HEIL TALK BOX HT1

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