Ghost Writer is a pedal that transforms the notes you play into MIDI data. This means you can connect to a synth and literally play your synthesizer from your guitar. You can also trigger phrases or samples, and add functionality to your MIDI-equipped pedals.

Independent controls allow you to toggle audio and MIDI signals or use both. The monophonic MIDI data is automatically assigned to MIDI Channel 1, and transmitted through a *3.5mm TRS MIDI cable* on the back of the pedal. The audio is processed through a high-quality buffer stage to ensure no loss of signal.
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Ghost Writer provides a simple way to interact with your synths and MIDI-equipped gear as you play. It’s an essential tool for creative musicians who are on the search for innovation.

Demo by Sean Daniel

Official Product Video

Product Page

Review by Waveform Mag

Review by Get Offset

Manual

Ghost Writer

(Glitch, Pitch, Slice, and Dice)

Is it a distortion pedal? Is it a ring modulator? Delay? Just call it the Bad Comrade, the world’s first hand-wired glitch, pitch, slice, and dice pedal. For the adventurous guitarist (or anyone wielding a 1/4” jack) who craves unthinkable tones. The Bad Comrade lets you distort, modulate, glitch, and slice on the fly.

Demo by Duskmos

Review by Talk Bass.com

Review by The Gear Page

Bad Comrade

The Endless Summer is an all-analog, real spring reverb in pedal form. It features a boost allowing you to make things gritty, or go full-on over-the-top fuzzy and psychedelic. Simply put, it’s the coolest sounding and most unique reverb available!

Start with the balance all the way to the left to get a splashy reverb with a slight “buffered” boost. 9 o’clock grits it up and boosts your amp. Things get crazy at 12 o’clock! Dial in the color and depth with the brightness control. And yes, it has a real-spring-reverb tank inside!

Demo by mattoverse

Review by Pedal of the Day

Review by reddit /guitarpedals

Review by TAPE OP

Endless Summer

The first mode offers a modulated “oil can” style delay with shorter, vintage style repeats, paired with a small room reverb. The second mode delivers a long, high-fidelity, analog-style delay with a large hall reverb. The reverb level can be dialed to taste or completely removed in either mode, allowing it to function as a traditional delay pedal. The reverb can be boosted while keeping the mix low, generating the effect of a reverb with an adjustable pre-delay. 

The Dirty Murals will quickly become an essential part of your sound. It is your go-to delay and reverb solution in a small size that will free up space on your pedalboard by combining the perfect delay and reverb in one device.

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