The Fuzz Breaker 4 in an effect pedal generating the so called fuzz and octave-fuzz effects when used with an electric guitar and a dedicated guitar-amplifier.

Demo by  島村楽器 イオンモール太田店

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FB-4

Slightly different nuance than existing sobbat, this pedal is designed to distortionof clarity tactile sense with transparency.
Turn the drive around the center if you are a type of guitarist who controls the sound with picking touches.
When you mainly play cutting style, you can obtain crispy distortion with setting the gain less than the center.
Of course, even if the lead guitarist puts drive at a position more than the center,
You can get sustain with distortion with transparency.
It features a wide range that can correspond to a wide range of music styles.

ODB-1S

With two loops and a through, all signals pass through the built-in buffer amplifier. You can take advantage of various scenes such as recording and live, such as noise control on the series wiring that you are most worried about when using the analog effector, and controlling multiple effectors with "one step" to dramatically switch tones.

Demo by  DOWN PICKER:TOMO(BASSIST)

SW-1

Miniaturized DRIVE Breaker DB-2, modifyied focusing on distortion degree, EQ range and noise reduse.
In DB-2S, while maintaining the conventional feeling of playing,
the distortion component is adjusted to feel clear so that it can correspond to verious Styles.
It is the birth of a new DRIVE Breaker that supports home DAW and Jazz Chorus which is standard in the live house and the studio.
**The original DB-2 is recommended for those who require rhythm guitar and LOW / HIGH emphasis riff / solo with one unit.
**NEW model DB-2S is recommended for those who require Crunch rhythm guitar and play solo work using as booster.

Review by The Gear Page

DB-2S

Fine sustain as DB-1. Less gain and a little rougher than DB-1. sound like big tube old amp sound, even at low level.

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DB-2

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