Boutique Board 

Black Sheep Fuzz

Destroyer

Maryland Doomfest 23′ Massif

Bass Mountain

LSTR

Sarcophagus

Soma V2

Athos V2

Yama

Architect Of Reality

The Year 3042 

Mu-Tron III+

Cathedral

Priestess

RE-20 Space Echo

Space Spiral

Robot

Ghost Delay

Loud. Raw. Thick. Incredible tone shaping.

The Priestess takes the best of the various versions of the BMP and combines them into a
singular sonic assault.

– 1st gain stage – Pharaoh. Higher headroom input results in great stacking possibilities
– 2nd gain stage – Green Russian results in a solid attack and bottom end
– 3rd gain stage – NYC Reissue with Creamy Dreamer Mod gives a high gain stage with a bit of squish
– Tone controls – Violet Ram’s Head for a pleasant vocal midrange
– 4th gain stage – LSTR. High Output

This anthology of circuit stages along with a mids control that goes from deep scoop to slightly
boosted mids and two toggles for control of clipping diodes gives tones from dynamic and open fuzz
to compressed singing sustain.

Tone – Full range tone control. Turn it left for low end emphasis, turn right for high end emphasis.
Mids – Turn left for supa-scooped sounds, right for mid presence.
With Tone full left and Mids full right, you can achieve the mid forward boost settings.
With Tone and Mids pointed towards each other, you’ll get scooped tones.

Left Toggle – controls clipping diodes on the 2nd stage. OFF bypasses the diodes for a Supa
Tonebender style clipping arrangement, Clip 1 for standard Silicon clipping.
Right Toggle – controls clipping diodes on the 3rd stage. OFF bypasses the diodes for an open and
dynamic sound like the Pharaoh bypass option, Clip 2 for standard silicon clipping.

You’ll find the Priestess the perfect counterpart to The Pharaoh.
Equally powerful
Equally adjustable
Equally effective

Product Page 

Product Demo 

The Fnord is a octaver / fuzz type circuit with some twists. It blends a scrambler / octaver type fuzz with a more traditional fuzz / distortion. From zipper/Velcro tones to a full throated distortion, or a combination of the two. Add a sizzle to your leads, make a rhythm sound that harkens back to the days of screwdriver modified speakers, or a tight lightly gated distortion.
If you can’t read between the lines, Fnord!

Black Fnord Prorotype

Black Arts Toneworks FNORD Fuzz Pedal

Fnord

The Rabid Mammal V2.

Previously available as customshop version called the Rabid Mammal GREEN. The v2 has all stock original Rabid Mammal tones with the addition of three toggles for alternate tonal shaping.

The boost section is a Witch Boost, now with added GRN low gain switch. This is a little less compressed giving a more solid and larger sonic boost.
The fuzz section is a partially stripped Supreme, utilizing the Pharaoh tonestack for blasted mids and LED or mosfet clipping. The addition of two toggles give alternate GREEN tones on the tone controls.
The left RED/GRN toggle gives a different mid anchor point to allow for mid scooping and the right RED/GRN tone toggle allows for a deeper cut into the mids. Using these two you can totally hollow out the meat and mids giving an extremely wide range of available mid control.

The Rabid Mammal was developed for Matt Pike of Sleep/High on Fire. Loose dark and fuzzy until the boost is engaged, then you’ll get a super thick yet edgy tone. The addition of the modified tones gives further flexibility to an already legendary device.The Rabid Mammal is not trying to recreate the past and of course, you won’t sound like Matt just because you have a Rabid Mammal. To get close, dial in your amp to a light organic distortion, think Malcolm Young. Then slam it hard with the Mammal. Tone IS in the fingers.

Demo by Dennis Kayzer

Official Product Video

Review by The Gear Page

Review by reddit /guitarpedals

Matt's Rabid Mammal Demo at the BATCave

Black Arts Toneworks “Rabid Mammal”

Black Arts Toneworks - Rabid Mammal

Matt Pike Green Rabid Mammal by Black Arts Toneworks

Rabid Mammal V2

The Son stays true to the patriarch of the Pharaoh line. All of what you achieve with the Gold Standard Pharaoh, you will achieve with the Son of Pharaoh,with one exception:You will save pedalboard space. The Son has a footprint of 2.75×5 inches saving space on today’s crowded pedalboards.

The Son of Pharaoh has all familiar features of the Gold Standard Pharaoh and same sonic abilities. ALL parts and components are pulled from the same bins as the Gold Standard Pharaoh and Pharaoh Supreme. Sounds the same. Feels the same under your fingers, amps react the same. Same King Pharaoh tone, smaller Son stature.

Still handmade. Still handwired. Still the Pharaoh.

Product Review 

Son of Pharaoh

The Sarcophagus takes two massive circuits and combines them into one unit, saving space, cabling and powering. The Pharaoh and LSTR are both present in the entirety with the addition of a toggle to reverse effect order. Pharaoh into LSTR or LSTR into Pharaoh. Built especially for the gain freaks, those who love more. More gain, more low end, more volume.

A pedal of unruly proportions, taking your tone to the underworld.

Black Arts Toneworks Sarcohphagus Fuzz Demo- Csounds

Sarcophagus by Black-Arts-Toneworks

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Weitere Pedals von Black Arts Toneworks

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Priestess

Black Arts Toneworks

Fnord

Black Arts Toneworks

Rabid Mammal V2

Black Arts Toneworks

Son of Pharaoh

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