The first intention for BSM was to pay tribute to the pearly-sweet and creamy live tone, known from the British guitarist Andy Powell during 1973-76. His band Wishbone Ash was one of the leading European bands at that time, well known for their twin harmonic playing of the two lead guitarists. BSM focuses on the 1973 clean & boost live sound of their folk-rock songs like “Ballad of the Beacon” or “Blowin’ Free”. The AP-WA medium gain Treble Booster is mainly designed for medium or low output PAF style, Mini Humbucker or P90 fitted mahagony type guitars to achieve many classic sounds of the 70s.

Demo by  Dirk Gentz Rocker

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AP-WA Treble Booster

The BSM RPA Special Booster is a combination of Ritchie Blackmores AIWA reel-to-reel tape recorder preamp stage plus the high-pass treble booster function from Blackmores hot-rodded Marshal Major amp, to emulate Ritchies post '74 sound with any standard amp. In 1974, right before the start of the "Burn" tour, Ritchie Blackmore changed his live setup. First and foremost, he wanted to play live with an echo effect and made the AIWA TP-1011 reel-to-reel tape recorder his first choice. This unit offered the typical 2/3 seconds echo repeat, perfectly matching Blackmores natural beat. Additionally, Ritchie Blackmore used the integrated microphone pre-amp as a booster, and with this his beloved Hornby-Skewes treblebooster he used for many years was not longer needed and was sent into retirement.

Demo by  Janeck DZUGAN

Demo by  elswan64

RPA special Booster

The BSM J-Fuzz stompbox is a faithful recreation of the old original Jennings Fuzz from the late 60's. Tom Jennings was founder and master-mind of the VOX company in the late 50's, accompanied by his friend and technician Dick Denney, who engineered the famous VOX AC30 amp as well as the VOX Defiant transistor amp with a built-in fuzz circuit. Both amps became well-known and famous because of the Beatles, who used those amps.

J Fuzz

The BSM VX-C Classic model is the most authentical copy of the british Vox Treble & Bass booster from the late 60‘s, used by many british bands at this time. It offers the original tone network and gain from the original, to make it the perfect copy of this out-of-production stompbox. Th e VX-C Classic model includes a tone control, that allows an extraordinary amount of versatility from a wooly bass tone up to a sparkling high-end vintage sound. It's also possible to produce the sound of a Wah-Wah pedal, set to a fixed middle position.

Review by Premier Guitar

VX-C Clean Treble/ Bass Booster

The BSM VX-T model is based on the british Vox Treble & Bass booster, made in the late 60's and used by many british bands at this time. Here is an almost identical copy of the second issue of this Vox unit, but with increased gain and a slightly modified tone network, pronouncing the mid frequencies and making the VX-T the perfect treble-midrange booster. So the sound of the VX-T is placed in between the VX-C Classic Treble&Bass booster and the RMG Treble Booster. The VX-C Classic offers a more vintage orientaded tone control with some good low end, while the RMG adds more twang and spank to the tone. The VX-T model includes a tone control which allows an extraordinary amount of versatility. 

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VX-T Treble/Mid Booster

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Weitere Pedals von BSM - Meiser Electronics

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AP-WA Treble Booster

BSM - Meiser Electronics

RPA special Booster

BSM - Meiser Electronics

J Fuzz

BSM - Meiser Electronics

VX-C Clean Treble/ Bass Booster

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