Old Blood Noise Endeavors (OBNE) aus Oklahoma sind längst eine feste Größe der eher abgefahrenen Indie-Pedal-Szene. Mit dem Sunlight huldigen sie nun unserem Zentralgestirn – und werfen einen energetischen Lichtstrahl auf das weite Feld der Hall-Effektpedale.

Sunlight is a dynamic reverb capable of indefinitely holding trails until new notes are played. Each of the three unique modes add to the core atmospheric reverb sound, emulating tape modulation, stacking delays to create comb filters, or using a resonant bandpass filter to create a bubbling sample and hold sound, all within a dynamically interactive reverb.

Controls include:
Input to set reverb input dynamic sensitivity and Decay for reverb feedback, together creating the potential for nearly infinite trails
Three way switch to select between Tape, Comb, and Pass modes
Rate and Depth specific to each mode’s modulation
Expression jack for assignable external control over Input, Decay, Rate, and Depth parameters
Alt footswitch to quickly snap to a particular knob setting
Soft-touch bypass footswitch for true bypass and minimal switch noise
For more information, see the Sunlight manual available here.
Requires 9V DC center negative 2.1mm jack power supply capable of 110mA (not included)

The art of Sunlight is by Jon Carling

Review by Gitarre & Bass 

Product Page

Review by Synth Anatomy

Demo by Emily Hopkins 

Demo by Old Blood Noise Endeavors 

Demo by Dan 

Demo by The Pedal Zone 

Demo by Emily Hopkins

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Manual

Sunlight

Expression Ramper allows you to pick two expression settings and move between them, either in one motion or as a continuous LFO activated by a footswitch. The mini enclosure size takes up minimal space while creating new sounds out of any pedal with an expression input.

Demo by Get Offset

Demo by Eric Merrow

Demo by The Pedal Zone

Dan Explains It All - Expression Ramper

Review by Russo Music

Review by Musiker-Board

Expression Ramper (Green)

Visitor is a dual modulation pedal, running two modulations in parallel to create rare and inspiring combinations. Primary modulations are tremolo, chorus, and phaser, and secondary modulations are tremolo and chorus. Think of the secondary modulation as an additional flavor: primary modulation gives familiar sounds, and secondary creates intriguing separations by having all elements controlled across one knob.

Review by AMAZONA

Review by Guitar World

Visitor

The Reflector Chorus is no longer in production, but many units exist out there in the world. For posterity, we present its details here.

Reflector V3 was a dense lush chorus coupled with three modes of modulation. This was a chorus with a bent, an ephemeral voice floating between aural dimensions.

Controls included Rate and Depth for the chorus LFO, Mix for a balance between unaffected and affected signal, and Modulate for unique control in each mode: pitch shift, reverb blend, and filter depth. A three-way toggle switch allows the player to choose between three modes: Wrinkle, a deep chorus with an additional pitch shift from one octave down to one octave up; Washed, a simple lush chorus feeding into a reverb; and Mirrors, a chorus and moving filter linked via the chorus rate.

The Reflector V3 featured an expression out jack and clickless switching. The output level could be tweaked via an internal trimpot for boost, slight drop, or unity gain.

Required 9V DC center negative power with a mA draw of 110

Derek Nobbs created the art of Reflector.

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