Octahive

The WhoctaHell is a Low Octave Fuzz, with fully independent controls for the fuzz and the octave. It’s a overdrive/fuzz summed up with a gnarly squared wave low octave, resembling a 8-bit bass synthesizer.

Beetronics Whoctahell Product Page 

Beetronics Whoctahell Demo 

Whoctahell

THE FATBEE PACKS THE FATTEST OVERDRIVE TONES ON THE SMALLEST BEE YET. THE FIRST PEDAL ON OUR BABEE SERIES IS A FULLY ORIGINAL OVERDRIVE CIRCUIT DESIGNED IN COLLABORATION WITH THE LEGENDARY PEDAL DESIGNER HOWARD DAVIS. 

 A JFET DRIVE LIKE NO OTHER, BREAKS UP SWEET AND SMOOTH LIKE A TUBEE AMP. THE FATBEE CAN BE USED TO WARM UP, STING OR BUZZ ANY INSTRUMENT YOU WANT! FOR EVERY HUNGRY BEE OUT THERE LOOKING TO SWEETEN THEIR TONE UP, THE SEARCH IS OVER!

BEE HUNGRY, CAUSE THIS PEDAL CARRIES ENDLESS TONE HONEY! 

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Official Product Video

FATBEE

THE ABELHA OFFERS THREE DISTINCT FLAVORS OF FUZZ VIA A TOGGLE SWITCH AT THE PEDAL'S CENTER. "POLEN" DELIVERS A SAGGED AND SPITTY TONE REMINISCENT OF A DYING BATTERY ON A GERMANIUM FUZZ STYLE. "NECTAR" PROVIDES A ROUND AND HUGE-SOUNDING FUZZY OPTION, WHILE "HONEY" OFFERS SLIGHTLY MORE CONTAINED GAIN WITH IMPRESSIVE VERSATILITY. THE "BUZZ" AND "LOUD" CONTROLS ADJUST THE FUZZ AND VOLUME, WHILE THE "HI" AND "LO" CONTROLS PROVIDE A VERSATILE RANGE TO SHAPE YOUR EQ TO PERFECTION.

DIVE INTO PSYCHEDELIC REALMS WITH THE "TROPICAL MODE", A HIGH-PASS FILTER THAT TRANSPORTS YOU STRAIGHT TO THE TROPICS. ACTIVATE IT WITH A DOUBLE TAP ON THE FOOTSWITCH OR HOLD IT FOR MOMENTARY SONIC EXPLORATION. THREE FOOTSWITCH PROFILE OPTIONS ENABLE YOU TO ADJUST THE TEMPO CHANGES FOR THE MOMENTARY FUNCTION TO YOUR LIKING.

Review by bonedo

Review by Guitar World

Demo by TheGuitarGeek

Abelha Tropical Fuzz 

The Royal Jelly is an overdrive/fuzz blender like no other pedal. It can cover any ground from overdrive to fuzz, running two circuits in parallel and giving you the possibility of blending it or having them separately. It also has two presets of the blend, called Queen and King. The presets allow you not only to have two different sounds on the fly, but also make for a very natural transition between them, since instead of switching pedals, you are mixing the levels between your overdrive and fuzz.
It’s also possible to blend in your dry signal, a great feature for bass, drums and synths or any studio use. On the guitar the DRY control is great to create unique clean tones with a fuzzy background.

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