As you wait for the next tray of free food on platters held by white gloves, notice the contrasts that emerge from the hunger and tensions within the space. Will we remember what it takes to keep us here?

Indeed, causality breaks down when feedback loops are involved. The effect nestled within the cause, without cause, and so on. There is no beginning or end, at least objectively. And so, who eats the last hors d'œuvre, when time is space and silence is noise

The Hors d'Oeuvre? Active Feedback Loop then serves different opportunities to create and listen to: bipolar feedback of any combination of sound processing devices, and signal difference of input and return signals.

It is intentionally an introduction.

Demo by collector//emitter

Demo by Cicada Sound

Review by Talk Bass.com

Review by Pedal of the Day

Review by delicious audio

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Hors d'Oeuvre?

Meet Maude
Analogue Delay

Imparting a dark and tape-like quality to your sound, this analogue delay offers a rich and distinct character for you to wallow in luxury, self-righteousness and filth.  

Using the tone and feedback controls, you can shape your repeats to be much more than simple reproductions of the input. Play right on the threshold of feedback, which you can mold as a low thundering growl or screeching wail, or let your echo slowly die out as the dynamic output filter gets darker every repeat.

A random delay time modulation adds a true tape feel to the delay, like a reel-to-reel motor spinning not quite perfectly. Full CV capabilities allow you to control delay time and/or feedback with any external source, like an expression pedal.

Review by Waveform Magazine

Review by reddit /guitarpedals

Official Product Video

Meet Maude

A state-variable filter with wide range and application. Versatile. Combining tilt and notch/boost equalization around a 2nd-order (-12dB/octave) state-variable core.

Very much a one-band parametric equalizer with gritty extras:

Shelving filter, from low-pass to high-pass
CV inputs for resonance (Q) and frequency (F)
V/octave scaling synthesizer interface
Fully variable Q goes well into tasty sweet self-oscillations
Soft clip zener zesty mordant
Expression pedal input controls center frequency

Demo by Cyberattack

Review by The Gear Page

Long Life

The Fairfield Circuitry Four Eyes is a unique and versatile fuzz pedal that features three parallel JFET fuzz circuits driven by a voltage controlled state variable filter with resonance control and mu-amp input stage. This pedal is designed to offer a wide range of tonal possibilities, from extreme to relatively subtle, and from super thin to ridiculously fat.

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