EUNA

"When you see an aging building or a rusted bridge, you are seeing nature and man working together"

OAMP is an output driver designed to replace a conventional output buffer or gain pedal at the end of your chain. If you’re familiar with EUNA, it’s a similar concept but with a few key differences. High headroom, clean gain, great drive capability. They key features are labeled below. There are subtle tonal variations in the gain settings. Maximum clean output level is 20dB. 29dB of gain available. OAMP makes enough gain to drive your amp into breakup without adding it’s own distortion, or you can use it to trim hot signals from your pedalboard. The insert loop is active when OAMP is OFF, so you can easily swap from clean drive to a dirt pedal, alternative preamp or anything you want really. With nothing plugged into the insert OAMP is True-Bypass when switched off.

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OAMP

FLWR ist meiner Meinung nach ein Overdrive! Die Verstärkung beträgt etwa 45 dB und kann bei maximalen Einstellungen in den Fuzz-Bereich vordringen. Es wurde entwickelt, um Ihnen dabei zu helfen, Ihren eigenen Bruchpunkt zu finden, an dem das Drücken mit der Gitarre schön und klangvoll auflöst, aber das Zurückziehen reinigt. Die „SHAPE“-Regler beeinflussen die erste Verstärkungsstufe, während der „GAIN“-Regler die zweite Verstärkungsstufe beeinflusst. Die Begrenzungsdioden sind eine modulare Unterbaugruppe. Sie können experimentieren und Ihre eigene magische Anordnung finden. FLWR hat eine mittlere Eingangsimpedanz, sodass es beim direkten Anschließen etwas wärmer ist, als wenn FLWR einem Eingangstreiber wie EUNA folgt. Die Ausgangsimpedanz ist etwas höher, um Interaktionen mit anderen Pedalen zu ermöglichen. Der WHATEVER-Stromanschluss akzeptiert 7,5 bis 35 Volt Wechsel- oder Gleichstrom in beiden Polaritäten. FLWR ist im ausgeschalteten Zustand True-Bypass.

FLWR is, I guess, an overdrive! It makes gain, about 45dB, and can get up into fuzz territory at max settings. It’s designed to help you find your own breakup point, where pushing with the guitar breaks up nice and amp-y, but pulling back cleans up. The “SHAPE” controls affect the first gain stage, while the “GAIN” control affects the second gain stage. The clipping diodes are a modular sub-assembly, you can experiment and find your own magic arrangement. FLWR has a medium input impedance, so plugging right in will be a little warmer than when FLWR is following an input driver like EUNA. The output impedance is slightly higher to allow for interactions with other pedals. The WHATEVER power port accepts 7.5 to 35 volts of AC or DC in either polarity. FLWR is True-Bypass when switched off.

FLWR

What can be said about the humble boost pedal? It's an AC wave riding on a DC voltage and I did my very best to elevate it. JFET is rooted in my deep love of FET transistors, and their corresponding place in the hearts of many pieces of gear. FETs are very early solid-state devices that were designed to emulate vacuum tubes as closely as possible, and they have found their way into a sizeable number of classic pieces of gear. As usual for 29 we don't copy or emulate any of those, but start from a ground-up design. The JFET stage is neatly biased for a specific THD ratio, just enough hair to be tube-y but still very clean by most standards. A dual-stage IC output driver shapes the tone and ensures the output impedance stays constant as you turn the level fader. The three modes tailor the low end in a gentle way for fine-tuning of the boost sound with your guitar. Sounds great after EUNA, or as an alternate front-end to your board, makes about 18dB of gain and LOVES to be stacked with FLWR and other drives! Will happily drive cables and draws about 150mA. Still features our WHATEVER internal power supply and the build quality you've come to expect from BELIEVABLE AUDIO.

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