The Low Pass Filter pedal can be used for taming harsh high end such as fret buzz, string noise, and artifacts from other effects such as distortion pedals. It is also useful for simulating the high frequency roll-off of speaker cabinets. At it's most extreme setting, the Low Pass Filter can turn a bass guitar signal into a low end dub tone.
The low pass filter is a 12 dB per octave high frequency filter. The knob controls the cutoff frequency and ranges continuously from 15 kHz to 220 Hz.

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Low Pass Filter

The Fliptop is a JFET preamplifier that is modeled after the B15 amplifier. The gain staging and EQ sections were carefully designed to give the feel and response of the vintage tube amp, offering a good range of pillowy tone that can be driven to the point of light overdrive if pushed.

 In addition to the James stack EQ and gain staging, the Fliptop adds a Master volume control on the output so you can dial in the amount of drive you want while adjusting the volume as needed.

 The Cab knob is essentially a wet/dry control, allowing you to apply 0 to 100% of the cab tone to the preamplifier output. Dialing in more of the cab response tightens the low end and cuts the high frequencies for a warm, vintage tone. The frequency response is modelled after the 15" cab.

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Review by Bass Gear Mag

Review by Talk Bass.com

FlipTop

The Parametric Equalizer offers three bands of equalization with independent control of frequency, bandwidth, and level for each band.

Each band has up to 15 dB of boost or cut. The bandwidth ranges from 0.25 to 2.5 octaves. 
Low - 40 to 400 Hz
Mid - 200 to 2,000 Hz
High - 1,000 to 10,000 Hz

Parametric Equalizer

The Messenger Jr captures the high quality features of its predecessors in the smallest format yet. The Messenger Jr is a high fidelity instrument preamplifier that is perfect for the studio and live performances. The preamp offers a wide array of features in a compact, easy to use format.

Up to 20 dB of clean gain
Shelving bass and treble EQ
Variable low pass and high pass filters
Middle EQ with adjustable frequency
Unbalanced line out and balanced XLR out with ground lift
Volume control for the balanced out signal
Foot switch function can be assigned to either bypass the EQ or mute the signal 

Review by Basschat

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Messenger Jr

The Calamity is an homage to the Civil War fuzz, with many added features to expand the usability of this classic design.

Many bass players turn to the Civil War variant of the Big Muff Pi fuzz circuit due to it's excellent low end response and heavy distortion tones. The Civil War can be a bit of a one-trick pony, and it usually sounds best with a passive bass. The Calamity is a tribute to the strengths of the Civil War fuzz, but with many improvements that give bass players a pallette of distortion tones.

High impedance input - can be used with active or passive basses
Low passed blend - blend in your lowest clean tones for even more low end punch
Variable mids - scoop the mids like in the stock circuit, or add them back in
Three clipping modes give a variety of distortion tones
Very low noise compared to traditional BMP designs
Low impedance output - behaves well with other pedals, preamps, and amplifiers
Accepts up to 24V DC

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Low Pass Filter

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Parametric Equalizer

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Messenger Jr

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