The BSM OR model is based on the Orange Treble & Bass booster made in the late 60's in England. The OR model includes a tone control which allows an extraoridinary amount of versatility. When set to maximum, the unit produces a very glassy tone. When a middle setting is dialed in, the result is a punchy tone with a mids emphasis. When set to minimum, the unit produces a very bassy tone with a fat bottom end. The long yearned new edition, now issued under the name OR from BSM, includes the same germanium transistors as the original 1960's version.

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OR Treble Booster 

The BSM VX-T model is based on the british Vox Treble & Bass booster, made in the late 60's and used by many british bands at this time. Here is an almost identical copy of the second issue of this Vox unit, but with increased gain and a slightly modified tone network, pronouncing the mid frequencies and making the VX-T the perfect treble-midrange booster. So the sound of the VX-T is placed in between the VX-C Classic Treble&Bass booster and the RMG Treble Booster. The VX-C Classic offers a more vintage orientaded tone control with some good low end, while the RMG adds more twang and spank to the tone. The VX-T model includes a tone control which allows an extraordinary amount of versatility. 

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VX-T Treble/Mid Booster

The BSM RG Rory Gallagher tribute model is basically a BSM HS-Custom, modified to nail Rory Gallaghers signature tone, known from his famous recordings like "Big Guns" or "Lonesome Highway". Compared to the HS-Custom, the RG Rory Gallagher tribute model offers more gain for a more punchy sound with a good crunch. The RG Rory Gallagher tribute model, includes the same volume control, like Blackmore's modification on his treble booster. When dialed about halfway, you will achieve Gallaghers sound from his early records like "Deuce", "Live in Europe" and "Against The Grain". If you use a guitar with PAF style humbuckers, reduce the guitar's volume from 10 to 7 and set the PRA's volume to 50% to get this earthy, rough early/mid 70's R&B sound from the "Faces" (Ron Wood on guitar and Rod Stewart's vocals).

Demo by Haiko Heinz

RG Treble Booster

The first intention for BSM was to pay tribute to the pearly-sweet and creamy live tone, known from the British guitarist Andy Powell during 1973-76. His band Wishbone Ash was one of the leading European bands at that time, well known for their twin harmonic playing of the two lead guitarists. BSM focuses on the 1973 clean & boost live sound of their folk-rock songs like “Ballad of the Beacon” or “Blowin’ Free”. The AP-WA medium gain Treble Booster is mainly designed for medium or low output PAF style, Mini Humbucker or P90 fitted mahagony type guitars to achieve many classic sounds of the 70s.

Demo by  Dirk Gentz Rocker

AP-WA Treble Booster

In 1974, right before the start of the "Burn" tour, Ritchie Blackmore changed his live setup. First and foremost, he wanted to play live with an echo effect and made the AIWA TP-1011 reel-to-reel tape recorder his first choice. This unit offered the typical 1/3 seconds echo repeat, perfectly matching Blackmores natural beat. Additionally, Ritchie Blackmore used the integrated microphone pre-amp as a booster, and with this his beloved Hornby-Skewes treblebooster he used for many years was not longer needed and was sent into retirement.

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BSM - Meiser Electronics

OR Treble Booster

BSM - Meiser Electronics

VX-T Treble/Mid Booster

BSM - Meiser Electronics

RG Treble Booster

BSM - Meiser Electronics

AP-WA Treble Booster

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