The Studio Boost Mini is the same Neve transistor gain stage used in the Studio One, capturing the same high fidelity tone in a smaller format. The Studio Boost Mini varies from -∞ (off) to +20 dB when using a 9V supply. Higher voltages will provide slightly higher gain and more clean headroom. 

Review by reddit /basspedals

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Studio Boost mini

High Pass Filter

The Phase Locked Loop (PLL) is a fuzz/synth pedal with parallel Multiplier and Divider harmonies. Create thick fuzz tones with complimentary harmonies, or let the PLL go wild with crazy glissandos and dive bombs. This all analog pedal is amazingly fun and probably even useful.

Review by Talk Bass.com

Review by reddit /synthesizer

Demo by Zachary Rizer

Phase Locked Loop

The Omnicomp is a fully featured optical compressor that combines the precision and clarity of the Apex with the presence and tone of the Monocomp. The Omnicomp is so flexible it can be used on a pedal board for live use, or in a studio for precision compression for all of your tracks.

 The Omnicomp is built with an internal 30 volt regulated supply to be able to cleanly and clearly handle signals all the way up to line level. The audio path is driven by a Burr Brown op amp for superior audio performance and extremely low noise. The compression element is a vactrol--an optical element that provides musical compression that is easy dial in.

 The side chain of the Omnicomp contains a gentle high pass filter that gets more steep for very low frequencies. This is tuned so that bass heavy instruments will not overly trigger the compression. Bass, guitar, drums, and vocals all work well with this compressor, with very even compression across their bandwidth.

Review by Compressor Pedal Reviews

Omnicomp

The Calamity is an homage to the Civil War fuzz, with many added features to expand the usability of this classic design.

Many bass players turn to the Civil War variant of the Big Muff Pi fuzz circuit due to it's excellent low end response and heavy distortion tones. The Civil War can be a bit of a one-trick pony, and it usually sounds best with a passive bass. The Calamity is a tribute to the strengths of the Civil War fuzz, but with many improvements that give bass players a pallette of distortion tones.

High impedance input - can be used with active or passive basses
Low passed blend - blend in your lowest clean tones for even more low end punch
Variable mids - scoop the mids like in the stock circuit, or add them back in
Three clipping modes give a variety of distortion tones
Very low noise compared to traditional BMP designs
Low impedance output - behaves well with other pedals, preamps, and amplifiers
Accepts up to 24V DC

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Studio Boost mini

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High Pass Filter

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Phase Locked Loop

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Omnicomp

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