The Omnicomp is a fully featured optical compressor that combines the precision and clarity of the Apex with the presence and tone of the Monocomp. The Omnicomp is so flexible it can be used on a pedal board for live use, or in a studio for precision compression for all of your tracks.

 The Omnicomp is built with an internal 30 volt regulated supply to be able to cleanly and clearly handle signals all the way up to line level. The audio path is driven by a Burr Brown op amp for superior audio performance and extremely low noise. The compression element is a vactrol--an optical element that provides musical compression that is easy dial in.

 The side chain of the Omnicomp contains a gentle high pass filter that gets more steep for very low frequencies. This is tuned so that bass heavy instruments will not overly trigger the compression. Bass, guitar, drums, and vocals all work well with this compressor, with very even compression across their bandwidth.

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Omnicomp

The Low Pass Filter pedal can be used for taming harsh high end such as fret buzz, string noise, and artifacts from other effects such as distortion pedals. It is also useful for simulating the high frequency roll-off of speaker cabinets. At it's most extreme setting, the Low Pass Filter can turn a bass guitar signal into a low end dub tone.
The low pass filter is a 12 dB per octave high frequency filter. The knob controls the cutoff frequency and ranges continuously from 15 kHz to 220 Hz.

Low Pass Filter

The Messenger is a high fidelity instrument preamplifier, perfect for the studio, live performances, or practicing at home. The preamp offers a wide array of features in a compact, easy to use format.

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Messenger DI

High Pass Filter

The Locust Star is an homage to the classic LM308 Rat distortion, combining an array of upgrades that make this one highly versatile dirt pedal. It is a small batch pedal and will be limited in production.

The tone control of a distortion pedal can drastically change the character. A simple passive filter can only provide one dimension of tonal range. The Locust Star instead uses an active shelving EQ, creating far more possible tonal profiles. The Bass control provides more than enough low end for bass players--no clean blend is needed. The Treble control ranges from bright and raspy all the way to a dark and warm tone. To get a mid-forward tone, turn both EQ knobs down and boost the volume. To get a mid-scooped tone, turn both EQ knobs up and lower the volume. The EQ is flat with both knobs at noon.

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