Acoustic Board

Stageman Floor Preamp

CE-2W Chorus (Waza Craft)

BOSS TU-3 Chromatic Tuner

DD-8 Digital Delay

Oceans 11 Reverb

Volante

CS-2 Compression Sustainer

TR-2 Tremolo

MOD 11 Modulator

Atmospheric Bass PedalBoard

Parallax Spatial Generator

Flanger Pyramids

BATTALION BASS PREAMP & DI

Juan Alderete ( The Mars Volta) Fan Board 

OC-2 Octave

FX32 Meatbox Subsynth

VB-2 Vibrato

Pickle Pie B

Bass Envelope Phaser

PDS 20/20

Ghost Delay

PN-2 Tremolo/Pan

Deucetone Rat

Bass Master Standard 

Juggernaut Bass Rat

105Q Cry Baby Bass Wah

Canyon

M85 Bass Distortion

M281 THUMP BASS PREAMP

Reggae Machine 

Stage Tuner V2

M288 Bass Octave Deluxe

MX-109 Six Band Graphic Equalizer (1976 - 1984)

BASS MONO SYNTH 

Caverns Delay/Reverb

The SG-1 filters out the attack of your note, and swells the volume automatically. There are only 2 controls, one for the attack speed, and the other for sensitivity. The attack knob controls the speed of the volume swells. A compressor or overdrive in front of it may be helpful to minimize the variations in your signal level for the SG-1's response. Used with a delay it sounds sort of like a more articulated E-bow or a passage played backwards. The SG-1 circuit is very similar to the NF-1. The pedal was in fact made using the exact same circuit as the NF-1 but the way it works is completely opposite. With the NF-1, the sound decays away but is cut when it falls below a threshold. With the SG-1, the attack is filtered out and then the sound increases gradually. The Slow Gear is a rather unique effect and the SG-1 has become one of the hardest Boss pedals to get hold of.

Manual

Product Page

Review by Florence Munoz, guitarlessons.org

Demo by Pepe Music

Demo by Cameron Johnson

SG-1 Slow Gear

For 14 years, the famous BOSS FV-300 served as an industry-standard volume pedal. The tradition continued with the FV-50 series, but today the bar has been raised with BOSS’s FV-500H (mono, high-impedance, inst. level) and FV-500L (stereo, low-impedance) pedals. These tank-tough diecast pedals are designed to meet the needs of the most demanding customers. The pedals offer a new stylish design, a road-tough build, and a comfortable, smooth action. Both models also provide an Expression output for use with expression-compatible amps, effects, and even synthesizers.

Review by musiker-board.de

Official Product Video

Demo by Cryptic Mask Guitar

FV-500H

Der MS-3 Multi-Effekt-Switcher ist eine neuartige Pedalboard-Lösung und kombiniert eine hochwertige Multi-Effekt-Einheit sowie einen Multi-Pedal-Switcher in einem kompakten Gerät, mit dem deine Kreativität eine neue Stufe erreicht. Ab sofort können sich Anwender problemlos ein professionelles, kompaktes, leichtes und vielseitiges Effektsystem zusammenstellen, mit dem sich nahezu jeder Sound realisieren lässt. Der MS-3 ist ein Sound-Kraftwerk, das bis zu sechs interne Pedal-Effekte und drei deiner externen Pedal-Favoriten gleichzeitig verarbeiten kann. Zudem bietet der MS-3 tiefgreifende Rig-Steuerungsoptionen. So lassen sich die Verstärkerkanäle wechseln, Effekte in Echtzeit anpassen oder über MIDI mit anderen Geräten kommunizieren. Im Gegensatz zu herkömmlichen Loop-Switchern und All-in-one Multi-Effekt-Geräten ermöglicht der MS-3 das komfortable Zusammenstellen eines mobilen Boards oder Flug-Rigs ohne Kompromisse.

The MS-3 Multi Effects Switcher is a new-concept pedalboard solution that maximizes your creative options by combining a world-class multi-effects engine and multi-pedal switcher in one small, dedicated unit. Now, anyone can put together a professional effects system that’s incredibly compact, extremely light, and versatile enough to achieve nearly any sound imaginable. The MS-3 is a sonic powerhouse capable of running six internal pedal effects at once while seamlessly integrating three of your favorite external pedals. It also offers deep rig control capabilities, allowing you to switch amp channels, adjust effects in real time, work with MIDI devices, and more. With the MS-3, it’s easy to create a portable board or fly rig without the compromises associated with traditional loop switchers and all-in-one multi-effects units.

Review by Thomas Dill, bonedo.de

Review by Paul White, soundonsound.com

Demo by Sweetwater

MS-3

Produced from 1983 to 1991, the BOSS HM-2 Heavy Metal is a true legend in the history of distortion pedals. Its signature “chainsaw tone” with all knobs maxed is the defining voice of Swedish death metal, and the slightly milder sides of its personality can be heard on tracks from mainstream to shoegaze. 

Review by Christian Braunschmidt, gitarrebass.de

Review by Reverb

Demo by Reverb

HM-2 Heavy Metal

The CS-2 compresses high-input signals while boosting low-input signals, giving you smooth and long sustain without degrading the quality of the original sound. The CS-2 uses a VCA (Voltage Controlled Amplifier) instead of the photocouplers used by the CS-1. The VCA’s speeds up the signal processing and makes the attack much faster compared to the CS-1. The Attack knob can however be used to control this.

Demo by Bass Stuff 

Demo by intheblues 

CS-2-Compression-Sustainer by BOSS

Produkte

Bau dein Board

Community

Featured Artists

Services

CS-2 Compression Sustainer

Media

Videos

Handbücher

Reviews

Links

Technische Daten

Boards mit diesem Pedal

Acoustic Board

Atmospheric Bass PedalBoard

Juan Alderete ( The Mars Volta) Fan Board

Bass Master Standard

Weitere Pedals von BOSS

BOSS

SG-1 Slow Gear

BOSS

FV-500H

BOSS

MS-3

BOSS

HM-2 Heavy Metal

Produkte

Bau dein Board

Services

Community