The BSM VX-C Classic model is the most authentical copy of the british Vox Treble & Bass booster from the late 60‘s, used by many british bands at this time. It offers the original tone network and gain from the original, to make it the perfect copy of this out-of-production stompbox. Th e VX-C Classic model includes a tone control, that allows an extraordinary amount of versatility from a wooly bass tone up to a sparkling high-end vintage sound. It's also possible to produce the sound of a Wah-Wah pedal, set to a fixed middle position.

Review by Premier Guitar

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VX-C Clean Treble/ Bass Booster

The BSM HS model is based on the short-lived early edition British HORNBY-SKEWES unit produced, as used by Ritchie Blackmore, the brilliant and impulsive guitarist of Deep Purple. The unit produces a powerful and biting sound that was used to help create the epochal masterpieces e.g. "Deep Purple In Rock" and "Fireball". The long yearned for new edition, now issued under the name HS from BSM, includes the same germanium transistors as the 1965 version. The HS-Custom model includes a volume control (like Blackmore's modification).

HS Treble Booster

he BSM SPECTRUM Fuzz-Booster is our tribute to Tommy Bolin, guitar wizzard of the 70's, that was not only well known because of his marvelous guitar playing as a studio guitarist on Billy Cobham's spectacular "Spectrum" jazz fusion album from 1973, he was also a worthy follower for Ritchie Blackmore on Deep Purples "Mk_IV". All the time Mr. Bolin had a punchy and "in the face" sound which he created with a Sam Ash Fuzzz unit that had a controlable, treble-boosty character. The BSM "Spectrum" is an copy of the Sam Ash Fuzzz that Tommy Bolin used, down to the oddest details like the "attack" control that can smoothly blend from treble boost to fuzz, while the "spectrum" control manipulates the tone spectrum up to unbelieveable almost six octaves - because of this it should be very easy to find the sound you are yearning for.

Demo by Haiko Heinz

Spectrum Fuzz Booster

The BSM "Galaxy 1011" is a faithful recreation of the whole AIWA TP-1011 tape recorder sound stage, Ritchie Blackmore used from late 1973 until today. This 18Volt unit “Galaxy 1011” contains the AIWA´s mic-preamp, the line output amp, the Marshall Factory mod and it holds a status LED. It is mainly intended for the users of a Marshall Major or clones of this. These are very special amps. With their special circuit design, they are very clean sounding amps and cannot be compared to a normal Marshall Super Lead or similar (pentode design with EL34 power tubes), that sound a bit dirty on their own. So for the real freaks the search for an unaffordable original AIWA TP-1011 could be well over.

Demo by DogwithtwoBones

Galaxy 1011 Preamp

The first intention for BSM was to pay tribute to the pearly-sweet and creamy live tone, known from the British guitarist Andy Powell during 1973-76. His band Wishbone Ash was one of the leading European bands at that time, well known for their twin harmonic playing of the two lead guitarists. BSM focuses on the 1973 clean & boost live sound of their folk-rock songs like “Ballad of the Beacon” or “Blowin’ Free”. The AP-WA medium gain Treble Booster is mainly designed for medium or low output PAF style, Mini Humbucker or P90 fitted mahagony type guitars to achieve many classic sounds of the 70s.

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AP-WA Treble Booster

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Weitere Pedals von BSM - Meiser Electronics

BSM - Meiser Electronics

VX-C Clean Treble/ Bass Booster

BSM - Meiser Electronics

HS Treble Booster

BSM - Meiser Electronics

Spectrum Fuzz Booster

BSM - Meiser Electronics

Galaxy 1011 Preamp

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