Alex Pedalboard Base

Spring Tank

Emperor V2

Angry Charlie v3

ARP-87 Multi-function Delay

Little Brute Drive (LBD)

Mini Bicomp (ROSS)

Das JHS Pedals 3 Series Delay bietet zwei unterschiedliche Voicings und lässt Musiker zwischen satten und warmen oder klaren und unverfälschten Echos wählen. Die einfachen Regelmöglichkeiten garantieren eine intuitive Kontrolle über das Pedal und bieten gleichzeitig ein breites Spektrum unterschiedlichster Sounds. Das Pedal bietet eine regelbare Delay Time von 80 ms bis 800 ms und kann vom kurzen Slapback bis zu langen Ambient-Echos unterschiedlichste Styles bedienen. Über den Type-Schalter kann man zwischen einem cleanen digital-voiced Delay und einem dunkleren, wärmeren analog-voiced Delay wählen. Der Repeats-Regler kontrolliert das Feedback im Delay Signal und ermöglicht so klassische BBD-Oszillationen im analog-voiced Delay Mode. Jedes Pedal der 3 Series wird von JHS Pedals in Kansas City, MO, hergestellt. Wie man es von JHS Pedals kennt, überzeugen auch hier hochwertige Teile, eine zuverlässige Qualitätskontrolle und die Liebe zum Detail. Jedes Pedal kommt mit drei einfachen Regelmöglichkeiten und einem Schalter, die eine breite Palette an möglichen Sounds bieten und sowohl für Anfänger als auch für Profis geeignet sind. Die JHS Pedals 3 Series wurde entwickelt, um Musiker zu inspirieren und bei der Suche nach neuen Sounds zu einem absolut erschwinglichen Preis zu helfen.

The JHS Pedals 3 Series Delay lets you choose between rich and warm or clear and pristine echoes. The straightforward design is simple and easy to use while offering a huge range of options. The Delay gives you 80 ms to 800 ms of delay time, for everything from slapback to long ambient washes of pad-like echo. The Type toggle allows you to select between a clearer digital-voiced delay and darker analog-voiced delay. The Delay will give you classic bucket brigade runaway when you max out the Repeats knob when in the analog-voiced delay mode. Each 3 Series pedal is made by JHS Pedals in Kansas City, MO, using high-quality parts, quality control, and attention to every detail. Each pedal has three simple controls and one toggle that offer a wide range of sounds, perfect for beginners and professionals alike. The JHS Pedals 3 Series will inspire your playing and help you explore new sounds at a totally approachable price point.

Official Product Page

JHS Pedals 3 Series - Review by Gitarre&Bass [DE], [12-2020]

Manual

JHS Pedals 3 Series - Demo / Review Video - Musiker TV

JHS Pedals 3 Series Delay - Demo Video - Living Room Gear Demos

JHS Pedals 3 Series - Official Demo Video

JHS Pedals 3 Series - Fuzz / Reverb / Delay - Demo / Review Video - Rabea Massaad

JHS Pedals 3 Series Delay - Demo Video - shnobel

JHS Pedals 3 Series - Demo / Review Video - Reverb

JHS Pedals 3 Series - Review by Bonedo [DE], [11-2020]

JHS Pedals 3 Series - Fuzz / Reverb / Delay - Demo / Review Video - 60 Cycle Hum

JHS Pedals 3 Series - Review by Muzikus [CZ], [03-2021]

3 Series Delay

When most people hear the name "Tonebender," they think Vox. Even though Sola Sound released the Tonebender from London in 1965, it was, in fact, Vox who a year later mass-produced the circuit from Italy. VOX mass distributed this pedal worldwide alongside their iconic products like the AC30 amplifier and Wah pedal, making it a recognized product for guitarists everywhere. The earliest version of the Vox Tonebender circuit (1966-1968) is very similar to the 1.5 Tonebender and the Arbiter Fuzz Face, but it is much more aggressive and sharp in tone. This circuit lies nicely between the thick and wooly Arbiter and the bright and cutting Rangemaster boost. Many consider this the perfect middle of the road germanium fuzz that can give you a powerful yet articulate fuzz tone. This circuit has a lower output volume than many fuzzes, so it is normal to have the volume near maxed.I advise maxing out the Attack control as well and using your guitar's volume as a gain control! As with most classic fuzz pedals, it loves a dirty amp or overdrive afterward in the signal path. Staying true to the original, I used high-grade carbon composition resistors, oversized capacitors, and two germanium transistors that I hand-matched to the circuit. 

Each small batch of Italy's will use different transistors as it is challenging to find reliable sources of these devices in large quantities. The circuit uses vintage positive ground voltage, so do not daisy chain your power with other pedals. Inside the pedal is a battery snap or use any isolated power supply with a normal polarity power cable like your other pedals as I have wired it internally to work that way. The Italy is identical to the original except that I adjusted the taper of the pots to feel more intuitive, I also added a single power supply filter capacitor to help with noise. The switching is true-bypass. Each pedal in this batch is built-in identical form, but because of parts tolerances and the slight variance in the transistors, they will all be a bit different while still being the same. Be sure to always have this pedal first in your signal chain; the guitar must be plugged into its input due to the impedance it requires on its input, no exceptions. 

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Product Review 

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1966 Series Italy

Das Haunting Mids ist ein unglaublich effektives parametrisches Mid EQ Pedal, das jeden Verstärker oder jedes Pedal in ein grässliches Monster verwandeln kann. Mit seiner Fähigkeit, Mitten zu sweepen und anzuheben oder zu scoopen, kannst du den Ton finden, der dich in einen Träumen verfolgt. Die Bedienelemente des Haunting Mids beinhalten Volume, Mids, Sweep, und einen Lo/Hi Schalter. Volume fungiert als Standard-Lautstärkeregler, um das Signal zu cutten oder zu boosten. Die Mids und Sweep Regler arbeiten sehr eng zusammen, so dass du deinen ganz persönlichen Sweet Spot finden kannst, um die mittleren Frequenzen anzuheben oder abzusenken. Dieses Pedal funktioniert auch fantastisch vor Amps am Rande des Break-Ups, um sie in den Midrange-Himmel zu katapultierten oder mit übermäßig gescoopter Verzerrung den nötigen Biss für "Djent", Blueslicks, Rockriffs oder Lead-Lines zu verleihen. Das Haunting Mids eignet sich auch hervorragend zum Bändigen eines übermäßig mittenschweren Verstärkers oder Pedals. Es ist kein Overdrive-Pedal, sondern ein Mids-Pedal, das dir in Verbindung mit Overdrive ein heulen in deinen Tone zaubern wird.

The Haunting Mids is a frightfully effective parametric mid EQ pedal that can turn any amp or pedal into a ghastly monster.  With its ability to sweep mids and then boost or scoop them, you can find the tone that haunts your imagination. The controls on the Haunting Mids are Volume, Mids, Sweep, and a Lo/Hi toggle. The Volume acts as a standard volume control to be able to set at unison or boost the signal. The Mids and Sweep controls work very closely together so you can find the perfect frequencies to boost or scoop mid frequencies. This pedal is fantastic on an almost-breaking-up amp to send it into midrange tube driven heaven, or with an overly scooped distortion to give you the bite you need to cut through with every "djent," blues lick, rock riff, or lead line. It's also excellent for taming an overly mid-heavy amp or pedal rig.  The Haunting Mids is not an overdrive pedal, it’s a Mids pedal that when paired with an overdrive, will make you scream for more of this friendly ghost.

JHS Haunting Mids - Review by Muzikus [CZ], [04-2019]

JHS Haunting Mids demo by Livingroom Gear Demos

JHS Pedals - Haunting Mids

JHS Haunting Mids demo by Mike Hermans

JHS Haunting Mids - Review by TopGuitar [PL], [08-2019]

Haunting Mids

Hast du jemals die sonaren Wellen eines alten Fender-Blackface oder Vox-Amp Tremolos geritten? Dann weißt du, dass diese Tones das Gefühl geben auf einer Millionen-Dollar-Yacht zu segeln. Das Tidewater Tremolo stellt dieses beliebten Tremolo Sounds mit Wärme und Charakter originalgetreu nach, wie man sie nur von einem Vintage-Amp erwarten würde. Mit einfachen Bedienelementen und einem geringen Fußabdruck am Pedalboard fährst du mit dem Tidewater Tremolo auf hoher See. Wenn du ein einfaches Amp-ähnliches Tremolo suchst, das nicht viel Platz beansprucht, ist das Tidewater Tremolo das Mittel der Wahl.

Have you ever ridden the sonic waves of a vintage Fender blackface or Vox tremolo flowing like water from the speaker?  Then you know that this kind of tone can make you feel like you’re sailing on a million dollar yacht.  The Tidewater Tremolo faithfully recreates this beloved amp tremolo with a warmth and character you would only expect from a vintage amp. With simple controls and a small footprint, you’ll be sailing the high seas of tone with the Tidewater Tremolo. When you want a simple amp-like tremolo that doesn’t take up much space, the Tidewater Tremolo is your vessel of choice.

Tidewater trem - Demo by Mike Hermans

Official Product Video

JHS Tidewater - Demo by Living Room

JHS Mini Foot Fuzz V2 & JHS Tidewater Tremolo - Review by Gitarre & Bass [DE], [09-2019]

Tidewater Tremolo

Der Emperor V2 ist ein vintage-korrekter Effekt, der den schwer zu findenden Sound des Arion SCH-1 perfekt einfängt ... aber auch eine All-Do-it-All-Modulationslösung, egal ob du einen subtilen Glitzer, eine überzeugende Rotationssimulation, oder seekrankes Vibrato suchst. Es verwendet einen Bucket-Brigade-3207-Chipsatz, um die Wärme der analogen Choruspedale im Stil der 80er Jahre zu liefern, und JHS haben genug Onboard- und Outboard-Regelmöglichkeiten hinzugefügt, um jedem Aspekt der Stimme des Imperators zu steuern zu können. Egal, ob er seine warmen Töne oder sein eisiger Glanz auf ein makellos klingendes Stereo-Rig verbreitet ... oder du ein externes Expression-Pedal verwendest, um realistische Rotary-Lautsprecher-Sounds auf einem Blues-Gig zu kopieren, der Emperor kann alles.

The Emperor V2 is a vintage-correct effect that absolutely nails the hard-to-find sound of the Arion SCH-1...but its also a do-it-all modulation solution whether you want a subtle sheen, convincing rotary simulation, or seasick vibrato. It utilizes a Bucket Brigade 3207 chipset to deliver the warmth of 80s-style analog chorus pedals and JHS have added enough onboard and outboard control to put you in command of every aspect of the Emperors voice. Whether spreading its warm tones or icy sheen to a pristine-sounding stereo rig... or utilizing an external expression pedal to cop realistic rotary speaker sounds on a blues gig, the Emperor can do it all.

Distortion Ltd. In Focus: JHS Emperor V2 Chorus / Vibrato

JHS Pedals, Emperor V2

JHS Pedals Emperor V2 (demo)

Emperor V2 by JHS

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Emperor V2

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