The massive American disto-fuzz is an essential sound in the arsenal of any guitarist, whether you were originally looking for the sound
of David Gilmour, Jack White, J. Mascis or Billy Corgan.
We appreciate the huge and scooped sound it gives to the simplest riffs, but also the infinite sustain which allows to reach deeply lyrical solo.

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Review by guitar pedal X

Review by GuitarWorld

Manual

Demo by HarryAndAGuitar

Demo by R.J. Ronquillo

Full Story

The Lazy Comp is an optical compressor, fully adjusted in house. On the front, there is a single setting : the mix (dry/wet), it… mixes clean and compressed sound.

The lazy side of the pedal refers to the fact that this is a plug & play compressor, just turn the mix potentiometer to find happiness.

Despite its apparent simplicity, this analog compressor of incomparable quality hides a specific circuit providing a natural compression and saving the dynamics necessary for a warm and strong sound.

Review by The Guitar Channel

Demo by 60 ycle Hum

Official Product Video

Lazy Comp

We all know about tape echoes, the first delay technology providing organic and slightly distorted repeats.
This particular tone is due to two elements: the magnetic tape and all the imperfections it implies, but also the internal preamp.
Many musicians, such as Eric Johnson, have used their tape echoes in a different way, using the preamp alone, without the echo, as a dirty boost
to overload their amps and make them saturate while bringing a unique character.

The Tape Preamp was inspired by the JFET preamp circuit of a popular tape echo from the 70’s, known for its unique delay and warm preamp.
Of course, we couldn’t stop there, and we redesigned the circuit in our own way to offer a whole new range of tones,
while keeping the original character of the effect. All of this without the need for a real tape echo.

Tape Preamp

Find back the tone from ac/dc with this plexi distortion pedal !

As malcolm young said “nobody would pay attention to anything that was going on until you kicked them right in the teeth with it. », it is in this spirit that the high voltage was designed, a plexi distortion pedal that strongly smash publics’ face. Thanks to his bass killer switch, the chords are powerful and they easily stand out in the mix! This is the end of sticky and fuzzy distortions which drool everywhere. Only good sound, dynamics and energy.

It is from this perspective that the anasounds team, advised by fans of ac/dc, developed this new pedal. At first, the sound was supposed to be close from a marshall plexi pushed to 11 but finally they made a frequency analysis of « it’s a long way to the top (if u wanna rock’n’roll) » from the album high voltage. The chords of the intro are so powerful, so clear and so recognizable, that it was time to launch a pedal that finds back their tone more easily.

Do not be mistaken, with all the available pots and trimpots, it is also very easy to create its own tone!

Review by Pedal of the Day

Demo by Pedal of the Day

High Voltage Gold

ITS BIRTH IS DUE TO THE SMART COMBINATION OF 2 PEDALS
THE FIRST FUZZ IS A PART OF ANASOUNDS FEED ME (FUZZ FACE STYLE)
THE SECOND IS A PART OF THE SHIN-EI SUPERFUZZ
KNOWN FOR ITS BEAUTIFUL OCTAFUZZ.
LET’S DISCOVER WHAT IS BETWEEN THOSE TWO…

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