Das JHS Pedals 3 Series Octave Reverb verfügt über die Möglichkeit dem Hallsignal eine hohe oder eine tiefe Oktave stufenlos hinzuzufügen. Damit erzielt man entweder ein schimmerndes, oder ein tieferes, räumliches Klangbild. Jedes Pedal der 3 Series wird von JHS Pedals in Kansas City, MO, hergestellt. Wie man es von JHS Pedals kennt, überzeugen auch hier hochwertige Teile, eine zuverlässige Qualitätskontrolle und die Liebe zum Detail. Jedes Pedal kommt mit drei einfachen Regelmöglichkeiten und einem Schalter, die eine breite Palette an möglichen Sounds bieten und sowohl für Anfänger als auch für Profis geeignet sind. Die JHS Pedals 3 Series wurde entwickelt, um Musiker zu inspirieren und bei der Suche nach neuen Sounds zu einem absolut erschwinglichen Preis zu helfen.

The JHS Pedals 3 Series Octave Reverb offers the possibility to add a high or a low octave to the reverb signal. This allows you to achieve either a shimmering or a deeper, spatial sound. Each 3 Series pedal is made by JHS Pedals in Kansas City, MO, using high-quality parts, quality control, and attention to every detail. Each pedal has three simple controls and one toggle that offer a wide range of sounds, perfect for beginners and professionals alike. The JHS Pedals 3 Series will inspire your playing and help you explore new sounds at a totally approachable price point.

Review by BK Pedal Reviews

JHS 3 Series Harmonic Trem & Octave Reverb - Sound Demo (no talking) - Guitar Bonedo

Manual

Review by bonedo

3 SERIES Octave Reverb

Hast du jemals die sonaren Wellen eines alten Fender-Blackface oder Vox-Amp Tremolos geritten? Dann weißt du, dass diese Tones das Gefühl geben auf einer Millionen-Dollar-Yacht zu segeln. Das Tidewater Tremolo stellt dieses beliebten Tremolo Sounds mit Wärme und Charakter originalgetreu nach, wie man sie nur von einem Vintage-Amp erwarten würde. Mit einfachen Bedienelementen und einem geringen Fußabdruck am Pedalboard fährst du mit dem Tidewater Tremolo auf hoher See. Wenn du ein einfaches Amp-ähnliches Tremolo suchst, das nicht viel Platz beansprucht, ist das Tidewater Tremolo das Mittel der Wahl.

Have you ever ridden the sonic waves of a vintage Fender blackface or Vox tremolo flowing like water from the speaker?  Then you know that this kind of tone can make you feel like you’re sailing on a million dollar yacht.  The Tidewater Tremolo faithfully recreates this beloved amp tremolo with a warmth and character you would only expect from a vintage amp. With simple controls and a small footprint, you’ll be sailing the high seas of tone with the Tidewater Tremolo. When you want a simple amp-like tremolo that doesn’t take up much space, the Tidewater Tremolo is your vessel of choice.

Tidewater trem - Demo by Mike Hermans

Official Product Video

JHS Tidewater - Demo by Living Room

JHS Mini Foot Fuzz V2 & JHS Tidewater Tremolo - Review by Gitarre & Bass [DE], [09-2019]

Tidewater Tremolo

Mit dem JHS Pedals Summing Amp habst du die Möglichkeit, zwei Eingangssignale in einem Ausgangssignal zu mischen. Dies ist ideal, um Effekte parallel zu betreiben, so dass sie nicht voneinander beeinflusst werden. The Edge verwendete diese Technik beispielsweise in den 80er Jahren mit seinen Delays. Wenn du ein Viertel-Delay und ein Punktierte-Achtel Delay hast und beide gleichzeitig benutzen möchtest, kannst du sie mit dem Summing Amp zusammen führen und die Delays des einen Pedals werden nicht weiter vom anderen verzögert. Er kann auch mit Overdrives verwendet werden damit sich diese nicht gegenseitig pushen. Eine weitere Möglichkeit besteht darin, Fuzz und Kompressor parallel zu kombinieren, damit das Fuzz nicht durch die Kompression zerdrückt wird. Mit dem Summing Amp hast du die Möglichkeit, Effekte auf völlig neue Art und Weise zusammen zu nutzen, die du dir vielleicht nie vorgestellt hast. Und der JHS Summing Amp eröffnet dir mit deinen alten Effekten völlig neue und inspirierende Klänge.

The JHS Pedals Summing Amp gives you the ability to take two inputs and blend them into one output. This is perfect for putting effects in parallel so that they are not affected by one another. The Edge used this technique in the 80s with his delays. When you have a quarter note delay and a dotted eighth delay and you place them in parallel then sum them back together, the effect is that both delays come through more clearly and are not "delaying the delays". This can also be used with overdrives so that they are not pushing each other as in series, but sit atop one another in parallel. Another use is combining fuzz and compression in parallel so the fuzz isn't getting choked by the compression. The Summing Amp gives you the ability to use effects together in completely new ways that you may never have imagined and can open up new and inspiring sounds with your old effects.

JHS Summing Amp - Review by Muzikus [CZ], [08-2019]

JHS Summing Amp - Review by TopGuitar [PL], [06-2019]

Demo by Sound Affects

Demo by Double D guitar

JHS Switchback, Summing Amp, Active ABY - Review by Gitarre & Bass [DE], [05-2019]

Summing Amp

The JHS Alpine Reverb Pedal﻿ was designed as a simple and straightforward reverb pedal, but one that is also extremely powerful and doesn't take much to maximize its potential. Modeled with two footswitches for further control, the one on the left is simply the on/off switch. The other is called the Shift control - essentially allowing you to switch between two settings on the fly without having to tweak any knobs mid-show.

It has five controls: Reverb, Depth, Highs, Length, and Shift. Reverb is a wet/dry mix control so you can adjust the saturation of your signal. Depth adjusts the size and space of the effect - essentially the size of the room (or canyon) in which you're playing. Highs acts as a high-pass filter and adjusts the tonality of the reverb. Length adjusts the decay time of the effect. And Shift works in conjunction with the right footswitch, acting as a second Reverb control. Loaded with killer features and great effects, the ﻿JHS Alpine Reverb Pedal makes for one helluva versatile effect pedal. Requires a standard 9V DC power adapter.

Alpine

The JHS Pedals 3 Series Flanger is inspired by the classic analog flangers of the past. The intuitive controls for Blend, Rate and Intensity cover a wide range of vintage-inspired sounds. The switchable Tape mode moves the sound into tape-like sweeps with zero through flanging. This mode is inspired by real tape flanging as done in studios by altering the speed of tape machines during playback. Each 3 Series pedal is made by JHS Pedals in Kansas City, MO, using high-quality parts, quality control, and attention to every detail. Each pedal has three simple controls and one toggle that offer a wide range of sounds, perfect for beginners and professionals alike. The JHS Pedals 3 Series will inspire your playing and help you explore new sounds at a totally approachable price point.

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