Roberto Gonzalez Lozano

ATTITUDE PEDAL BOARD

The new Bass Mid Control is the active mid-controller for bass players. A small but powerful pedal that provides frequency control adjustments between 120Hz ~ 3kHz. When using 2-band EQ or passive bass, the Frequency control provides excellent manipulation of the mid frequencies, while the Boost/Cut gives you boosting or cutting capabilities of up to + / - 12dB. This compact pedal can also be powered by a 9V battery or for additional headroom use an 18V power adapter. This pedal will provide you the flexibility to play any musical style.

E.W.S

Demo by Hablandoen Grave 

Product Page

Manual

Tester

THE EBS OCTABASS BLUE LABEL PUSHES THE BOUNDARIES FOR WHAT HAS BEEN SEEN AS POSSIBLE WITH AN ANALOG OCTAVE EFFECT. THE QUALITY AND CHARACTER OF THE OCTAVE TONE, AS WELL AS THE PRECISION AND SPEED OF THE TRACKING, ARE OUTSTANDING.   
The EBS OctaBass was the first effect unit ever made by EBS. It is famous for fast and accurate tracking and a fat, natural sound. When you play your instrument, it "tracks" the note you play and produce a sound one octave below to mix in with the note you play.  The 'Blue Label' model has a couple of new features that enhance the tracking range and improves the control of the sound.

Review by Premier Guitar

Review by bonedo

Demo by BassTheWorld

Official Product Video

OctaBass Blue Label

Dunlop

CBM105Q Crybaby Mini Bass Wah

Jonny Dibble

The BASSRIG ’64 Black Panel is, quite simply, a complete vintage bass amp in a pedal. Based on Fender®’s Showman® and Bassman® amplifiers, we have used all-analogue circuitry to recreate a complete valve amp-style signal path, along with an all-analogue cabinet simulator, giving you the drive, grit and articulation of these classic amps in one small box.

Origin Effects

Demo by Andertons

Demo by The Bass Channel

Demo by BassTheWorld.com

Official Product Video 

BASSRIG  ’64 Black Panel

daniel lee

The Cali76 Bass Compressor is a studio-grade compressor pedal inspired by the world-famous Urei® 1176® studio compressor, heard on many of the greatest studio recordings since the 1960s. The Cali76 Bass Compressor uses uncompromising all-analogue circuitry to make these distinctive, ultra-fast FET compression tones available to the modern guitarist. 

The latest in a long lineage of Cali76 compressors, the Cali76 Bass Compressor features a full set of studio-style controls, a DRY knob for parallel compression and an improved sidechain that matches the response of our sought-after “large format” Cali76 – the pedal that put Origin Effects on the map back in 2012.

Demo by IvanBassist

Review by Compressor Pedal Reviews

Review by reddit /basspedals

Cali76 Bass Compressor (Super Vintage Blue)

David Graves

The Cali76 Bass Compressor is a studio-grade compressor pedal inspired by the world-famous Urei® 1176® studio compressor, heard on many of the greatest studio recordings since the 1960s. The Cali76 Bass Compressor uses uncompromising all-analogue circuitry to make these distinctive, ultra-fast FET compression tones available to the modern guitarist.

The latest in a long lineage of Cali76 compressors, the Cali76 Bass Compressor features a full set of studio-style controls, a DRY knob for parallel compression and an improved sidechain that matches the response of our sought-after “large format” Cali76 – the pedal that put Origin Effects on the map back in 2012.

With a 10-LED gain reduction meter, a pedalboard friendly enclosure and massive headroom thanks to internally increased voltage, the Cali76 Bass Compressor marks the culmination of over a decade of experience making the world’s finest compressor pedals.

Demo by  BassTheWorld.com

Review by Gearnews

Review by AMAZONA

Manual download

Cali76 Bass Compressor (64 Black Panel)

The new GLX-D+ Wireless Guitar Pedal System features the WA305 Premium Guitar Cable, the GLXD1+ Digital Bodypack, and the GLXD6+ Guitar Pedal. Go wireless without compromising your tone or complicating your rig.

Shure

Review by Guitar World

Demo by Basscoach Denis Busch

GLXD16+

“This pedal is a distillate of several important principles in the signal chain for bass. Compression, distortion, tone-shaping and blending all together.” - Billy Sheehan

EBS Billy Sheehan Ultimate Signature Drive

Guitar Interactive Magazine review 

Billy Sheehan Ultimate Signature Drive Users Manual

Billy Sheehan review on his EBS Signature pedal 

Billy Sheehan Ultimate Signature Drive

Sam McAinch

The BASSRIG Super Vintage is, quite simply, a complete vintage bass amp in a pedal. Based on the iconic Ampeg® SVT®, we have used all-analogue circuitry to recreate a complete valve amp-style signal path, along with an all-analogue cabinet simulator, giving you all the warmth, feel and drive of this classic bass rig in one small box.
When the SVT® arrived on the scene in 1969, it rewrote the rulebook for purpose-built bass amplification. Thanks to its enormous power, deep bass, growling overdrive and purposeful control set, this tower of tone has remained the amp of choice for the most discerning bassists on the world’s biggest stages.
With XLR and ¼” outputs, the BASSRIG Super Vintage will fit seamlessly into any signal chain, no matter how simple or complex, and our powerful Amp Out EQ tailors your sound to work with any amp, meaning you never have to compromise on tone.

Demo by Origin Effects with Ian Allison

BassRig Super Vintage

Für 7-12 FX-Pedale, 1 MOD-Slot - **470 x 330 mm / 18.50" x 12.99"** - erhältlich mit Gig Bag oder Flight Case

For 7 - 12 FX pedals, 1 MOD slot - **470 x 330 mm / 18.50" x 12.99"** - available with Gig Bag or Flight Case

Following the very well received Brute Drive, we are proud to introduce the newest pedal from EWS, the Little Brute Drive (LBD). From its small body, jumps out an intense distortion similar to its big brother, the Brute Drive.

Its compact design takes us very little real estate. It will fit anywhere you desire on your pedal board. But don't let the small size fool you. This simple one-knob powerhouse produces heavy crunch to fiery distortion sounds. Output level and treble control can be adjusted with 2 trimmers located on the PC board inside the pedal.

This is an overdrive/distortion pedal that is compact in size, user-friendly and surely to become your work-ready weapon! And of course, it's true-bypass.

Review by Guitar Gear

Demo by Michael Thompson

Demo by Steve Stevens

Little Brute Drive (LBD)

Der LBD2 ist ein Gitarrenpedal mit gleichem Tondesign wie sein Vorgänger, dem LBD. Je nach Verstärkungseinstellung bietet der LBD2 einen knackigen und vollen Klang mit vielen Mitten. Um den besten Sound zu erzielen, empfiehlt es sich, den Tone-Regler zu nutzen, um die hohen Frequenzen abzusenken, sowie den Lautstärke- und Mid-Schalter an der Oberseite des Pedals einzustellen. Der Mid-Schalter ermöglicht eine kontrollierte Einstellung des mittleren Frequenzbereichs. Das Pedal kann mit einer 9V-Batterie oder einem externen Netzteil betrieben werden, verfügt aber auch über einen eingebauten 16V-Wandler. Die Verwendung eines 16V-Netzteils bietet mehr Headroom, einen größeren Dynamikbereich und reduziert die Kompression. Es wird empfohlen, bei Verwendung eines externen Netzteils mit 16V den erhöhten Stromverbrauch des Pedals zu berücksichtigen. Beim Öffnen des Pedals sollte der Schiebeschalter auf der Platine überprüft werden, um die Steuerspannung auf 9V oder 16V einzustellen.

LBD2 has the same tone design as the previous LBD. In low gain, it's crunchy and full of mid-range. In high gain, it's crisper and more focused. To get the best sound, use a tone control to cut high frequencies, a volume control, and the mid switch (for mid-range strength) at the top of the pedal. The mid switch controls the mid-range. It's a tone setting that pushes the midrange in three stages from the foot switch to the DC jack. Check the slide switch on the board when you remove the back panel. This slide switch sets the effect drive voltage to 9V or 16V. The LBD2 can be used with a 9V battery and an external power supply, but it also has a built-in 16V converter. A 16V drive gives more headroom and a wider dynamic range. It also reduces compression. Use an external power supply with 16V as the current consumption of the power supply increases.

Demo by Simon Gotthelf Gear Demos (Simon Gotthelf Music)

Demo by Shawn Tubbs

Review by delicious audio

Review by The Gear Page

Little Brute Drive II (LBD2)

Tri-Logic3 der dritten Generation behält die gleiche neutrale Charakteristik wie Tri-Logic1 und 2 bei und minimiert die Klangfärbung, verfügt aber auch über zahlreiche zusätzliche Funktionen und Flexibilität, um mit jeder Bassgitarre zu harmonieren. Die Verstärkungsregelung bietet eine Option zwischen Clean-Boost-Modus (Normal) mit maximal +18 dB oder High-Gain-Modus (Hi Gain) mit Kompression bei +26 dB. Die Höhenregelung bietet ±15 dB und kann mit einem Kippschalter zwischen 4 kHz (niedrig) oder 8 kHz (hoch) umgeschaltet werden. Der Mittelregler bietet ±10 dB und ermöglicht ein Sweepen zwischen 250 Hz und 3 kHz. Die Bassregelung bietet ±15 dB, umschaltbar zwischen 40 Hz (niedrig) und 80 Hz (hoch) und ermöglicht Ihnen einen präzisen und flexiblen Klang in jeder Spielumgebung.

Third generation Tri-Logic3 keeps the same neutral characteristic as the Tri-Logic1 and 2, minimizing the coloring of tone, but also has an abundant of added features and flexibility to correspond with any bass guitar. Gain control has an option between clean boost mode (Normal), with a maximum of +18db, or high gain mode (Hi Gain) with compression at +26db. The Treble control provides ±15db and can be switched between 4KHz (low) or 8KHz (high) with toggle switch. The Mid control knob provides ±10db and allows for sweeping between 250Hz to 3KHz. The Bass control provides ±15db, switchable between 40Hz (low) and 80Hz (high), and allows you to obtain accurate and flexible sound in any playing environment.

Demo by Adrian Nuñez

Demo by Victor Hugo Targino

Review by No Treble

Review by Talk Bass.com

Tri-Logic Bass Preamp 3

LA CHORUS ist ein analoges Chorus-Pedal im Vintage-Stil der 80er, das den klassischen Markenton des BBD-Chips verwendet, um „zeitgemäße“, warme analoge Chorus-Töne originalgetreu zu reproduzieren. E.W.S. hat das SCH-Z Chorus-Pedal durch Hinzufügen von True Bypass, Vibe-Modus usw. modifiziert und es wurde gut angenommen. Dieses Pedal basiert auf dem SCH-1, das als „klangliches Meisterwerk“ bezeichnet wurde – LA CHORUS ist vollgepackt mit den modifizierten Funktionen des SCH-Z und zahlreichen Klangvariationen. Der SCH-1 verfügt über eine in den DRY-Klangschaltkreis integrierte Klangregelung, und das Signal, das durch die Klangregelung geht, wird an den WET-Klangschaltkreis gesendet. Daher ändern sich beim Einstellen des Klangs die DRY- und WET-Töne immer synchron. LA CHORUS verfügt über unabhängige Klangregelungen für DRY und WET, sodass der Klang individuell eingestellt werden kann.

LA CHORUS is a 80’s vintage style analog chorus pedal that uses the classic trademark tone of the BBD chip to faithfully reproduce “period correct” warm analog chorus tones. E.W.S. has modified the SCH-Z chorus pedal by adding true bypass, vibe mode, etc., and it has been well received. This pedal is based on the SCH-1 which has been called a “Sonic masterpiece” - The LA CHORUS is packed with the SCH-Z modified features and numerous tone variations. The SCH-1 has a tone control built into the DRY sound circuit, and the signal that passes through the tone control is sent to the WET sound circuit. Therefore, when adjusting the tone, the DRY and WET tones will always change in sync. LA CHORUS has independent tone controls for DRY and WET, allowing to adjust the tone individually.

BMC