My real pedalboard 2

StroboStomp HD

Super AT Mod Overdrive

SLO Overdrive Purple - Limited Edition

AT+ Overdrive - Black - Andy Timmons Sign.

Halo - Andy Timmons Dual Echo (Light Bending Edition)

New Wave Stereo Analog Chorus/Vibrato

Humdinger

FXL8 Pro

MXR M199 TapTempo Switch

Compressor Mini

blueSky reverberator V2

M109S Six Band EQ

ML10X (5 Stereo Loop)

Der Emperor V2 ist ein vintage-korrekter Effekt, der den schwer zu findenden Sound des Arion SCH-1 perfekt einfängt ... aber auch eine All-Do-it-All-Modulationslösung, egal ob du einen subtilen Glitzer, eine überzeugende Rotationssimulation, oder seekrankes Vibrato suchst. Es verwendet einen Bucket-Brigade-3207-Chipsatz, um die Wärme der analogen Choruspedale im Stil der 80er Jahre zu liefern, und JHS haben genug Onboard- und Outboard-Regelmöglichkeiten hinzugefügt, um jedem Aspekt der Stimme des Imperators zu steuern zu können. Egal, ob er seine warmen Töne oder sein eisiger Glanz auf ein makellos klingendes Stereo-Rig verbreitet ... oder du ein externes Expression-Pedal verwendest, um realistische Rotary-Lautsprecher-Sounds auf einem Blues-Gig zu kopieren, der Emperor kann alles.

The Emperor V2 is a vintage-correct effect that absolutely nails the hard-to-find sound of the Arion SCH-1...but its also a do-it-all modulation solution whether you want a subtle sheen, convincing rotary simulation, or seasick vibrato. It utilizes a Bucket Brigade 3207 chipset to deliver the warmth of 80s-style analog chorus pedals and JHS have added enough onboard and outboard control to put you in command of every aspect of the Emperors voice. Whether spreading its warm tones or icy sheen to a pristine-sounding stereo rig... or utilizing an external expression pedal to cop realistic rotary speaker sounds on a blues gig, the Emperor can do it all.

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Manual

Distortion Ltd. In Focus: JHS Emperor V2 Chorus / Vibrato

JHS Pedals, Emperor V2

JHS Pedals Emperor V2 (demo)

Emperor V2

In 1966 the electric guitar was still in its infancy. As early as the mid-1940's guitarist had discovered the magic of turning up their valve amplifiers to create overdrive and distortion, but this sound was a very new frontier. In 1962 we saw the first mass-produced fuzz box in the Maestro Fuzz-Tone as well as the second-ever in 1965 by Sola Sound, the Tonebender. These fuzz boxes produced massive amounts of distortion and fuzz within themselves, even if your amp's tone was clean. In 1966 a company called Dallas Musical LTD who was known for producing amplifiers and guitars released something different, a first of its kind. The name of this effect was the Rangemaster Treble Booster. It wasn't a pedal but a stand-alone box with no footswitch that sat on your amplifier. The Rangemaster is similar in design to what we consider a fuzz to be, but the sound is not. In 1966, English manufactured amplifiers such as Vox and Marshall were much darker than the American made Fenders. This new effect unit allowed you to boost the middle and high-frequency range of your guitar into these darker amps so that you could achieve a brighter and more aggressive tone that would cut through a band mix. It also gave the guitarist a powerful amount of boost/volume that could push the preamp valves into beautifully overdriven and distorted tones. This circuit gave us some of the most beloved tones in guitar history as players like Rory Gallagher, Brian May, Tony Iommi, Marc Bolan, and Billy Gibbons made it their secret weapon. As with most classic fuzz pedals, it loves a dirty amp or overdrive afterward in the signal path. Staying true to the original, I used high-grade carbon composition resistors, oversized capacitors, and a single germanium transistor that I hand-selected. 

Each small batch of Boosts will use different transistors as it is challenging to find reliable sources of these devices in large quantities. The circuit uses vintage positive ground voltage, so do not daisy chain your power with other pedals. Inside the pedal is a battery snap or use any isolated power supply with a normal polarity power cable like your other pedals as I have wired it internally to work that way. The Boost is identical to the original except that I adjusted the taper of the pot to feel more intuitive. I also added a single power supply filter capacitor to help with noise and pull-down resistance to relieve switch pop. The switching is true-bypass. Each pedal in this batch is built-in identical form, but because of parts tolerances and the slight variance in the transistors, they will all be a bit different while still being the same. Be sure to always have this pedal first in your signal chain; the guitar must be plugged into its input due to the impedance it requires on its input, no exceptions.

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Product Review 

1966 Series Boost

Der Calhoun V2 ist eine Kollaboration mit dem legendären Gitarristen, Autor und Producer Mike Campbell, bekannt für seine Rolle in Tom Petty and the Heartbreakers und Arbeit mit Don Henley, Bob Dylan, Stevie Nicks, George Harrison, Jackson Browne, Brian Setzer, Johnny Cash, Fleetwood Mac and The Wallflowers um nur einige zu nennen. Es ist ein Overdrive/Fuzz Pedal, das komplett nach Mike’s Wünschen designt wurde – für Live- und Studio-Performances. Die Linke Seite ist die Drive Section, die  rechte ein Fuzz. Ein Toggle Switch erlaubt dir deren Reihenfolge in der Signalkette zu ändern für noch mehr Soundmöglichkeiten. Perfekt für Gitarristen die einen geradlinigen Setup one Chi-Chi wollen. Ein einfach zu benutzendes Dirt-Pedal, dass alles was Rock und Blues Tones angeht mit Leichtigkeit abdeckt.

The Calhoun V2 is a collaborative signature pedal for legendary guitarist, writer, and producer Mike Campbell. Mike is most known for his role in Tom Petty and The Heartbreakers, but he has worked closely with such artists as Don Henley, Bob Dylan, Stevie Nicks, George Harrison, Jackson Browne, Brian Setzer, Johnny Cash, Fleetwood Mac and The Wallflowers to name a few. The Calhoun V2 is a 2-in-1 overdrive/fuzz pedal that is designed around Mike's specific desires for live and studio performance. The left side of the Calhoun is the drive portion of the pedal, the right side is the fuzz portion. A toggle switch allows you to choose the order of the two effects when stacked (both on at the same time). The Calhoun is the perfect pedal for the player who wants straightforward, no frills and easy to use dirt tones in a single package. It covers everything you need for rock and blues tones with ease.

JHS Pedals The Calhoun V2 Demo by Livingroom Gear Demos

Calhoun V2 - Mike Campbell Sig.

In 2011, we released the Panther Analog Delay. Almost exactly two years later in 2013, we tried a nearly impossible feat of taking everything we love about the Panther Delay, making a few improvements, and packaging it into an enclosure half the size. Today in 2018 we're repeating the feat and making the Panther Cub V2 half the size once again!

What's New on the V2?

- Half the size of the Panther Cub V1 and Panther Cub V1.5
- Fully Wet Mix now available
- Gain Control to set overall volume
- Even smoother oscillation and run-away
- Active EQ, which functions at a Tilt style EQ

Demo by Mike Hermans

Official Product Video

Panther Cub V2

The JHS Pedals AT is Andy Timmons’ signature overdrive pedal that gives Andy his unmistakable lead and rhythm tone. Upon purchasing a JHS Angry Charlie in 2013, Andy began using it as his primary tone and soon after got in touch with Josh Scott about modifying it for his needs. By collaborating to tailor the pedal to Andy’s tastes, the “@“ was born and released in 2016. This pedal gives you all the soaring overdrive and distortion that you hear from Andy with plenty of options to craft your tone with your rig.  So pay ATtention and we’ll see what makes the AT rock.

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AT+ Overdrive - Black - Andy Timmons Sign.

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