The Messenger Jr captures the high quality features of its predecessors in the smallest format yet. The Messenger Jr is a high fidelity instrument preamplifier that is perfect for the studio and live performances. The preamp offers a wide array of features in a compact, easy to use format.

Up to 20 dB of clean gain
Shelving bass and treble EQ
Variable low pass and high pass filters
Middle EQ with adjustable frequency
Unbalanced line out and balanced XLR out with ground lift
Volume control for the balanced out signal
Foot switch function can be assigned to either bypass the EQ or mute the signal 

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Messenger Jr

A standard Broughton high pass filter with the bypass switch removed. This design allows a more compact layout, fitting on a single pedal board rail, or even mountable underneath a pedal board.

The high pass filter is a 12 dB per octave low frequency filter. The knob controls the cutoff frequency and ranges continuously from 25 Hz to 190 Hz. It has the same frequency points as the switched version, but it does not have the frequencies printed around the knob.

The stock input impedance is 1MΩ. If you have an acoustic pickup that requires a specialized input impedance, write it in the notes during check-out, and we will accomodate the request at no extra cost. The output impedance is 100Ω. This device will work with active or passive instruments, as well as with other devices such as pedals, preamps, or effects loops.

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Always On High Pass Filter

The Parametric Equalizer offers three bands of equalization with independent control of frequency, bandwidth, and level for each band.

Each band has up to 15 dB of boost or cut. The bandwidth ranges from 0.25 to 2.5 octaves. 
Low - 40 to 400 Hz
Mid - 200 to 2,000 Hz
High - 1,000 to 10,000 Hz

Parametric Equalizer

The Fliptop is a JFET preamplifier that is modeled after the B15 amplifier. The gain staging and EQ sections were carefully designed to give the feel and response of the vintage tube amp, offering a good range of pillowy tone that can be driven to the point of light overdrive if pushed.

 In addition to the James stack EQ and gain staging, the Fliptop adds a Master volume control on the output so you can dial in the amount of drive you want while adjusting the volume as needed.

 The Cab knob is essentially a wet/dry control, allowing you to apply 0 to 100% of the cab tone to the preamplifier output. Dialing in more of the cab response tightens the low end and cuts the high frequencies for a warm, vintage tone. The frequency response is modelled after the 15" cab.

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