Minimalistic Post-Rock Board

Baby Tuner

Hoof

SA 263 Collider Delay+Reverb

Free Step Wah/Volume

Yellow Comp

Nano POG

Micro Looper

Tumnus Deluxe

Gigging Board

Cali76 FET Compressor (Black)

Prince of Tone

Jan Ray

Riverside

Tuner Press

Drop

Chris's board

Julianna Onyx

VOLUME (X) MINI (DVP4) 

Studio Compressor

Power Block

Morning Glory v4

Aspen Overdrive

Travel Board 2023

Polytune 3 Noir

HX One

Skylar Reverb

AMP MODE

SUNSET

FS-1 Ampero Switch

Sub 'N' Up mini Octaver

Iron Horse LM308 Distortion v2

Der Source Audio One Series Ultrawave Multiband Bass Processor beginnt eine bahnbrechende Reise in das fortgeschrittene Potenzial von Overdrive- und Tremolo-Effekten und erkundet ein neues Universum von Klängen, die es so noch nie gegeben hat. Das Herzstück des Ultrawave ist ein dynamischer und mehrdimensionaler Ansatz, der als Multiband-Processing bezeichnet wird. Dieser Prozess teilt das Frequenzspektrum des Signals in mehrere diskrete Frequenzbänder auf, die speziell auf den Bass abgestimmt sind, und stattet jedes Band mit einer eigenen Reihe einstellbarer Parameter aus. Für Overdrive- und Distortion-Effekte teilt der Ultrawave das eingehende Signal auf und bietet separate Regelmöglichkeiten für Drive und Output Level für jedes einzelne Band. Das Ergebnis ist eine satte und reichhaltige Verzerrung mit vielen einzigartigen Obertönen und einem dynamischen Zusammenspiel. Das breite Spektrum an Distortion- / Overdrive- / Fuzz-Effekten umfasst unter anderem Tube, Diode, Foldback, Octave Up, Negative Flip Diode und mehr. Der Ultrawave verfügt mit dem Neuro Desktop Editor (kostenlose Bearbeitungssoftware für Mac oder Windows) oder in der Neuro Mobile App (kostenlos für iOS und Android) über eine unglaubliche Sammlung innovativer Sound Processing Tools, mit denen sich die Klangbearbeitung in völlig neue Richtungen lenken lässt. Neben einem Dual Channel Kompressor / Expander, einem Multiband-Tremolo mit regelbaren Parametern für jedes Band und einem regelbaren LFO bietet das Pedal zusätzlich ein Sound Morphing Feature, das es Musikern ermöglicht, mit einem externen Expression Pedal, einem LFO oder einem Envelope-Follower stufenlos zwischen zwei Sounds zu wechseln. Mit dem True Stereo Setup lassen sich innovative Stereo-Effekte mit unterschiedlichen Signalen an beiden Ausgängen oder umwerfende Ping-Pong-Sounds erzeugen. Alternativ kann der Ultrawave so flexibel an zwei unterschiedlichen Stellen in Signalweg genutzt werden.

The Source Audio Ultrawave Multiband Bass Processor explores the ground-shaking potential of advance overdrive and tremolo effects with the bass. At the Ultrawave’s core is a dynamic and multidimensional approach known as multiband processing. This process splits the frequency spectrum of the signal into multiple, discrete frequency bands especially tuned to the bass, and equips each band with its own array of adjustable parameters. In the case of overdrive, the Ultrawave splits the incoming signal and provides separate drive and output level controls for each individual band. The result is a thick and punchy distortion with loads of unique overtones and dynamic interplay. Split the signal into 1, 2, 3, 4, 8, or 10 frequency bands, and apply any of the band splitting options to an exciting collection of overdrive types, including Tube, Diode, Foldback (a method of distortion often heard in the world of synthesizers), Octave Up, Negative Flip Diode, and more. The Ultrawave Bass also has an incredible companion collection of innovative sound processing blocks that take bass tone into endless miles of unexplored territory. These are found in the Neuro Desktop Editor (free editing software for Mac or Windows) or Neuro Mobile App (free for iOS and Android). All presets created in the Neuro editors can be loaded directly to the pedal, saved to a personal, cloud-based preset library, and published to the Neuro Community to be easily accessed by other Ultrawave owners. The dual channel compressor block includes studio level controls that can be placed before or after the drive circuits. The Multiband Tremolo block provides individual control of each band's tremolo depth, rate, and start time as well as its LFO wave shape. Changing the LFO wave shape and varying the tremolo start times of each frequency band creates fantastically propulsive sounds reminiscent of sequencer or arpeggiator effects. The Morph feature explores the marvelous potential of sound morphing, which allows bassists to smoothly transition from one thunderous tone to another with an external expression pedal, LFO, or envelope follower. The Ultrawave also has advanced stereo features that can send entirely different drive effects to each of the outputs for a wide stereo field, place the effect in two places in a signal chain, or generate mind-spinning, ping-pong tremolo effects. Plug in, turn up, and explore the wonders of multiband processing built on over a decade of refinement and experimentation.

Official Product Page

Manual

Source Audio One Series Ultrawave - Review by Gitarre&Bass [DE], [09-2021]

Source Audio SA 251 - One Series Ultrawave Multiband Bass Processor - Official Demo Video

Source Audio SA 251 - One Series Ultrawave Multiband Bass Processor - Demo Video - Nate Navarro

Ultrawave Multiband Bass (SA251)

Das Source Audio SoleMan ist ein vielseitiger und umfassendt konfigurierbarer Hardware- und Software-MIDI-Controller, im praktischen, stabilen und kompakten Fußpedalformat. Einerseits stellt das SoleMan die perfekte Ergänzung jeder umfangreichen Source-Audio-Effektpedalsammlung dar, andererseits lassen sich mit dem SoleMan auch andere MIDI-Setups hoch effizient steuern. Außerdem ermöglicht die Source-Audio-Software eine nahtlose Einbindung des Nemesis Delay. 

Das SoleMan verfügt über zwei Hardware-MIDI-Ausgänge, die mit jeder Hardware kommunizieren können, die nach dem MIDI-Standard arbeitet. Ebenso verfügt das SoleMan über ein USB-MIDI-Interface, um MIDI-kompatible Software und DAWs (Digital Audio Workstations), virtuelle Instrumente, Synths oder VST-Plug-ins steuern zu können. Mit den vier Fußschaltern lässt sich bequem durch Scenes scrollen, durch Set-Listen steppen, es lassen sich individuelle MIDI-Befehle abschicken, oder nach komplett eigenen Wünschen anpassbare MIDI-Makros auslösen. Ein Anschluss für zwei optionale, externe Fußschalter sorgt für noch mehr Komfort bei der MIDI-Navigation.

Der Expression-Eingang ermöglicht es dem Benutzer, ein optionales, passives Expression-Pedal auf äußerst flexible Weise zum Erzeugen von Continuous-Controller Befehlen (CC) einzusetzen. Auf diese Weise ermöglicht das SoleMan dem Nutzer eine expressive Kontrolle von MIDI-kompatiblen Geräten und Software. Das kontraststarke LC-Display ist sowohl auf dunklen Bühnen, als auch in direktem Sonnenlicht optimal ablesbar. Es zeigt alle wichtigen Infos zu Scenes, Set-Listen, MIDI-Konfiguration, Expression-Ausgängen und weiteren Modi an.

The SoleMan is a versatile, highly configurable hardware and software MIDI controller housed in a durable, compact package.  It is the perfect addition to any Source Audio centric pedal collection, but also it is highly effective in other setups. Source Audio supplies configuration software for seamless use with the Nemesis Delay pedal. 

It has two hardware MIDI outputs, which allow it to interface with any hardware that adheres to the MIDI standard. It also has a USB-MIDI interface for direct control of MIDI-compatible software such as DAWs (Digital Audio Workstations), virtual instruments, synths, or VST plugins. The four footswitches scroll through scenes, launch individual MIDI messages, step through set lists, or trigger highly customizable MIDI macros. An external switch port allows for two additional footswitches to make navigation more convenient.

The expression input allows for the use a passive expression pedal to generate MIDI continuous controller messages in a very flexible manner, providing direct expressive control over MIDI-compatible devices and software.  The SoleMan’s high-contrast LCD is visible in light conditions ranging from a dark stage to direct sunlight. It displays relevant information about scenes, set lists, MIDI configuration, expression outputs, and other modes.

Soleman MIDI Foot Controller Tutorial #5: Panel Mode

Soleman MIDI Foot Controller Tutorial #2: Scene Mode

Bonedo Soleman MIDI Foot Controler Review DE

Soleman MIDI Foot Controller Tutorial #4: Set List Mode

Introducing The Soleman MIDI Foot Controller...

Soleman MIDI Foot Controller Tutorial #3: Expression Control in Scene Mode

Soleman MIDI Foot Controller Tutorial #6: With the Nemesis Delay

Soleman MIDI Foot Controller (SA165)

The Reflex Universal Expression Controller is the stand-alone command center for all of your expression pedal needs. It is a programmable expression pedal that connects to any effects pedal, synthesizer, or rack system with an expression or MIDI jack, and can also control DAW software via USB. Its outputs include three ¼” analog expression outs, MIDI 5-pin DIN in and out connectors, a USB port, and Source Audio’s proprietary 1/8” Sensor Out. Use the onboard control panel to program which outputs are active, the depth and direction of the expression or MIDI continuous controller signals, and the curve of the tapers. The Reflex can also send five different LFO wave shapes with expression control of the depth, modulation speed, or beat division. Save up to 128 expression configurations, recallable via the onboard controls or external MIDI program change messages.

The Reflex Universal Expression Controller allows musicians to create an endless array of unique effects by providing independent or simultaneous control over the expression function of multiple effects pedals or rack systems.

The Reflex’s bright LED display and clearly labeled control panel make it extremely easy and intuitive to program anything from very basic to highly complex expression configurations. The Reflex holds up to 128 user presets — within each preset it is possible to assign a different expression function to every expression output and MIDI port on the pedal. Use the control panel to select which outputs are active, the depth and direction of each expression signal, and the curve of the tapers.
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It is also possible to send an automated modulation signal to each expression output with LFO wave shapes. Set the expression pedal to control the LFO’s depth, modulation speed, or the beat divisions over a fixed BPM. LFO wave shapes include sine, square, saw tooth, triangle, random sample and hold, as well as a "User" position, reserved for future features. Sending LFO signals is a nice way to achieve (for example) a vibrato effect from an external pitch shifting pedal or a tremolo from the level control of an external unit.


REFLEX UNIVERSAL EXPRESSION CONTROLLER

The Reflex Universal Expression Controller: Demo Video

Reflex Universal Expression Controller

Schalte den Vintage-Charme von natürlichem Federhalls und pulsierendem Tremolo an. Source Audio macht sich nicht von Standardreverb-Effektprozessoren abhängig, wie sie in vielen modernen Reverb-Pedalen zu finden sind. Sie meißeln jede ihrer Effekt-Engines selbst von hand und laden sie in ihren eine leistungsstarken 56-Bit-Sigma-DSP. Ihr zweiköpfiges Team aus den Ingenieuren Bob Chidlaw und Jesse Remigni saß jahrelang Stunde um Stunde daran, jede Nuance und Idiosynkrasie der Federhall- und Tremolo-Effekte einiger der kultigsten Gitarrenverstärker und Outboard-Geräte der Musikindustrie einzufangen. Das Ergebnis ist unbestreitbare Klangqualität mit großartiger Klangtiefe und Präzision.

Turn on to the vintage charm of natural spring reverb coupled with pulsing tremolo. Source Audio doesn't depend on the off-the-shelf reverb effects processors found in many modern reverb pedals, they handcraft every one of their proprietary effects engines and load them to high-powered, 56-bit Sigma DSP.  Their two man engineering team of Bob Chidlaw and Jesse Remignanti put years of collective man-hours into capturing every nuance and idiosyncrasy of the spring reverb and tremolo effects from some of the music gear industry’s most iconic guitar amps and outboard gear. The result is indisputable sound quality with magnificent tonal depth and precision.

Source Audio One Series True Spring Reverb - Review by Gearphoria [EN], [10-2018]

Source Audio One Series True Spring Reverb - Review by PremierGuitar [EN], [02-2019]

True Spring Reverb - Demo by Musiker TV

Source Audio One Series True Spring Reverb - Review by Muzikus [CZ], [08-2019]

SA True Spring - Demo by PG

Source Audio One Series True Spring Reverb - Review by Gitarre & Bass [DE], [07-2019]

True Spring Reverb

Das Source Audio One Series Collider Stereo Delay+Reverb kombiniert zwei der beliebtesten Effekt-Typen in einem einfachen und intuitiven Effektpedal. Basierend auf den Effekt-Algorithmen des preisgekrönten Nemesis Delay und des Ventris Dual Reverb vereint das Collider das Beste aus beiden Welten in einer Stompbox. Das Pedal bietet jede mögliche Kombination aus einer der fünf wählbaren Delay-Engines und einem der wählbaren Reverb-Effekte mit einem separaten An- / Ausschalter für jede Sektion. Zusätzlich lassen sich einzigartige Dual Delay oder Dual Reverb Presets erzeugen. Das Collider kommt mit einem MIDI Ein- / Ausgang und unterstützt Expression Control und Remote Switching. Die Grundlage der Schaltung bilden zwei unabhängige 56-bit DSP Prozessoren, die jede Sektion komplett eigenständig betreiben. Die Dual-DSP Plattform gibt dem Pedal eine immense Leistung um so zwei separate Effekte in uneingeschränkter Studio-Qualität zu ermöglichen.

The Source Audio One Series Collider Stereo Delay+Reverb combines two of the most popular effect types in one simple and intuitive pedal. Drawn from the effect engines of the award-winning Nemesis Delay and Ventris Dual Reverb, Collider offers the best delay and reverb effects in one compact, no-compromise package. The pedal allows for any combination of its five delay engines with any of its seven reverb effects and has dedicated ON/OFF switches for each effect. It is also possible to create independent dual delay or dual reverb presets. The pedal has dedicated MIDI input/output as well as support for expression control and remote switching. The Collider contains two completely independent 56-bit DSP processors, essentially housing a high-powered delay pedal and a high-powered reverb pedal in a single box. Its dual DSP platform gives the pedal the massive processing power to deliver two studio quality effects simultaneously.

Source Audio Collider Stereo Delay/Reverb Pedal Demo - The Pedal Zone

Source Audio Collider - Review by Gitarre&Bass [DE], [04-2020]

Source Audio Collider - Review by Gitarzysta [PL], [02-2020]

Source Audio Collider - Review by GrandGtrs [DE], [01-2020]

Source Audio SA 263 - One Series Collider Stereo Delay+Reverb - Official Demo Video (Stacking Delays)

Source Audio SA 263 - One Series Collider Stereo Delay+Reverb - Official Demo Video

Source Audio SA 263 - One Series Collider Stereo Delay+Reverb - Demo Video - Mike Hermans

Source Audio SA 263 - One Series Collider Stereo Delay+Reverb - Demo Video - Sweetwater

Source Audio Collider - Review by Muzikus [CZ], [03-2020]

Source Audio SA 263 - One Series Collider Stereo Delay+Reverb - Demo Video - AndyDemos