The Pharaoh’s unruly brother, LSTR provides the opposite of the Pharaoh. The LSTR is an all-out rock machine tuned and blended to deliver the signature Black Arts low end along with more fuzz than mamma allows , unique tone controls and LSTR’s understated, striking beauty. LSTR is from the same BMP family, but unlike the Pharaoh, which is dialed back a little, LSTR is the action! LSTR is GO! LSTR can deliver fuzz bordering on distortion; tones go from the traditional muff scooped sound to the Pharaohish wide open tones. Point your tone knobs toward each other for the traditional BMP scoop, and away from each other to get into the more wide open Pharaoh tones.

LSTR: Teaching kids to smoke, play games and drink beer.

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Black Arts Toneworks LSTR

Black Arts LSTR Video Demo

BLACK ARTS TONEWORKS LSTR DEMO

LSTR

Sometime ago, Black Arts worked with Mike Scheidt from YOB to design a distortion pedal which addressed the shortcomings of his favorite distortion at that time, the Ross Distortion. We used his pedal as a starting point and by adding a three band active EQ between gainstages among other tweaks we achieved the desired tonality, aggression and volume boosting capabilities need to push amps and address EQ needs of changing rooms on tour. The active EQ can control low/mid/treble but being between gain stages it can boost those frequencies into more or less distortion as needed. Low gain settings were of great importance to us and we were able to dial in clarity and articulation to make it a useful toneshaper in both live and studio applications. Mike road tested the design and it was released as the Quantum Mystic OD. It was used on the 2014 YOB album ” Clearing the Path to Ascend “.

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Black Arts Toneworks Raw Heart Overdrive - Joe Carpenter "In the Mix" Demo

Black Arts Toneworks Raw Heart OD - Mike Scheidt YOB Signature Pedal

Raw Heart OD

A revelation. Stripped down all out amp pusher. The Revelation has a trio of controls. Pre Gain, Gain, and Volume. LOTS of volume. Pre Gain sets the overall gain level of the device, the gain control dials in the correct amount of distortion and the volume knob absolutely slays the front end of your amp. Think of the Revelation as an extension of your amp’s pre section. Use it to push your amp into super creamy saturation, use it to boost your riffs into full and thick exaggerations of your amp’s base tone. The Revelation does not alter your tone, just makes MORE of it. Choose the Revelation to hammer your amp.

The SuperLead version of the Revelation is a rawer, more aggressive take on the circuit. A bit gnarlier, mid focused, aggressive sound. Specifically tuned for guitar, and baritone guitars, choose the SuperLead for a fuller, fatter, more saturated and aggressive sound.

The SuperBass version of the Revelation is a rounder, more dynamic take on the circuit. A bit bassier, gruffer, throatier sound. Works equally well for guitar or bass, choose the SuperBass for a fuller, fatter sound.

Black Arts Toneworks Revelation (Superlead & Superbass)

Black Arts Toneworks Revelation Comparison Demo Video

Revelation

The Son stays true to the patriarch of the Pharaoh line. All of what you achieve with the Gold Standard Pharaoh, you will achieve with the Son of Pharaoh,with one exception:You will save pedalboard space. The Son has a footprint of 2.75×5 inches saving space on today’s crowded pedalboards.

The Son of Pharaoh has all familiar features of the Gold Standard Pharaoh and same sonic abilities. ALL parts and components are pulled from the same bins as the Gold Standard Pharaoh and Pharaoh Supreme. Sounds the same. Feels the same under your fingers, amps react the same. Same King Pharaoh tone, smaller Son stature.

Still handmade. Still handwired. Still the Pharaoh.

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Son of Pharaoh

The Rabid Mammal V2.

Previously available as customshop version called the Rabid Mammal GREEN. The v2 has all stock original Rabid Mammal tones with the addition of three toggles for alternate tonal shaping.

The boost section is a Witch Boost, now with added GRN low gain switch. This is a little less compressed giving a more solid and larger sonic boost.
The fuzz section is a partially stripped Supreme, utilizing the Pharaoh tonestack for blasted mids and LED or mosfet clipping. The addition of two toggles give alternate GREEN tones on the tone controls.
The left RED/GRN toggle gives a different mid anchor point to allow for mid scooping and the right RED/GRN tone toggle allows for a deeper cut into the mids. Using these two you can totally hollow out the meat and mids giving an extremely wide range of available mid control.

The Rabid Mammal was developed for Matt Pike of Sleep/High on Fire. Loose dark and fuzzy until the boost is engaged, then you’ll get a super thick yet edgy tone. The addition of the modified tones gives further flexibility to an already legendary device.The Rabid Mammal is not trying to recreate the past and of course, you won’t sound like Matt just because you have a Rabid Mammal. To get close, dial in your amp to a light organic distortion, think Malcolm Young. Then slam it hard with the Mammal. Tone IS in the fingers.

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Raw Heart OD

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