Boutique Board 

Black Sheep Fuzz

Destroyer

Maryland Doomfest 23′ Massif

Bass Mountain

LSTR

Sarcophagus

Soma V2

Athos V2

Yama

Architect Of Reality

Doom Metal Board 

Black Forest Fuzz

Crown of Horns

Coven

Blackhole Reverb

Pitchblack

Ghost Delay

What you have here is a throwback to the glory days of rock and roll, with a Black Arts twist.
The Black Forest takes a celebrated circuit and drags it through the dirt. More gain, more fatness. A six way selector allows you to set your gain/low end/voicing along with Fuzz, Bass, Treble and Volume.
This forest grew with the helping hand of a tone god. Treat it with care; allow future generations to behold the beauty that is the Black Forest. Behold the ugly beauty of old rock and roll. The beauty of big, fat gnarly tone.

Product Page

Review by Ultimate Guitar 

Black Arts Toneworks Black Forest Demo by ProGuitar Shop

Black Arts Toneworks BLACK FOREST fuzz of doom guitar pedal demo with Les Paul

The Rabid Mammal V2.

Previously available as customshop version called the Rabid Mammal GREEN. The v2 has all stock original Rabid Mammal tones with the addition of three toggles for alternate tonal shaping.

The boost section is a Witch Boost, now with added GRN low gain switch. This is a little less compressed giving a more solid and larger sonic boost.
The fuzz section is a partially stripped Supreme, utilizing the Pharaoh tonestack for blasted mids and LED or mosfet clipping. The addition of two toggles give alternate GREEN tones on the tone controls.
The left RED/GRN toggle gives a different mid anchor point to allow for mid scooping and the right RED/GRN tone toggle allows for a deeper cut into the mids. Using these two you can totally hollow out the meat and mids giving an extremely wide range of available mid control.

The Rabid Mammal was developed for Matt Pike of Sleep/High on Fire. Loose dark and fuzzy until the boost is engaged, then you’ll get a super thick yet edgy tone. The addition of the modified tones gives further flexibility to an already legendary device.The Rabid Mammal is not trying to recreate the past and of course, you won’t sound like Matt just because you have a Rabid Mammal. To get close, dial in your amp to a light organic distortion, think Malcolm Young. Then slam it hard with the Mammal. Tone IS in the fingers.

Demo by Dennis Kayzer

Official Product Video

Product Page 

Review by The Gear Page

Review by reddit /guitarpedals

Matt's Rabid Mammal Demo at the BATCave

Black Arts Toneworks “Rabid Mammal”

Black Arts Toneworks - Rabid Mammal

Matt Pike Green Rabid Mammal by Black Arts Toneworks

Rabid Mammal V2

The Fnord is a octaver / fuzz type circuit with some twists. It blends a scrambler / octaver type fuzz with a more traditional fuzz / distortion. From zipper/Velcro tones to a full throated distortion, or a combination of the two. Add a sizzle to your leads, make a rhythm sound that harkens back to the days of screwdriver modified speakers, or a tight lightly gated distortion.
If you can’t read between the lines, Fnord!

Black Fnord Prorotype

Black Arts Toneworks FNORD Fuzz Pedal

Fnord

For musicians who love their guitar and amp’s tone. The Pharaoh pedal, while its roots and DNA are classic fuzz, has a few twists. The Pharaoh has a wide range of clipping and tonal options. From a cleanish boost, to a light OD, all the way to saturated fuzz. It sounds clear and natural, strong and bold. Your guitar sound isn’t high jacked, and your amp’s tone is not destroyed. The Pharaoh utilizes a dual tone control. The tone circuit is designed to suffer little volume loss, and give a natural sound. Your guitar and amp still sound like your guitar and amp. No drastic cuts or boosts. The tone section allows your amp to do the heavy lifting.

The Pharaoh starts with a hi/lo input switch, not unlike that of your favorite tube amp. Lo for more headroom/less clipping. Hi for less headroom/more clipping. A standard fuzz knob. A full range tone control with the addition of a high end compensation knob to allow you to replenish the highs cut by the tone control when boosting lows. The diode selector switch allows for different modes of clipping. Silicon Diodes for a raspy distorted sound, Diodes out for more volume /headroom and less clipping. Asymmetrical Germanium clipping diodes give a warm, tubey old school sound.

The two switches can take the Pharaoh from a clean/ fat boost to light OD which cleans up well with your guitar’s volume knob, all the way to hairy open fuzz. The Pharaoh utilizes signal caps large enough to pass all frequencies through, uncut. Again, a natural sound. This is especially important for bass player; you’ll get huge fuzz with NO low-end loss, and without squishy flubby tones.

Black Arts Toneworks Pharaoh Fuzz (DOOM METAL DEMO)

Black Arts Toneworks Pharaoh Fuzz

Pharaoh

The Destroyer V2 combines the Ritual V2 and Oath into one unified assault. PART RITUAL, PART OATH. FULL DESTRUCTION. This goes from a controllable WALL OF FUZZ, to a SAVAGE PREAMP ANNIHILATOR. Use the Ritual or the OATH separately, OR STOMP BOTH AND DESTROY. New V2 version Ritual fuzz has more gain, compression and low mids on tap, roll guitar volume back to 9 for more bite and less compression. The Destroyer will make a hole that few can follow.

Black Arts Toneworks Destroyer Demo Video

Black Arts Toneworks Destroyer Bass Demo

Destroyer by Black-Arts-Toneworks

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Black Forest Fuzz

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Black Arts Toneworks

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Pharaoh

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