The Pastfx Nick James Foot Phaser is a collaboration with Nick James of Peril Pedals and is based upon the foxx Foot Phaser V1.
The foxx Foot Phaser is made famous by Brian May of Queen. Made in the 70’s, its treadle design allowed the Phase speed to be controlled by knob or treadle.
Foxx released several versions of the foot phaser with different number of phase stages and circuit design. However it is Version 1’s design that is most synonymous with Brian May.

The Nick James foot phaser requires considerable testing to find a set of 10 matching transistors. This involves testing thousands of transistors by hand, to get the perfect phase.

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Foot Phaser Nick James

The Pastfx Foot Phaser Deluxe is essentially a tricked out Nick James Foot phaser, which in turn is based upon the foxx Foot Phaser V1.
The foxx Foot Phaser is made famous by Brian May of Queen. Made in the 70’s, its treadle design allowed the Phase speed to be controlled by knob or treadle.
Foxx released several versions of the foot phaser with different number of phase stages and circuit design. However it is Version 1’s design that is most synonymous with Brian May.

The Foot Phaser Deluxe requires considerable testing to find a set of 10 matching transistors. This involves testing thousands of transistors by hand, to get the perfect phase.
While being able to dial in the exact settings of the Nick James foot phaser, The Deluxe, can take the tonal options further, and also has an expression extension jack for those who wish to use a treadle to control the pedal

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Foot Phaser Deluxe

An original take on the classic 1970s 18-volt "V2" EHX Electric Mistress flanger, characterised by liquidy, gracefully modulated tones, and equipped with unprecedented control over shaping the effect's sonic signature.

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The Past FX PX-101 is a guitar pedal that is part of the Spectrum Collection, a series of pedals dedicated to capturing the sounds and sonic aura of legendary Pink Floyd guitarist David Gilmour. The pedal is designed to recreate the key elements of Gilmour’s sound, particularly his use and manipulation of effects pedals to shape his tone.

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