The Lazy Comp is an optical compressor, fully adjusted in house. On the front, there is a single setting : the mix (dry/wet), it… mixes clean and compressed sound.

The lazy side of the pedal refers to the fact that this is a plug & play compressor, just turn the mix potentiometer to find happiness.

Despite its apparent simplicity, this analog compressor of incomparable quality hides a specific circuit providing a natural compression and saving the dynamics necessary for a warm and strong sound.

Review by The Guitar Channel

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Demo by 60 ycle Hum

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Lazy Comp

The Anasounds Utopia is a tape echo pedal linked to a modulation with variable speed and depth.

Echoes and filtering applied let you find a very warm, vintage sound.

Calibrated for echoes from 0 to 400ms (can go up to 600ms) it’s primarily designed to be left on 90% of the time for a beautiful slap-back.

It will also enhance and accentuate your sound in the mix, when coupled with an overdrive or a distortion.

In this version we have decided to add a modulation, strike a chord and transport yourself to the other side of the galaxy!

Review by Tone Pedia

Review by AMAZONA

Demo by intheblues

Utopia

ITS BIRTH IS DUE TO THE SMART COMBINATION OF 2 PEDALS
THE FIRST FUZZ IS A PART OF ANASOUNDS FEED ME (FUZZ FACE STYLE)
THE SECOND IS A PART OF THE SHIN-EI SUPERFUZZ
KNOWN FOR ITS BEAUTIFUL OCTAFUZZ.
LET’S DISCOVER WHAT IS BETWEEN THOSE TWO…

Review by Pedal of the Day

Demo by TonePedia

Demo by Tone Factory

Bitoun Fuzz

Organic, psychedelic, atmospheric phaser

The anasounds phase lag is a mesmerizing vintage phaser. The 100% analog modulation use the ota technology that allows not only a beautiful sound rendering but also a great effect stability. The modulation sweeps all the frequencies of your sound wether the rate is slow or fast, from a gorgeous spatialization effect to a vibrato.

Demo by Pedal of the Day

Phase Lag

The massive American disto-fuzz is an essential sound in the arsenal of any guitarist, whether you were originally looking for the sound
of David Gilmour, Jack White, J. Mascis or Billy Corgan.
We appreciate the huge and scooped sound it gives to the simplest riffs, but also the infinite sustain which allows to reach deeply lyrical solo.

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