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The Talking Pedal brings vocal expression to the guitar player and uses the proprietary design shared by all of EHX’s Next Step Effects.

It features the same smooth rocking chassis that’s super rugged and delivers lightning fast control. Bypass switching is completely silent. The Talking Pedal is also free of the moving parts that plague other pedals, parts that wear out and require replacement.

Like a wah wah, the Talking Pedal is a rocking filter-type pedal, but the similarities end there. The tone of the pedal is unlike a traditional wah’s because it passes the guitar signal through two bandpass filters that give the tone a male vocal quality and create a selection of vowel-like sounds.

A specially designed, fixed, fuzz circuit can be blended in with a scroll wheel located on the side of the pedal. This enhances the definition of the effect and adds growl and grind to the pedal.

Demo by 

Demo by Guitar Muse

Review by musicradar

Review by The Gear Page

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Next Step Talking Pedal

The EHX Oceans 11 is a compact, affordable pedal packed with advanced functionality and 11 reverb styles ranging from essential to exotic.

The EHX Oceans 11’s reverbs are:
1. HALL – the rich reverberant sound of a grand concert hall
2. SPRING – pays homage to the classic Fender® 6G15 tube spring reverb
3. PLATE – the lush, warm reverb that got its name because a large metal plate was originally used to create it
4. REVRS – emulates the quirky reverse reverb effect where a note’s reverb fades-in backwards. (Jimmy Page claims to have invented it.)
5. ECHO –sends a recirculating echo thru the Plate reverb. The crisp clear delays get tastefully smudged by the airy plate reverb
6. TREM – reverb plus tremolo that’s applied to both the wet and dry mix of a Hall reverb, your choice of three different tremolo shapes
7. MOD – modulated reverb, three modes. Chorus laced onto the reverb tails creates a luscious atmospheric effect. Flanger wraps around the reverb tails and weaves a hypnotic tapestry. Chorus and flanger combined.
8. DYNA – Swell, gate and duck. Swell silences your notes’ attacks before blooming the tails back into the soundscape. Gate passes the reverb tail thru a noise gate that opens when it detects playing. (Phil Collins popularized the technique by applying it to drums.) Duck compresses the reverb tail while you’re playing and fades it back in when you’re resting.
9. AUTO-INF – Auto-infinite reverb that triggers a reverb wash for each note or chord. When a new one is struck, the previously resounding reverb crossfades to the new one
10. SHIM – Shimmer generates a rich octave-shifted reverb wash that modulates and blossoms behind your signal
11. POLY – Polyphonic reverb, two configurable bi-directional pitch shifts operating on your pre-reverb signal. Combine dissonant intervals with near infinite decays to create disorienting soundtracks, or choose perfect/major intervals to generate creative harmonies when jumping around a key signature

The Oceans 11 features powerful, yet intuitive “hidden” parameters accessible thru its Secondary Knob Mode that let the player take greater control of its effects.

An internal Tails switch also provides a choice of whether the reverb effect fades out naturally or stops immediately when the pedal is switched to bypass. In most settings the pedal is also capable of producing infinite reverb which can be played over with a fresh reverb effect complete with adjustable parameters!

11 different reverb types: HALL, SPRING, PLATE, REVRS, ECHO, TREM, MOD, DYNA, AUTO-INF, SHIM and POLY
Tails switch. Select whether the reverb fades out naturally or stops immediately when the pedal is switched to bypass
Easy access to powerful “hidden” parameters thru Secondary Knob Mode
Able to produce infinite reverb you can play over in most settings
Power supply included

Review by Premier Guitar

Review by AMAZONA

Product Page 

Demo by Reverb

User Manual 

Official Product Video

Oceans 11 Reverb

Electro-Harmonix melds heritage with select components to present the musician with up to 550ms of delay. Not a toy but a professional tool that bathes your axe with organic depth and dimension. The selectable chorus is a lush bonus. No one does analog like Electro-Harmonix!

Demo by shnobel

Demo by Pedal Science

Review by Delay Dude

Memory Toy

The EHX Good Vibes recaptures the iconic chorus/vibrato effect of the 1960s in an updated pedal with features designed to meet the needs of the modern player. Like the original Uni-Vibe®, it uses photocells to create chorus and vibrato with a warm, undulating, liquid groove for a sound and response that’s true to the classic design. Boosted power rails provide 21st century definition and headroom, and an expression pedal input puts free-form control for speed or intensity at your feet. True bypass, too. Very groovy!

Selectable Chorus or Vibrato delivers classic 1960’s tone and vibe
Simple control set: Volume, Intensity, Speed
Expression pedal control of Speed or Intensity
Boosted power rails for extended headroom and definition
Always-on Speed indicator
Rugged and compact die-cast chassis
True Bypass
Power adapter included

Review by Charles Saufley, premierguitar.com

Good Vibes

Envelope controlled filter is an effect type that ventures beyond the mainstream yet is equally at home in a wide range of genres and equally effective on guitar, bass, keys, horns and more. Electro-Harmonix is a pioneer in this effect category and has been making envelope controlled filter pedals since the 1970s! The Nano Q-Tron springboards off that deep heritage.

Here’s how it works: The Nano Q-Tron responds to the user’s playing style and dynamics. The volume of the input signal it receives (also called the envelope) controls the cutoff or center frequency of a swept filter. This allows the Nano Q-Tron to create tone-altering effects ranging from subtle to dynamic, auto-wah to ultra-funky. It’s all about how you play and it’s super interactive. 

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Nano Q-Tron

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