The Son stays true to the patriarch of the Pharaoh line. All of what you achieve with the Gold Standard Pharaoh, you will achieve with the Son of Pharaoh,with one exception:You will save pedalboard space. The Son has a footprint of 2.75×5 inches saving space on today’s crowded pedalboards.

The Son of Pharaoh has all familiar features of the Gold Standard Pharaoh and same sonic abilities. ALL parts and components are pulled from the same bins as the Gold Standard Pharaoh and Pharaoh Supreme. Sounds the same. Feels the same under your fingers, amps react the same. Same King Pharaoh tone, smaller Son stature.

Still handmade. Still handwired. Still the Pharaoh.

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Son of Pharaoh

For musicians who love their guitar and amp’s tone. The Pharaoh pedal, while its roots and DNA are classic fuzz, has a few twists. The Pharaoh has a wide range of clipping and tonal options. From a cleanish boost, to a light OD, all the way to saturated fuzz. It sounds clear and natural, strong and bold. Your guitar sound isn’t high jacked, and your amp’s tone is not destroyed. The Pharaoh utilizes a dual tone control. The tone circuit is designed to suffer little volume loss, and give a natural sound. Your guitar and amp still sound like your guitar and amp. No drastic cuts or boosts. The tone section allows your amp to do the heavy lifting.

The Pharaoh starts with a hi/lo input switch, not unlike that of your favorite tube amp. Lo for more headroom/less clipping. Hi for less headroom/more clipping. A standard fuzz knob. A full range tone control with the addition of a high end compensation knob to allow you to replenish the highs cut by the tone control when boosting lows. The diode selector switch allows for different modes of clipping. Silicon Diodes for a raspy distorted sound, Diodes out for more volume /headroom and less clipping. Asymmetrical Germanium clipping diodes give a warm, tubey old school sound.

The two switches can take the Pharaoh from a clean/ fat boost to light OD which cleans up well with your guitar’s volume knob, all the way to hairy open fuzz. The Pharaoh utilizes signal caps large enough to pass all frequencies through, uncut. Again, a natural sound. This is especially important for bass player; you’ll get huge fuzz with NO low-end loss, and without squishy flubby tones.

Black Arts Toneworks Pharaoh Fuzz (DOOM METAL DEMO)

Black Arts Toneworks Pharaoh Fuzz

Pharaoh

The Sarcophagus takes two massive circuits and combines them into one unit, saving space, cabling and powering. The Pharaoh and LSTR are both present in the entirety with the addition of a toggle to reverse effect order. Pharaoh into LSTR or LSTR into Pharaoh. Built especially for the gain freaks, those who love more. More gain, more low end, more volume.

A pedal of unruly proportions, taking your tone to the underworld.

Black Arts Toneworks Sarcohphagus Fuzz Demo- Csounds

Sarcophagus

The Pharaoh’s unruly brother, LSTR provides the opposite of the Pharaoh. The LSTR is an all-out rock machine tuned and blended to deliver the signature Black Arts low end along with more fuzz than mamma allows , unique tone controls and LSTR’s understated, striking beauty. LSTR is from the same BMP family, but unlike the Pharaoh, which is dialed back a little, LSTR is the action! LSTR is GO! LSTR can deliver fuzz bordering on distortion; tones go from the traditional muff scooped sound to the Pharaohish wide open tones. Point your tone knobs toward each other for the traditional BMP scoop, and away from each other to get into the more wide open Pharaoh tones.

LSTR: Teaching kids to smoke, play games and drink beer.

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Black Arts Toneworks LSTR

Black Arts LSTR Video Demo

BLACK ARTS TONEWORKS LSTR DEMO

LSTR

The Quantum Mystic Overdrive was developed working closely with Mike Scheidt from the Portland Oregon band , Yob. Mike is known for great tone and groundbreaking music in the metal and doom community. We decided to adapt his favorite pedal from the seminal early YOB records into an updated and upgraded circuit. The Quantum Mystic is an opamp based distortion/OD featuring a 3 band active EQ and germanium clipping. It draws cues from Mike favorite old Grey Distortion, boiled down by a wizard, tweeked, manipulated, upgraded and using both mine and Mike’s ear, we sculpted the form you now hear and feel. Use the active Eq to cut frequencies to represent the old school sounds, or use the EQ to boost the final gain stage to go into the heavily saturated and distorted tones of the future. Dial back the distortion, boost the volume and use the active EQ to find sparkling clear boost tones. Dime it all and get a ball molten lead that propels the Universe Throb. Needing a captivating presentation, we summoned the artwork of another underground legend, Arik Roper. We pulled together something pretty special and I think you all will like this one.

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Son of Pharaoh

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Pharaoh

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