The birth of the Kasleder Yeti Drive was inspired by the first incarnations of Big Muff pedals, but instead of it being just another clone, there is something more mysterious and sinister hiding under its bonnet, giving it a unique tone and drive texture. Typically, most Muffs are voiced with a very heavy low-end and piercing highs, however, their mid-range is usually very „scooped” and hollow. In order to create a less obtrusive and better balanced sound spectrum, the frequency range of the Yeti Drive has been re-tailored to give a tighter low-end, gentler highs and a slight hump in the mid-range, making the sound extremely controllable and versatile, allowing it to cut through the mix a whole lot better.

Demo by PEDAL GONG SHOW

Demo by Subbeast Bass Pedals&Effects

Official Website

Yeti Drive

The signal chain is Rangemaster into a Fuzz Face that combined together basically can give you a Tonebender Mk2. Lots of tweaking options, for those whom would like to have years of Germanium tone history into one box. Three of the most coveted legendary Germanium sounds in the same pedal.

A planned Limited Run of 100 units made with hand selected NOS transistors. The transistors used in this pedal are not made anymore for decades. Specially blended together to cover the sounds of the three Germanium legends. I’ve been tinkering by quite some time, how to incorporate three of my favorite fuzz circuits under the same hood. It’s almost impossible as we are talking about three very sensitive circuits, so this project was not so simple and honestly it became an obsession.

Review by The Gear Page

Official Product Video

Demo by Sam Vilo

Product Page

King Of Stone

Straight forward, no nonsense and predictable controls, so you can familiarize immediately with the sounds it offers.

Manual

Demo by absurdcus

Demo by Paul Del Bello

Jellyfish

Als Sound-Grundlage diente das legendäre LA2A Studio Compressor/Limiter, hier aber in einem kompakten, kleinen Gehäuse.Der Schaltkreis basiert auf einem äußerst besonderen Opto-Schalter, für den perfekten Klang - ohne Kompromisse. Verwendbar auch als überzeugender Clean-Booster, sehr ähnlich dem berühmten Solo Dallas. Ein richtiges -always on- Pedal, das man gar nicht mehr ausschalten möchte. Nicht nur für Gitarre sondern auch für E-Bass oder andere Instrumente eine ausgezeichnete Wahl.Handgefertigt in Ungarn, by Albert Kasleder.

The legendary LA2A Studio Compressor/Limiter served as the sound basis, but here in a compact, small housing, the circuit is based on an extremely special opto-switch for the perfect sound - without compromise. Can also be used as a convincing clean booster, very similar to the famous Solo Dallas. A real -always-on pedal that you won't want to switch off. An excellent choice not only for guitar but also for electric bass or other instruments, handmade in Hungary by Albert Kasleder.

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